Political satire about an underground militant group that kidnaps African-Americans who have sold out their race. The story follows as the group led Curtis-Hall and Rhames kidnaps an ... See full summary »
In BACK IN THE DAY, Reggie Cooper, a young man from the rough side of the tracks who lives with his divorced, affluent father in order to avoid the gang activity that almost claimed his ... See full summary »
Hardened, uncomprimising drug dealer Roemello Skuggs decides to quit his scumbag profession so he may start a new life with his girlfriend. However, he soon learns getting out is nowhere ... See full summary »
Tortured by his own mediocrity, Max decides to commit suicide and recruits his only friend Bud, a struggling filmmaker, to record his last day on earth. Bent on exacting revenge, Max tracks... See full summary »
Vusi Madlazi returns to the South African village he left as a young boy (he was organizing against apartheid, and left in fear of his life) to bury his father. He meets up with his brother... See full summary »
A group of thieves attempt to rob an art gallery, but when plans backfire and one of the men winds up dead, the group head down south, running afoul of the law. Along the way, they meet up ... See full summary »
Convicted felon Rev. Armstrong returns back to his neighborhood a changed man looking to take over his father's old church. The neighborhood is tough and full of drugs and gangs. Through ... See full summary »
When the violent gangster James "Animal" Allen is arrested and sent to prison, his teenage son Darius is left with his mother, but she is assassinated and the boy is raised alone on the ... See full summary »
Teenagers Glen and Randa are members of a tribe that lives in a rural area, several decades after nuclear war has devastated the planet. They know nothing of the outside world, except that ... See full summary »
Political satire about an underground militant group that kidnaps African-Americans who have sold out their race. The story follows as the group led Curtis-Hall and Rhames kidnaps an advertising executive (La Salle) who has been providing advertising programs that belittles blacks and women. One advertisement features Spike Lee endorsing Gospelpak Fried Chicken which comes in a bucket with the Confederate flag draped all over it. Written by
John Sacksteder <firstname.lastname@example.org>
As a proud White American I must say that this movie is a powerful structure that requires a tremendous amount of understanding for another culture while swallowing a little pride of my own.
For those who think this movie is racist only proves that more movies like this one need to be made. You can't tell a race of people to just move forward if they are not sure where they come from. You can't just say, "Slavery is over! Now go out and be successful," without understanding the conditioning slavery left behind. Economically and internally. Not to mention when African Americans try to reconnect with their past they are constantly bombarded by some of the same Whites who at times, seem a little bit too concerned with keeping this connection at bay, as if it were a threat of some sort. Meanwhile our toddlers are at school learning about their distant past great leaders like Caesar. Thus, encouraging them to be great leaders. While the black toddlers are learning about slavery and their minor, more modern American accomplishments like the creation of peanut butter or the civil rights movement, making their steps of stride smaller, surviving from day to day, check to check, with hopes of purchasing an apartment or a car as a major accomplishment.
Why are we afraid for African Americans to learn they're history? Is it because there were some Black leaders greater than Whites. Is it because most of our history might be tainted with a lot of lies and cover up? If we Whites really want to be Equal (and not just announce it all the time) then we will encourage more Blacks to become one with their distant past. And if it puts some of Europeans most powerful parts in history to the background then so what? We didn't have a problem when we where in the forefront, so why would it matter now if we're in the background? If we truly aren't racist, it shouldn't matter at all. One thing Hollywood and our school system shows us is that Europeans have done great things. But not all great things. And maybe, not even the greatest. But that in itself proposes a powerful question. What if Africans have done greater things, would we be willing to accept that? The truth is, we all know we won't. Does the psychological scar of racism really cuts that deep?
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