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| Kathy Bates | ... | Dolores Claiborne | |
| Jennifer Jason Leigh | ... | Selena St. George | |
| Judy Parfitt | ... | Vera Donovan | |
| Christopher Plummer | ... | Det. John Mackey | |
| David Strathairn | ... | Joe St. George | |
| Eric Bogosian | ... | Peter | |
| John C. Reilly | ... | Const. Frank Stamshaw | |
| Ellen Muth | ... | Young Selena | |
| Bob Gunton | ... | Mr. Pease | |
| Roy Cooper | ... | Magistrate | |
| Wayne Robson | ... | Sammy Marchant | |
| Ruth Marshall | ... | Secretary | |
| Weldon Allen | ... | Bartender | |
| Tom Gallant | ... | Searcher | |
| Kelly Burnett | ... | Jack Donovan | |
| Matt Appleby | ... | Kid on street | |
| Thomas Skinner | ... | Kid on street | |
| Vernon Steel | ... | Ferry vendor | |
| Taffara Jessica Stella Murray | ... | Young Selena (Age 5) | |
| Susan Lane | ... | Crying girl | |
| Frank Adamson | ... | Detective supervisor | |
| Edward Rubin | ... | Detective supervisor (as Ed Rubin) | |
| Sandy MacDonald | ... | Sheriff | |
| Dean Eilertson | ... | Moving man |
Directed by | |||
| Taylor Hackford | |||
Writing credits(WGA) | ||
| Stephen King | (book) | |
| Tony Gilroy | (screenplay) | |
Produced by | |||
| Gina Blumenfeld | .... | associate producer | |
| Taylor Hackford | .... | producer | |
| Michael Kelly | .... | associate producer | |
| Charles Mulvehill | .... | producer | |
Original Music by | |||
| Danny Elfman | |||
Cinematography by | |||
| Gabriel Beristain | |||
Film Editing by | |||
| Mark Warner | |||
Casting by | |||
| Nancy Klopper | |||
Production Design by | |||
| Bruno Rubeo | |||
Art Direction by | |||
| Dan Yarhi | |||
Set Decoration by | |||
| Steve Shewchuk | |||
Costume Design by | |||
| Shay Cunliffe | |||
Makeup Department | |||
| Réjean Goderre | .... | hair stylist | |
| Luigi Rocchetti | .... | supervising makeup artist | |
| Aldo Signoretti | .... | hair stylist | |
| Micheline Trépanier | .... | makeup artist | |
Production Management | |||
| Joseph Boccia | .... | production manager | |
| Jeffrey Stott | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Christopher Ball | .... | second assistant director | |
| Josh McLaglen | .... | first assistant director | |
| Kayla Popp | .... | third assistant director | |
| Kristie Sills | .... | second second assistant director | |
| Lars P. Winther | .... | third assistant director | |
| Kerric Macdonald | .... | trainee assistant director (uncredited) | |
Art Department | |||
| Lorne Armstrong | .... | set dresser | |
| Art Baxter | .... | construction manager | |
| David Baxter | .... | head carpenter | |
| Stephan Bernier | .... | head carpenter | |
| Malcolm Callaway | .... | stand-by painter | |
| Keith Currie | .... | prop person | |
| Dean Eilertson | .... | assistant property master | |
| Tricia Fish | .... | art department coordinator | |
| Elinor Rose Galbraith | .... | set decorator: Toronto | |
| Mark Goodwin | .... | stand-by carpenter | |
| Robert Grani | .... | set dresser | |
| Randy Hardy | .... | stand-by painter | |
| David Hopkins | .... | set dresser | |
| Denis Kirkham | .... | assistant set decorator | |
| Mark Laing | .... | draftsman | |
| Patricia Larman | .... | assistant set decorator | |
| Barbara Luxton | .... | prop person | |
| Scott MacFarlane | .... | head carpenter | |
| Fritz McEvoy | .... | assistant head carpenter | |
| Angela Murphy | .... | first assistant art director | |
| Dan Owens | .... | set dresser | |
| Raymond Prado | .... | storyboard artist | |
| Bruno Robotti | .... | key scenic artist | |
| Paul Robotti | .... | scenic painter | |
| Cassandra Saulter | .... | scenic painter | |
| Kathie Shaw | .... | art department runner | |
| Darlene Sheils | .... | art department trainee | |
| Mary Steckle | .... | sets buyer | |
| Grant Swain | .... | property master | |
| Karen Toole | .... | art department runner | |
| David Sutherland | .... | co-head carpenter (uncredited) | |
Special Effects by | |||
| Dan Purdy | .... | special effects assistant | |
| Ted Ross | .... | special effects coordinator | |
| Lawrence Willett | .... | special effects assistant | |
| Jim Meisner | .... | special effects crew (uncredited) | |
Visual Effects by | |||
| Richard Bain | .... | visual effects digital designer | |
| David Fuhrer | .... | digital artist: CFC | |
| Rob Hodgson | .... | visual effects digital designer | |
| Richard E. Hollander | .... | additional visual effects | |
| Stuart McAra | .... | visual effects producer | |
| Janek Sirrs | .... | visual effects | |
| Janet Yale | .... | visual effects producer | |
| Bryan Hirota | .... | CG artist: VIFX (uncredited) | |
| Michele Maples | .... | visual effects producer (uncredited) | |
Stunts | |||
| Shelley Cook | .... | stunts | |
| Shannon Millen | .... | stunts | |
| Sammy Thurman | .... | stunts | |
| Tye Tyukodi | .... | stunts | |
| Ron Van Hart | .... | stunts | |
Casting Department | |||
| Ross Clydesdale | .... | casting: Toronto | |
| John Dunsworth | .... | casting: Nova Scotia | |
| Stacey Rosen | .... | casting associate | |
Costume and Wardrobe Department | |||
| Patricia Cowmeadow | .... | wardrobe runner (as Tisha Cowmeadow) | |
| Roberta Palmer | .... | wardrobe assistant | |
| Karen Renaut | .... | wardrobe mistress | |
| Robert Roberts | .... | wardrobe master | |
| Rhea Theriault | .... | seamstress | |
| Georgina Yarhi | .... | costume ager (uncredited) | |
Music Department | |||
| Steve Bartek | .... | orchestrator | |
| Andy Bass | .... | score recordist | |
| Danny Elfman | .... | music producer | |
| Robert Fernandez | .... | orchestra recordist | |
| Arlene Fishbach | .... | music consultant | |
| Christopher Kennedy | .... | score editor: temporary score | |
| David Marquette | .... | score recordist | |
| Hendrik Meurkens | .... | composer: song "Night in the Afternoon" | |
| Shawn Murphy | .... | score mixer | |
| Edgardo Simone | .... | additional orchestrator | |
| Curt Sobel | .... | music editor | |
| Richard Stone | .... | conductor | |
| Patti Zimmitti | .... | music contractor | |
| Richard Ziegler | .... | assistant music editor (uncredited) | |
Transportation Department | |||
| John Allen | .... | picture vehicle coordinator | |
| Robert Bennett | .... | head driver | |
| William M. Corkum | .... | production driver | |
| Gary Duncan | .... | driver: camera car | |
| Gert Gielen-MacGregor | .... | production driver | |
| Rob 'Huck' Hovis | .... | production driver | |
| Jannette Joudrey | .... | production driver | |
| Rick Leger | .... | driver: camera car | |
| Forbes MacDonald | .... | production driver | |
| Paul MacEachern | .... | production driver | |
| Bob MacIsaac | .... | production driver | |
| Dave Marwick | .... | production driver | |
| Stuart Mitchell | .... | production driver | |
| Steve Murphy | .... | production driver | |
| Donnie Ongo | .... | production driver | |
| Kelly Peterson | .... | production driver | |
| James Ritchie | .... | production driver | |
| Gordie Roberts | .... | production driver | |
| Gib Russell | .... | production driver | |
| Rohan Singh | .... | production driver | |
| Kimberly Smith | .... | production driver | |
| Nick Sweetman | .... | transportation coordinator | |
| Emmanuel 'Manny' Taylor | .... | transportation captain | |
| Grant Volkers | .... | production driver | |
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I first saw "Dolores Claiborne" when it came out in 1995 and have seen it again some 3 or 4 times since, a practice I dedicate only to "certified" masterpieces. At first, I couldn't figure out why I kept revisiting "D.C." when it showed up on cable - it's not a cinematic wonder or a work of art (something it doesn't strive to be, by the way), not even a story that you can say it's really original. But as I became more familiar with the film, I could see why it always pulled me in: it's a triumph of story-telling, of the WAY and PACE the story is revealed in small precise doses much like slowly completing a puzzle, the kind of film you can only let go when the last missing piece (Selena's final flashback) fits into place.
How the story manages to make such initially repulsive characters (all of them!!) develop into sympathetic (or at least pathetic) ones is of course Stephen King's special talent, expertly translated by the fine jobs by the screenwriter, actors and director of "Dolores Claiborne". The cinematography is kind of obvious in its distinct color treatment of past and present, but the entire cast is inspired, including Kathy Bates' best-ever performance (she has stated so herself), especially in the flash-back scenes; delightfully virtuoso Judy Parfitt (you just keep hoping along for more Vera's scenes, and each one of them is a knockout); and reliable pros Christopher Plummer, David Strathairn (such an underrated actor!) and John C. Reilly. Even Jennifer Jason Leigh for once has her irritating mannerisms fit perfectly to build her terribly tormented character.
That's what good story-telling is all about: even if you already know the plot from A to Z, you just want to see once again the way it unfolds, like a good scary fairy tale. "Dolores Claiborne" is not without faults, but it's certainly worth your time, and even more than once.