Dolores Claiborne works as a maid for a wealthy woman in remote Maine. When she is indicted for the elderly woman's murder, Dolores' daughter Selena returns from New York, where she has become a big-shot reporter. In the course of working out the details of what has happened, as well as some shady questions from the past and Selina's troubled childhood, many difficult truths are revealed about their family's domestic strife. This is cleverly portrayed with present reality shot in cool blue tones blending seamlessly into flashbacks shot in vivid color. As small town justice relentlessly grinds forward, surprises lie in store for the viewers.... Written by
Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>
They were separated by a death...and reunited by a murder.
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Did You Know?
In preparation for her role, Ellen Muth
wrote in a journal as her character in the movie for weeks before shooting the film. See more
After the brief shot of Dolores turning over her glass on the tabletop and booze dripping out, it slowly dissolves into a shot of clouds, then a pan of the shoreline to reveal the St. George house. During that pan, a portable toilet is very visible. A company in Nova Scotia rents a model that is blue with a bright yellow roof - exactly what you see in the scene. That's a fairly distinctive color scheme, which arguably makes this a geographic goof as well. See more
Const. Frank Stamshaw
Going on a morning walk?
No, I'm just packing the get-away boat, so I can make my great escape.
Referenced in Secret Window
Happy Days Are Here Again
Written by Milton Ager
and Jack Yellen See more