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Double Obsession (1994)
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Overview
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A terrifying true-story of sexual obsession and murder...
Plot:
A disturbed lesbian librarian kidnaps a beautiful young woman she's obsessed with, breaks her foot to keep her incapacitated, then starts to kill off people she believes are intruding in their "relationship". | add synopsis
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Margaux Hemingway the psycho lesbian librarian from hell!
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Cast
(Cast overview, first billed only) | Margaux Hemingway | ... | Heather Dwyer |
| Maryam d'Abo | ... | Claire Burke |
 | Frederic Forrest | ... | Paul Harkness |
| Scott Valentine | ... | Steve Burke |
| Beth Fisher | ... | Sherry Roberts |
| Jamie Horton | ... | Detective Bennett |
| Blair Weickgenant | ... | Lilian Robinson |
 | Charles Carroll | ... | Security Guard |
 | Rachel Ward | ... | Grandmother |
| Bea Hurwitz | ... | Aunt Jean |
| Hank Gaffney | ... | Other Relative at Burke's House |
| Mary A. Gaffney | ... | Other Relative at Burke's House |
| Don Lambert | ... | Other Relative at Burke's House |
| Darryl Hogue | ... | Other Relative at Burke's House |
| Sydney Warner | ... | Other Relative at Burke's House |
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88 min
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Production completed in 1992. Released on VHS in 1994.
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Heather Dwyer:
I don't like to be interrupted.
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DOUBLE OBSESSION (R) - Columbia Tri-Star Video (VHS version): Cross Carol Channing with Basic Instinct's Sharon Stone and you've got...Margaux Hemingway the psycho lesbian librarian from hell!!! In a performance that could be loosely described as a mammothly overcooked study in raging psychosis, Margaux's this screwball campus librarian so obsessed with her former roommate (Maryam D'Abo) that she befriends a gorgeous young student (Beth Fisher), breaks her foot, and introduced her to the pleasures of Miracle Whip soup and candlelit dungeons.
A shoe-in candidate for Best Bad Movie Ever Made, this flick's easier to accept as an atrociously amusing piece of camp crap than the 'terrifying true story' the box would have us believe. Frederic Forrest contributes a lazy, seemingly drunken performance (most of it ad-libbed, some of it apparently read off cue cards in his hands) that helps to push his scenes well past the point of having an actual point, while Tony Roman's putrid synthesizer score plays non-stop throughout most of the flick, and Ed Montes (who thanks his shrink in the credits!) proves himself as adept at directing as Joseph Hazelwood was at piloting oil tankers. 7 (for comedy value only).