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Ed Wood (1994)

7.9
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Ratings: 7.9/10 from 127,069 users   Metascore: 70/100
Reviews: 405 user | 136 critic | 19 from Metacritic.com

The mostly true story of the legendary director of awful movies and his strange group of friends and actors.

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Title: Ed Wood (1994)

Ed Wood (1994) on IMDb 7.9/10

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Won 2 Oscars. Another 23 wins & 14 nominations. See more awards »

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A psychiatrist tells two stories: one of a transvestite (Glen or Glenda), the other of a pseudohermaphrodite (Alan or Anne).

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Cast

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Brent Hinkley ...
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George 'The Animal' Steele ...
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Clive Rosengren ...
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Storyline

The life of 'Edward D. Wood Jr.', hailed as the worst director (of Plan 9 from Outer Space (1959), Glen or Glenda (1953) and Bride of the Monster (1955)) of all time. Written by Rogerio Santos

Plot Summary | Plot Synopsis

Plot Keywords:

director | friend | 1950s | actor | friendship | See more »

Taglines:

When it came to making bad movies, Ed Wood was the best. See more »


Motion Picture Rating (MPAA)

Rated R for some strong language | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

28 September 1994 (USA)  »

Also Known As:

Ed Vud  »

Filming Locations:

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Box Office

Budget:

$18,000,000 (estimated)

Gross:

$5,887,457 (USA)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Martin Landau's winning of the 'Best Supporting Actor' Academy Award for his portrayal of Bela Lugosi marked the first time in Oscar history that a performer in any category won for playing an actual movie star. A decade passed before this happened again; when Cate Blanchett took the 'Best Supporting Actress' trophy for her portrayal of Katharine Hepburn in The Aviator (2004). See more »

Goofs

During the first meeting between Ed Wood and George Weiss where Ed is trying to get funding for Glen or Glenda, Weiss mentions he did a movie entitled Chained Girls, which came out after "Glen or Glenda". See more »

Quotes

Dolores Fuller: Ed, what's *my* motivation?
Edward D. Wood, Jr.: You're the file clerk. You're running into the next room and you run into Janet.
Dolores Fuller: But are we good friends or is she just a casual acquaintance?
Edward D. Wood, Jr.: Dolores, I have five days to complete this picture. Don't get goofy on me.
See more »

Crazy Credits

The lightning bolt in the Touchstone logo appears after the logo is struck by lightning. See more »

Connections

Featured in The 76th Annual Academy Awards (2004) See more »

Soundtracks

GRIP OF THE LAW
Written by Trevor Duncan
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
More than merely a biography, or an homage
9 March 2004 | by (Ohio) – See all my reviews

I am a Johnny Depp fan, and this film only reinforced my enjoyment of his genuine talent. He's whatcha call a real actor. He's on record ("Inside the Actor's Studio" & elsewhere) as saying that his characterization of Wood was a mixture of "the blind optimism of Ronald Reagan, the enthusiasm of the Tin Man from 'The Wizard of Oz' (1939) and Casey Kasem." Well, I must add that either he left out channeling Jon Lovitz or that's where Lovitz got his inspiration, too. It is at moments positively eerie how well it works, and without feeling like Depp stole Lovitz's act--his overall character is so much more, so much else, that the Lovitz echo becomes a small part of a larger coherent whole, although it never disappears entirely.

Sarah Jessica Parker and Patricia Arquette as the principal women in Wood's life are each endearing and effective in their own separate ways. Bill Murray is fun as always, and the secondary and bit players are very well cast.

Martin Landau . . . well . . . Martin Landau simply left me awestruck. Depp is all over the screen doin' his best wacky movie guy and chewing the scenery, Parker, Arquette, Murray, and the rest are obviously having a real fun time backing him up, and Martin Landau is shuffling around in the foreground muttering in Romanian and writing a book called "How to Steal a Movie." Mind boggling performance, and absolutely deserving every award it got him in 1995, which included a Best Supporting Actor Oscar, Golden Globe and SAG Awards, and the American Comedy Award for Funniest Supporting Actor in a Motion Picture. (Incidentally, his daughter Juliet, better known to millions of Buffy the Vampire Slayer fans as the vampire Drusilla, is one of the supporting players.)

If I weren't already a Tim Burton fan this movie would have made me one. He here makes an almost perfectly crafted period piece (anachronisms noted--see the "goofs" page--and dismissed), half cheesy fake scifi B movie and half period noir thriller, as a cinematic biography about the quintessential cheesy fake noir scifi thriller B movie guy. This film goes beyond pastiche, and beyond homage to a genre, although it is both. With this film Burton genuflects--no, prostrates himself--before the gods of 1950s low-budget black and white, and the gods are pleased indeed. It seems like he must have watched every movie made in America for under a million dollars between 1948 and 1962. I lost count of the echoes and parodies and pastiches and mini-homages that fill, I think, every darn frame of the movie, and which by no means are mostly of Wood and his work.

As with, I think, every movie biography, there's the odd gratuitous fact changing (see the "goofs" page again)--you know, the "Why'd they do that when the truth wouldn't make any difference?" kind of stuff, and as glowing as this review obviously is I must also say that it is in some ways an imperfect film--it glosses over Wood's later career, for example. But it it so obviously a labor of love and joy for all involved that in my opinion its imperfections are inconsequential. Ed Wood stands proudly, with that slightly odd gleam in its eye, with the best movie biographies made.


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