| Photos (See all 26 | slideshow) | Videos (see all 2) |
| Wesley Snipes | ... | Pete Nessip | |
| Gary Busey | ... | Ty Moncrief | |
| Yancy Butler | ... | Jessie Crossman | |
| Michael Jeter | ... | Earl Leedy | |
| Corin Nemec | ... | Selkirk | |
| Kyle Secor | ... | Swoop | |
| Luca Bercovici | ... | Jagger | |
| Malcolm-Jamal Warner | ... | Terry Nessip | |
| Rex Linn | ... | Bobby | |
| Grace Zabriskie | ... | Winona | |
| Robert LaSardo | ... | Deputy Dog | |
| Sam Hennings | ... | Torski | |
| Claire Stansfield | ... | Kara | |
| Mickey Jones | ... | Deuce | |
| Andy Romano | ... | Tom McCracken | |
| Rick Zieff | ... | Mike Milton | |
| Clark Johnson | ... | Bob Covington | |
| Charles Boswell | ... | Glenn Blackstone | |
| Natalie Jordan | ... | Lena | |
| Ed Amatrudo | ... | Detective Fox | |
| Melanie Mayron | ... | Mrs. Willins | |
| A.J. Ross | ... | Roslund | |
| Al Israel | ... | Schuster Stephens | |
| Steve DuMouchel | ... | Walsh Matthews | |
| J.P. Patrick | ... | Jump Master | |
| Tim Powell | ... | Gordon Maples (as Tim A. Powell) | |
| Steve Raulerson | ... | Commander Dejaye (as Steven Raulerson) | |
| D.D. Howard | ... | Norma | |
| Dale Swann | ... | 747 Captain | |
| Keith Leon Williams | ... | 747 Flight Engineer | |
| Lexie Bigham | ... | Big Man Passenger | |
| Ron Kuhlman | ... | DEA Guard | |
| Jerry Tondo | ... | DEA Guard | |
| Kimberly Scott | ... | Joanne (as Kimberly A. Scott) | |
| Keith MacKechnie | ... | Night Desk Sergeant | |
| Jan Speck | ... | Flight Attendant #1 | |
| rest of cast listed alphabetically: | |||
| John Badham | ... | Yacht Captain (uncredited) | |
| Vince Cecere | ... | Special Agent Jones (uncredited) | |
| Dana Cox | ... | Paramedic (uncredited) | |
| Sheldon Fogel | ... | The Official (uncredited) | |
| Anthony Giaimo | ... | Head Jump Official (uncredited) | |
| Steve Greenberg | ... | Steve Greenberg, Reporter (uncredited) | |
| Dave Knight | ... | Washington DC Skydive Finals Attendee (uncredited) | |
| Tom Lawrence | ... | Airplane Passanger (uncredited) | |
| Gary Rodriguez | ... | Paramedic (uncredited) | |
| Vic Stagliano | ... | Convict (uncredited) | |
Directed by | |||
| John Badham | |||
Writing credits(WGA) | ||
| Tony Griffin | (story) & | |
| Guy Manos | (story) & | |
| Peter Barsocchini | (story) | |
| Peter Barsocchini | (screenplay) and | |
| John Bishop | (screenplay) | |
Produced by | |||
| John Badham | .... | executive producer | |
| D.J. Caruso | .... | producer | |
| Doug Claybourne | .... | co-producer | |
| Cammie Crier | .... | associate producer | |
| Lauren Lloyd | .... | producer | |
| Wallis Nicita | .... | producer | |
Original Music by | |||
| Hans Zimmer | |||
Cinematography by | |||
| Roy H. Wagner | (director of photography) | ||
Film Editing by | |||
| Frank Morriss | |||
Casting by | |||
| Carol Lewis | |||
Production Design by | |||
| Joe Alves | |||
Art Direction by | |||
| Mark W. Mansbridge | |||
Set Decoration by | |||
| Richard C. Goddard | |||
Costume Design by | |||
| Mary E. Vogt | |||
Makeup Department | |||
| Clifford Booker | .... | hair stylist | |
| Kimberly Felix | .... | makeup artist (as Kimberly Felix-Burke) | |
| Laini Thompson | .... | makeup artist: Mr. Snipes | |
| Mark Wittenberg | .... | additional makeup artist (uncredited) | |
| Mark Wittenberg | .... | makeup artist: trauma (uncredited) | |
Production Management | |||
| Burt Bluestein | .... | unit production manager | |
| Marty Hornstein | .... | production manager | |
Art Department | |||
| John Blanchard | .... | propmaker | |
| Jerry Blohm | .... | assistant property master | |
| Ashley Burnham | .... | art department coordinator | |
| Clete Cetrone | .... | construction foreman | |
| Larry Clark | .... | paint supervisor | |
| Richard Crain | .... | foreman | |
| Stephen I. Erdberg | .... | assistant property master | |
| George Jenson | .... | conceptual artist | |
| Anthony Klaiman | .... | set dresser | |
| Gary Metzen | .... | laborer | |
| Thomas Minton | .... | set designer | |
| Maura Moss | .... | props p.a | |
| Ken Peterson | .... | assistant property master | |
| Jeremy Alan Read | .... | set dresser | |
| Tom Southwell | .... | conceptual artist | |
| Robert Van Dyke | .... | propmaker gangboss | |
| Michael A. Wells | .... | propmaker | |
| Cary Whittaker | .... | lead greens | |
| Daniel Williams | .... | painter | |
Sound Department | |||
| Albert Aquino | .... | boom operator | |
| Kevin B. Barron | .... | assistant sound editor (as Kevin Poor) | |
| James Bolt | .... | sound re-recording mixer | |
| Michael C. Casper | .... | sound re-recording mixer | |
| Cory Coken | .... | additional adr artist | |
| Christopher Flick | .... | foley editor | |
| Marilyn Graf | .... | foley mixer | |
| Adam Johnston | .... | sound effects editor | |
| Steve Kohler | .... | sound | |
| John Roesch | .... | foley artist | |
| Gregg Silk | .... | assistant sound engineer | |
| Russell Williams II | .... | production sound mixer | |
| Samuel C. Crutcher | .... | sound editor/design (uncredited) | |
| Carolyn Tapp | .... | foley recordist (uncredited) | |
Special Effects by | |||
| Douglas Calli | .... | special effects technician | |
| Terry Chapman | .... | special effects | |
| Scott Forbes | .... | special effects technician | |
| Chuck Gaspar | .... | special effects supervisor | |
| Jeff Jarvis | .... | second unit coordinator | |
| Marc Mercury | .... | special effects | |
| Michael A. Tice | .... | special effects technician | |
| Robert Cole | .... | special effects (uncredited) | |
| Michael Gaspar | .... | special effects foreman (uncredited) | |
Visual Effects by | |||
| Chuck Comisky | .... | visual effects supervisor | |
| Jenny Fulle | .... | visual effect producer | |
| Andrew R. Harris | .... | paint/roto artist (as Andrew Harris) | |
| Michael Hofstein | .... | visual effects cinematographer | |
| Jessica Huebner | .... | visual effects coordinator | |
| Evan Jacobs | .... | miniatures | |
| Karin Joy | .... | visual effects coordinator | |
| David C. Lawson | .... | imaging assistant | |
| Don Lee | .... | digital compositor | |
| Todd A. Marks | .... | computer effects supervisor | |
| Jeff Matakovich | .... | visual effects | |
| Ray Moore | .... | modelmaker | |
| Linda Morgenstern | .... | assistant camera: visual effects unit | |
| Michelle Murdocca | .... | visual effects | |
| Jeff Platt | .... | electronics | |
| Ron Simonson | .... | digital colorist | |
| David A. Smith | .... | compositor | |
| Tanya Spence | .... | compositor: Boss Film | |
| Greg Stuhl | .... | miniatures: Boss Film | |
| Marc Toscano | .... | digital artist | |
| Guy Williams | .... | digital artist | |
| Stuart Mintz | .... | digital artist (uncredited) | |
| Michelle Murdocca | .... | digital production manager (uncredited) | |
| Derek N. Prusak | .... | visual effects assistant cameraman (uncredited) | |
| Jeff W. Smith | .... | digital compositor (uncredited) | |
Stunts | |||
| John Ashby | .... | stunt performer | |
| Tom Bahr | .... | utility stunts | |
| Gregory J. Barnett | .... | utility stunts | |
| Jake Brake | .... | aerial stunt double | |
| Phil Chong | .... | stunts | |
| Doc Duhame | .... | stunts | |
| Norman Kent | .... | stunts | |
| Jake Lombard | .... | stunt rigger | |
| Guy Manos | .... | aerial stunt coordinator | |
| Guy Manos | .... | skydiving supervisor | |
| Duane Matthews | .... | utility stunts | |
| Marcus Salgado | .... | fight consultant | |
| Keith Tellez | .... | stunts | |
| Jim Vickers | .... | stunts | |
| Eddie L. Watkins | .... | stunts | |
| Craig Appel | .... | utility stunts (uncredited) | |
| Daniel T. O'Brien | .... | aerial stunts (uncredited) | |
| Manny Perry | .... | stunt performer (uncredited) | |
Casting Department | |||
| Ed Arenas | .... | casting: Miami | |
Costume and Wardrobe Department | |||
| Dan Bronson | .... | costume supervisor | |
| Jessica Fasman | .... | key costumer | |
| Danielle Feller | .... | set costumer | |
| April Hunter | .... | costumer | |
| Bob Moore Jr. | .... | set costumer | |
Editorial Department | |||
| Phil Hetos | .... | color timer (as Philip Hetos) | |
| Eric Rigney | .... | avid technician | |
| Lewis Schoenbrun | .... | assistant editor | |
| Michael Thau | .... | assistant editor | |
| David Tweet | .... | assistant film editor | |
Music Department | |||
| Ryeland Allison | .... | musician | |
| Nick Glennie-Smith | .... | composer: additional music | |
| Laura Perlman | .... | music editor | |
| John Van Tongeren | .... | composer: additional music | |
Transportation Department | |||
| Dan Marrow | .... | transportation coordinator | |
| Recent Posts (updated daily) | User |
|---|---|
| High School Musical | jaythewarthog |
| I love this movie! | moveguy |
| Ripoff | conflictengaged |
| DEA | loadofsmith |
| Cafe Market Song | nynexx |
| What guns were used? | superhyperduck |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
<*sigh!*> Am I the only one this entire sad, weary world who notices that all these action films use the exact (and I mean exact!) same plot? Or am I just the only one who cares?
As action movies go, this one is OK, I guess. (But that's a little bit like saying "As cases of diarrhea go, this one was OK.") On the plus side, the aerial photography depicting the skydiving scenes was spectacular. There were the requisite number of explosions, chase scenes, and witty banter on the part of both the hero (Wesley Snipes) and the villain (Gary Busey), delivered archly in the expectation that one of their ripostes might become a popular catchphrase. And Yancy Butler is not too hard to look at, either.
However, if I pay $8 or $9$ to watch a film, I expect a little more than something made from a cookie cutter. Hollywood spends a great deal of time, effort and money putting together movies with extraordinary special effects, and they've become quite good at it. OK, so I'm impressed! Can't a few more of them work a little bit on story, characterization and dialogue? Is that really too much to ask?
As I watched this movie (and to be fair, I stumbled across it on television rather than paying an exorbitant ticket price at the theater; this probably made me more disposed to be tolerant) All I could think was that this is what Coleman Francis might have made had he had a bigger budget. Maybe he would have thrown in more coffee, cigarettes, booze and bad tempered swearing as well.