Shaw is an operative for the United Nations' covert dirty-tricks squad, using espionage and quasi-ethical tactics to secure peace and cooperation. When a shipping container full of dead ... See full summary »
A 25 year old female White House staffer, Carla Town, is murdered in the White House. D.C. homicide detective Regis is assigned to investigate, only to find evidence suppressed by the ... See full summary »
When an escort girl is found dead in the offices of a Japanese company in Los Angeles, detectives Web Smith and John Connor act as liaison between the company's executives and the investigating cop Tom Graham.
Dean Cage is a former CIA operative who suffers from extreme PTSD. While in a program to resolve the stress of the loss his future brother-in-law Scott, he plans to meet Scott's sister at a... See full summary »
A team of skydiving crooks led by DEA-agent-turned-bad Busey specialize in landing on police roofs and breaking in so their evil computer nerd can steal undercover agents' files and sell them to drug lords. Federal Marshal Snipes lost a brother to this crew and learns skydiving with the help of tough-but-lovable instructor Butler so he can track them down. DIE HARD meets PASSENGER 57 meets CLIFFHANGER. Written by
Tom Neff <email@example.com>
<*sigh!*> Am I the only one this entire sad, weary world who notices that all these action films use the exact (and I mean exact!) same plot? Or am I just the only one who cares?
As action movies go, this one is OK, I guess. (But that's a little bit like saying "As cases of diarrhea go, this one was OK.") On the plus side, the aerial photography depicting the skydiving scenes was spectacular. There were the requisite number of explosions, chase scenes, and witty banter on the part of both the hero (Wesley Snipes) and the villain (Gary Busey), delivered archly in the expectation that one of their ripostes might become a popular catchphrase. And Yancy Butler is not too hard to look at, either.
However, if I pay $8 or $9$ to watch a film, I expect a little more than something made from a cookie cutter. Hollywood spends a great deal of time, effort and money putting together movies with extraordinary special effects, and they've become quite good at it. OK, so I'm impressed! Can't a few more of them work a little bit on story, characterization and dialogue? Is that really too much to ask?
As I watched this movie (and to be fair, I stumbled across it on television rather than paying an exorbitant ticket price at the theater; this probably made me more disposed to be tolerant) All I could think was that this is what Coleman Francis might have made had he had a bigger budget. Maybe he would have thrown in more coffee, cigarettes, booze and bad tempered swearing as well.
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