Agasyta, an urban bengali who seamlessly shuttles between Ella Fitzgerald and Rabindra Sangeet, joins the Indian administration service and gets posted in the lap of India's hinterland - a ...
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Debu Chatterjee is in his 30s, and is chided by everyone he knows as a "virgin". Tired of being stereotyped in this manner, he confides in Baba Hindustani, and Pyarelal about his ... See full summary »
The film recounts the love story of Amit Ray, a barrister educated at Oxford, whose virulent intellectualism reveals itself in its opposition to all forms of tradition. He meets Labanya in ... See full summary »
Konkona Sen Sharma
Agasyta, an urban bengali who seamlessly shuttles between Ella Fitzgerald and Rabindra Sangeet, joins the Indian administration service and gets posted in the lap of India's hinterland - a dingy little town called Madna... See full synopsis »
The vision of Rahul Bose laying purposeless on that dilapidated cot, the curtains in the dark room fluttering to give a fleeting evidence of the raging heat outside, the fan on the ceiling turning with a reassuring repetitive noise, as the smoke slowly fills the screen. The rubber hits the spaced out road. I just had to light up, taken in by the movie hook-line-and-sinker. If you have liked fear and loathing in Las Vegas, if you have been riveted when Spud went Sputnik in Trainspotting, if you have split yourself during the round tables in That 70s show, then bet your bottom dollar on this one. Even if the names above sound Greek to you but you are a male who at least once in his life has felt you are somewhere you don't belong, have touched alcohol as a student and continued the virtue into adult life or if you have crossed teen and don't live with your folks - then do yourself a favor and watch this work of art. And if you dope, I am assuming you have watched this film one time too many already. Agastya brings into life the hidden snob in us, who is afraid to belong. H goes through the film meeting and rejecting people, creating an impenetrable social and cultural divide between himself and the people around him. As he resigns into his solitude, surrounded by colleagues and acquaintances, we are drawn into a trip of lethargy. The humor is silent and splitting. Contextual, self derogatory as well as condescending. One after the other characters from our everyday life enter the movie, your neighbour, the salesman, the loud guy who had sat at the table next to you at the café, the grocery store owner who wont give you credit. They are all there, and you are Agastya wading through them, one among them and yet far far away. It is a classic.
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