Elliot is going to the island of Eden to live out his submissive fantasies, but inadvertently photographs diamond smugglers at work. Smugglers, and detectives, follow him to the island, ... See full summary »
Set in nineteenth-century New Orleans, the story depicts the gens de couleur libre, or the Free People of Colour, a dazzling yet damned class caught between the world of white privilege and black oppression.
Georgina throws a sleepover party for her friend Jamie, a moderately successful actress, on the night of Jamie's fiancée's bachelor party. Jill, Jamie, Marcy, Rachel, and Georgina have been... See full summary »
The life of a priest seconded to a New Orleans police department begins to fall apart when he is wrongly implicated in the shooting of a suspect. However, it comes to light that the ... See full summary »
Tells the story of Jesus Christ at age seven as he and his family depart Egypt to return home to Nazareth. Told from his childhood perspective, it follows young Jesus as he grows into his religious identity.
Elliot is going to the island of Eden to live out his submissive fantasies, but inadvertently photographs diamond smugglers at work. Smugglers, and detectives, follow him to the island, where they try to retrieve the film. Elliot begins falling in love with Lisa, the head mistress of the island, and Lisa must evaluate her feelings about Elliot and her own motivations. Written by
Ed Sutton <firstname.lastname@example.org>
The morning after Lisa spends the night with Elliot, she is sitting on her balcony drinking tea. She puts down the tea cup, then a moment later it jumps back into her hand. See more »
You took off your clothes in his office? I could never do that, you know. Even at home, I take off my clothes in the bathroom and then I jump into bed real quick... which is kinda wierd because I live alone.
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After credits is a scene in which Rosie O'Donnel mimics Iman's character See more »
Completely misbegotten adaptation of Anne Rice's book about two cops (Dan Aykroyd and Rosie O'Donnell, a screen-teaming which should've been a hoot) working undercover at an S&M resort to capture a ring of crooks. Garry Marshall directed in a shamefully sloppy manner, without a clue as to how a general audience would feel about this kind of material; his narrative is so clogged with smarmy activity and failed gimmicks (like a voice-over from O'Donnell that is both unfunny and unnecessary) that the picture self-destructs even before the opening credits have finished! Highly unpleasant dud was a critical and commercial turkey, although O'Donnell has gotten mileage out of it by making "Exit to Eden" jokes at her own expense.
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