Nanni Moretti directs himself playing himself in this wry look at life. Presented in three chapters, Moretti uses the experiences of traveling on his motor-scooter, cruising with his friend... See full summary »
In the opening credits, Johnny Depp's name appears in capital letters, followed by the title - both of them alternating in black and white, as though being illuminated by lightning - and the rest of the main cast are credited on tombstones. Supporting cast and crew names appear in white against dark, rainy sets featuring meant-to-look-low-budget effects such as a giant tentacle and flying saucers in outer space. See more »
Without question it's Tim Burton's best, most complete work and Johnny Depp is superb. Perhaps it's the total understanding of his subject that allows Tim Burton to fly so high here. The beautifully tailored script gives room for some exquisite character drawings, Martin Landau as Bela Lugosi, Vincent D'Onofrio as Orson Wells. "When you re-write a script it gets better and better" tells Ed/Johnny to his girlfriend with a smile full of innocence. What a performance! Johnny Depp is a unique kind of actor, we never had anyone quite like him. How can he manage to disappear behind a character and still bring with him his full bag of tricks, I don't know, but he does. I only wish he wouldn't get lost in mediocrities like "Nick of Time" "The Astronaut's Wife" and "Secret Window" He belongs to the world of real, great filmmakers. Better to risk with an original idea by Emir Kusturica than a "safe", tired, Stephen King thing. Johnny, remember, we're looking at you for clues about ourselves. More Ed Woods , please!
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