Ambitious but troubled movie director, Edward D. Wood Jr, tries his best to fulfill his dream, despite his lack of support.

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Storyline

Because of his eccentric habits and bafflingly strange films, director Edward D. Wood Jr. is a Hollywood outcast. Nevertheless, with the help of the formerly famous Bela Lugosi and a devoted cast and crew of show-business misfits who believe in Ed's off-kilter vision, the filmmaker is able to bring his oversize dreams to cinematic life. Despite a lack of critical or commercial success, Ed and his friends manage to create an oddly endearing series of extremely low-budget films. Written by Jwelch5742

Plot Summary | Plot Synopsis

Taglines:

When it came to making bad movies, Ed Wood was the best. See more »


Motion Picture Rating (MPAA)

Rated R for some strong language | See all certifications »

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Details

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Release Date:

7 October 1994 (USA)  »

Also Known As:

Ed Vud  »

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Box Office

Budget:

$18,000,000 (estimated)

Opening Weekend:

$1,900,000 (USA) (2 October 1994)

Gross:

$5,887,457 (USA)
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Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The producers requested that George "The Animal" Steele submit an audition on video for his role as Tor Johnson. Steele made a comedy short, and sent that to the producers. A second audition tape was requested. Steele's wife produced and directed the second audition tape, which used dialogue from the script. See more »

Goofs

During both scenes where Ed Wood is resting on the bench at the sanitarium, the same car drives down the street as seen through the window in the back. See more »

Quotes

Edward D. Wood, Jr.: Dolores, I have 5 days to finish this picture. Don't get goofy on me.
See more »

Crazy Credits

The lightning bolt in the Touchstone logo appears after the logo is struck by lightning. See more »

Connections

Referenced in Nostalgia Critic: Son of the Mask (2013) See more »

Soundtracks

LASST UNS ERFREUEN (ALL CREATURES OF OUR GOD AND KING)
Music by Peter von Brachel
Lyrics by John Athelstan Laurie Riley
Arranged by Ralph Vaughan Williams
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Frequently Asked Questions

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User Reviews

An Unlikely Masterpiece
26 April 1999 | by (Wokingham, England) – See all my reviews

I hear that ED WOOD took just $6,000,000 on its initial cinematic release in the USA. I'm not surprised. The extraordinary thing is that the film was financed and released at all. Had it not been for the prestige that Tim Burton had already earned from his previous projects, ED WOOD would no doubt have foundered long before the cameras began to roll. The result could have been another 1941 – but it wasn't. What came out of Tim Burton's fascination with the `Worst Director of All Time' was something very rich and strange – perhaps the most un-Hollywood Hollywood picture of the 90s.

I see two main themes in ED WOOD. The first is the dreadful fear that hovers over everyone who enters the creative arts – `Am I any good?' `Is my work any good?' `How do I know if it's any good?' `What if I think it's good, but everybody else thinks it's rubbish?' Artists use all kinds of strategies to deal with these fears – some become eccentric, others arrogant, others diffident. Without the right to fail, no artist is likely to take the sort of risk that sometimes, just sometimes, leads to great work. Tim Burton knew this.

Edward D Wood Jnr believed himself to be a creative artist. Oh, how he believed. But he still failed to create anything worthwhile. And this leads to what I believe to be the second theme of the movie, and the reason why I think it failed commercially.

Look at all the things Ed did right. He believed in himself. He followed his dream. He worked hard. He was an entrepreneur – he did his best to make others believe in his dream and help him to turn it into reality. In short, he did all the things that the self-help books, the daytime TV shows, the junk ballads and the feel-good movies tell us will give you success. Just wish upon a star, work all the hours there are to turn your vision into reality and you will succeed. Ed did all of these things. And still he failed. He died short of his 60th birthday, living in a crime-riddled apartment building, drunk, broke, supporting himself and his loyal wife Kathy by writing formula pornography and making sex instruction flicks on 8mm.

America doesn't want to hear this. Hollywood doesn't want to tell America this – that you can try and try and try and still get nothing but heartbreak. This is why ED WOOD is such an un-Hollywood film – and why it's one of the best Hollywood films of the 90s.


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