Nanni Moretti directs himself playing himself in this wry look at life. Presented in three chapters, Moretti uses the experiences of traveling on his motor-scooter, cruising with his friend... See full summary »
Originally developed at Columbia, studio boss Mark Canton and Tim Burton fell out when the former objected to the film being made in black and white. Burton walked off with the project, shopping it around various other studios, until Disney decided to make it through its Touchstone banner. See more »
In a screening room, Ed calls back to the projectionist to show the footage again. At which point, the projector (the same projector) immediately restarts although the film has not been rewound and rethreaded. See more »
In the opening credits, Johnny Depp's name appears in capital letters, followed by the title - both of them alternating in black and white, as though being illuminated by lightning - and the rest of the main cast are credited on tombstones. Supporting cast and crew names appear in white against dark, rainy sets featuring meant-to-look-low-budget effects such as a giant tentacle and flying saucers in outer space. See more »
There isn't enough weirdness of this ilk in the world. I rated this a 10 because it is perfect in its imperfection, just like Ed Wood was. Come on, the guy did 'Plan 9' for cryin' out loud. How perfectly horrible was that movie??
Landau was flawless as Bela Lugosi. Johnny Depp was his usual wonderful weird self. What is there to say about Bill Murray that hasn't already been said? Sarah Jessica Parker was brilliant as the not quite an airhead girlfriend/wife.
Frankly, I just can't find anything wrong with this movie except that it ends. I just wanted the weirdness to go on and on.
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