IMDb > Disclosure (1994)
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Disclosure (1994) More at IMDbPro »

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Disclosure -- A male executive sues his corporation after being hit with a bogus sexual harassment suit from a female colleague -- and former lover.
Disclosure -- A computer specialist is sued for sexual harassment by a former lover turned boss who initiated the act forcefully, which threatens both his career and his personal life.


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Up 53% in popularity this week. See why on IMDbPro.
Writers (WGA):
Michael Crichton (novel)
Paul Attanasio (screenplay)
View company contact information for Disclosure on IMDbPro.
Release Date:
9 December 1994 (USA) See more »
Sex Is Power
A computer specialist is sued for sexual harassment by a former lover turned boss who initiated the act forcefully, which threatens both his career and his personal life. Full summary » | Add synopsis »
2 wins & 2 nominations See more »
User Reviews:
Sexual harassment is about power. When did I have the power? When? See more (93 total) »


  (in credits order) (verified as complete)

Michael Douglas ... Tom Sanders

Demi Moore ... Meredith Johnson

Donald Sutherland ... Bob Garvin

Caroline Goodall ... Susan Hendler

Roma Maffia ... Catherine Alvarez

Dylan Baker ... Philip Blackburn

Rosemary Forsyth ... Stephanie Kaplan

Dennis Miller ... Mark Lewyn

Suzie Plakson ... Mary Anne Hunter

Nicholas Sadler ... Don Cherry

Jacqueline Kim ... Cindy Chang

Joe Urla ... John Conley Jr

Michael Chieffo ... Stephen Chase
Joseph Attanasio ... Furillo
Faryn Einhorn ... Eliza Sanders

Trevor Einhorn ... Matt Sanders

Allan Rich ... Ben Heller

Kate Williamson ... Judge Barbara Murphy

Michael Laskin ... Arthur Kahn

Donal Logue ... Chance Geer

Jack Shearer ... Fred Price
Farrah Forke ... Adele Lewyn
Kim Tran ... Chau-Minh

Pat Asanti ... John Levin
Marie Rowe ... Mrs. Ross
Edward Power ... John Conley Snr
David Drew Gallagher ... Spencer Kaplan

Melanie Henderson ... Garvin's Secretary
Anne Flanagan ... Secretary #1
Rohana Razali ... Malaysian Newscaster

Wayne Duvall ... Executive #1
Ralph Tabakin ... Elevator Attendant
Lynn Tufeld ... Lewyn's Assistant
Anneliza Scott ... Secretary #2
Bernard Hocke ... Security Guard

Nancy Yee ... Cleaning Woman

Jesse Dizon ... Mohammed Jafar
Darina Chylik ... Maid
Lynne Killmeyer ... Businesswoman
Stephen Hauser ... Microphone Tester

Linda McCullough ... Computer (voice)
rest of cast listed alphabetically:
Wendy Bones ... Pedestrian & Driver (uncredited)
Tim Earnheart ... Background Extra (uncredited)

Directed by
Barry Levinson 
Writing credits
Michael Crichton (novel)

Paul Attanasio (screenplay)

Produced by
Patricia Churchill .... associate producer
Michael Crichton .... producer
James Flamberg .... associate producer
Peter Giuliano .... executive producer
Barry Levinson .... producer
Andrew Wald .... co-producer
Original Music by
Ennio Morricone 
Cinematography by
Tony Pierce-Roberts (director of photography)
Film Editing by
Stu Linder 
Casting by
Ellen Chenoweth 
Production Design by
Neil Spisak 
Art Direction by
Charles William Breen 
Richard Toyon  (as Richard Yanez-Toyon)
Set Decoration by
Garrett Lewis 
Costume Design by
Gloria Gresham 
Makeup Department
Alan D'Angerio .... hair stylist: Demi Moore
Lynda Gurasich .... hair stylist: Michael Douglas
Tom Lucas .... makeup artist: Michael Douglas
Cheri Minns .... key makeup artist
Stephen Robinette .... hair stylist (as Stephen F. Robinette)
Ronnie Specter .... makeup artist: Demi Moore
Production Management
Patricia Churchill .... unit production manager
Blair Daily .... post-production supervisor
Second Unit Director or Assistant Director
Shery Blanc .... second assistant director (as Sheryl Blanc)
Kate Davey .... first assistant director
Julie Herrin .... second second assistant director
Marc Stirdivant .... dga trainee
Art Department
Dale Chihuly .... glass works
Francis N. 'Lucky' Costello .... stand-by painter (as Frank 'Lucky' Costello)
Thomas F. Gleason .... assistant property master
Joseph A. Hodges .... set designer
John Hoskins .... construction foreman (as John W. Hoskins)
Sean Mannion .... property master
Christopher S. Ross .... illustrator (as Christopher Ross)
Marvin Salsberg .... construction coordinator
Jana Treadwell .... set dresser
Mark Woods .... lead man
Dan Colegrove .... propmaker gangboss (uncredited)
Neil Garland .... propmaker gangboss (uncredited)
Travis Huffman .... propmaker (uncredited)
Gary Isbell .... set dresser (uncredited)
Michael Anthony Jackson .... storyboard artist (uncredited)
Kent Jones .... paint foreman (uncredited)
Jonas Kirk .... location general foreman (uncredited)
Thomas Lauifi .... carpenter (uncredited)
Michael McCombe .... greensman (uncredited)
Robert Misetich .... paint foreman (uncredited)
Carl Robarge .... molder/caster (uncredited)
Sheri Watson .... set dresser (uncredited)
Sound Department
Gregg Barbanell .... foley artist
Ricardo Broadus .... sound effects editor
Steve Cantamessa .... production sound mixer
Harry Cohen .... supervising sound editor
William Dotson .... dialogue editor (as Bill Dotson)
David Farmer .... sound effects editor
Marc Fishman .... supervising sound editor
William Freesh .... sound re-recording mixer (as Bill Freesh)
Tim Gedemer .... sound effects editor
Robert Guastini .... adr editor
Lora Hirschberg .... sound re-recording mixer
Greg Hyman .... assistant sound effects editor
Paul Menichini .... sound editor
Paul Menichini .... sound effects editor
Vince Nicastro .... foley artist
Franco Patrignani .... sound engineer
Michele Perrone .... adr supervisor
Allan Schultz .... dialogue editor (as Alan Schultz)
Ann Scibelli .... sound effects editor
Cathie Speakman .... supervising dialogue editor
Ken Teaney .... re-recording mixer
Randy Thom .... sound re-recording mixer
Gary Thomas .... boom operator (as Gary C. Thomas)
Eric Thompson .... foley mixer
Jeff Vaughn .... foley editor
Scott Rouse .... second assistant dialog editor (uncredited)
Special Effects by
Jeff Frink .... special effects
Steve Galich .... special effects supervisor
Morgan Guynes .... special effects
Eugene P. Rizzardi .... propshop foreman
Steve Fink .... special effects crew (uncredited)
Tad Krzanowski .... model effects: WKR Productions (uncredited)
Visual Effects by
Steve Anker .... computer graphic supervisor
Eric Brevig .... visual effects supervisor
Kim Bromley .... visual effects producer
Geoff Campbell .... computer graphics modeler
Rob Coleman .... computer graphics animator
Peter Daulton .... computer graphics animator
TyRuben Ellingson .... visual effects art director
Scott Frankel .... digital paint artist: ILM
Jack Haye .... matchmover (as Jack 'Edsel' Haye)
Guy Hudson .... matchmover
George Hull .... associate effects art director
Bill Kimberlin .... visual effects editor
Fireball Tim Lawrence .... visual effects concept artist (as Tim Lawrence)
Euan K. MacDonald .... computer graphic artist
Greg Maloney .... digital compositor
Robert Marinic .... computer graphic artist
David Meny .... computer graphic artist
Ellen Poon .... computer graphics supervisor
Stephen Rosenbaum .... computer graphics artist
Thomas Rosseter .... digital compositor (as Tom Rosseter)
Linda Siegel .... computer graphic artist
Laurence Treweek .... computer graphic artist
Brian Van't Hul .... matchmover
Robert Weaver .... computer graphic artist
Julie Adrianson-Neary .... digital artist (uncredited)
Lori Arnold .... visual effects production assistant (uncredited)
Richard 'Dr.' Baily .... computer graphics animator (uncredited)
Jeffrey Benedict .... technical assistant (uncredited)
Ronn Brown .... digital matte production assistant (uncredited)
David Dozoretz .... concept artist: ILM (uncredited)
Mark Plunkett .... computer displays (uncredited)
Sandy Berumen .... stunts
Jeff Joy .... stunts
Michael Runyard .... stunts
Camera and Electrical Department
Nico Bally .... grip
Scott Fieldsteel .... assistant chief lighting technician
Anthony Gaudioz .... camera operator: "b" camera (as Tony Gaudioz)
Bob Gorelick .... Steadicam operator
Brian Hamill .... still photographer
Jeff Hand .... first assistant camera
Scott Hillman .... best boy grip
John Janusek .... key grip
Stephen Johnstone .... assistant chief lighting technician (as Stephen R. Johnstone)
Michael Listorti .... dolly grip (as Michael E. Ristorti)
Daniel P. Moore .... video assist operator
Patrick Murray .... chief lighting technician
Dale Myrand .... first assistant Steadicam
Calmar Roberts .... first assistant camera: "b" camera
Stephen Shultz .... rigging key grip
Richard Smock .... rigging gaffer (as Richard C. Smock)
Michael St. Hilaire .... camera operator
Pattie Stone .... light board operator
Joe L. Wright .... best boy grip
John T. Connor .... assistant camera: "b" camera (uncredited)
Glenn Corbett .... rigging gaffer (uncredited)
Bart Flaherty .... grip (uncredited)
Adam Glick .... set lighting technician (uncredited)
Mark Hryma .... assistant camera: Wescam camera (uncredited)
Alex Jachno .... electrician (uncredited)
Michael A. Jones .... electrician (uncredited)
Brian Lataille .... remote head operator: stab-c (uncredited)
Mark Mele .... rigging electrician (uncredited)
Norbert F. Quiban .... grip (uncredited)
Rex Anson Rhorer .... grip (uncredited)
Leonard Romie .... lighting technician (uncredited)
George Santo Pietro .... dolly grip (uncredited)
Bruce D. Spellman .... second rigging grip (uncredited)
Joseph D. Urbanczyk .... main camera operator: re-shoots (uncredited)
Carl A. Vidnic .... electrician (uncredited)
Andy Young .... grip (uncredited)
Casting Department
Marie Rowe .... casting associate
Debra Zane .... casting associate
Tina Kerr .... extras casting: Seattle (uncredited)
Kelly McCall .... extras casting (uncredited)
Costume and Wardrobe Department
Fran Allgood .... costumer: Mr. Douglas (as Fran V. Allgood)
Nancy Cone .... costumer: Ms. Moore (as Nancy Natalie Cone)
Rudolph Garcia .... set costumer (as Rudolph Eric Garcia)
Mitchell Ray Kenney .... set costumer
Adrienne Manhan .... set costumer
Linda Matthews .... costume supervisor
Chuck Velasco .... costume supervisor: men (as Charles Velasco)
Editorial Department
Blair Daily .... associate film editor
Mark Daily .... assistant film editor
Mo Henry .... negative cutter
Julie Janata .... assistant editor
Bob Kaiser .... color timer (as Robert Kaiser)
Music Department
Enrico DeMelis .... general music organization
James Flamberg .... music editor
Andrea Morricone .... music recordings collaborator
Ennio Morricone .... conductor
Ennio Morricone .... orchestrator
Transportation Department
Bill M. Puluti .... transportation coordinator
Bernard Sands .... transportation co-captain
Bobette Sweet .... transportation captain
Craig Lietzke .... driver (uncredited)
Other crew
Eddie Avila .... staff assistant (as Edward A. Avila)
Michael D. Baker .... set medic
Adam Bernhard .... staff assistant
Brian Callier .... computer engineer
Brian Callier .... computer programmer
Lisa Chaney .... equipment logistics
Cari Chanin .... assistant production secretary
Daneen Lagrone Conroy .... assistant: Ms. Moore (as Daneen Conroy)
Peter DePalma .... assistant: Mr. Douglas
Mark Felt .... computer engineer
Ronald E. Hairston .... craft service
Stephen Hauser .... assistant: Mr. Levinson
Richard Hawley .... production assistant
Tim Heidmann .... computer applications
Tammy Kimbler .... staff assistant
Carlos Kotkin .... staff assistant
A.J. Marcantonio .... staff assistant
Jonathan McGarry .... key staff assistant
John Monsour .... computer engineering supervisor
Kate Neumann .... assistant: Mr. Giuliano
John Panzarella .... location manager
Alison Parraco .... assistant accountant (as Alison J. Parraco)
Kathy Petty .... production accountant
Julie Pitkanen .... script supervisor
Jess Platt .... dialect coach: Ms. Goodall
Raika Ravindra .... production technical support
Katrina Rivers .... staff assistant
Gail Rose .... assistant production accountant (as Gail Foreman Rose)
Jody Spilkoman .... key staff assistant
Spooky Stevens .... unit publicist
Christi Tidman .... staff assistant (as Christine Tidman)
Marika Vaaranen .... staff assistant
Nadia Venesse .... dialect coach: Ms. Goodall
Julie Witherington .... staff assistant (as Julie Sexsmith)
Valery Wright .... assistant: Mr. Crichton
Michael Edward Baker .... stand-in (uncredited)
Bill Daly .... post-production accountant manager (uncredited)
Marquita Doassans .... press attache: France (uncredited)
Tom Lent .... adr voice (uncredited)
Liz Probst .... payroll accountant (uncredited)
Kathleen Sanders .... production assistant (uncredited)
Leslie Thorson .... assistant location manager (uncredited)
Crew believed to be complete

Production CompaniesDistributorsSpecial EffectsOther Companies

Additional Details

Also Known As:
Rated R for a very strong sex scene, sexual dialogue and other strong language
128 min
Color (Technicolor)
Aspect Ratio:
2.35 : 1 See more »
Sound Mix:

Did You Know?

As filming neared completion, Caroline Goodall slipped on a water spillage in her home and broke her shoulder. She was able to film her remaining scenes by taking some painkillers and removing her sling.See more »
Continuity: When Tom's wife and Catherine are walking into Pike Place Market, there is an extra with a bright blue shirt and a white beard who walks across the screen in two places.See more »
[Meridith passionately kisses Tom]
Meredith Johnson:There... Now that wasn't so bad, wasn't it?
See more »


How does the movie end?
How closely does the movie follow the book?
How much sex, violence, and profanity are in this movie?
See more »
4 out of 4 people found the following review useful.
Sexual harassment is about power. When did I have the power? When?, 25 July 2011
Author: Spikeopath from United Kingdom

Disclosure is directed by Barry Levinson and co-adapted to screenplay by Paul Attanasio and Michael Crichton from Crichton's own novel of the same name. It stars Michael Douglas, Demi Moore, Donald Sutherland, Roma Maffia, Dylan Baker, Caroline Goodall and Rosemary Forsyth. Music is scored by Ennio Morricone.

Tom Sanders (Douglas) is an executive at DigiCom, a high-tech computer company, who hopes that now it's finally his time to get promotion. Passed over for an outsider, he's further irked when it turns out to be Meredith Johnson (Moore), an old passionate flame of his from years previously. When Meredith arranges for a meeting between the two later that evening, Tom finds himself sexually harassed by her. Spurning her aggressive overtures, Tom is shocked to learn the next day that she has filed a charge of sexual harassment against him. He naturally counters the charge, but this opens up a can of worms for both him and the future of DigiCom.

The 1990s practically belonged to Michael Crichton, it seemed for a time that everything he wrote was adapted to the big screen for some form of entertainment. With Jurassic Park still warm and still garnering bucket loads of cash, two other Crichton adaptations worked their way into theatres; both of which were a world away from the family friendly extravaganza of Jurassic Park. One was Rising Sun, a messy wasted potential of a movie, the other was Disclosure, a zeitgeist snatcher that seized the moment.

The topic, and the novelty of flipping the gender aggressor, was always going to make Disclosure of much interest, thus the film and the novel made big money: aided still further by the hot casting of Douglas and Moore, who were still draw cards in the early 90s. Crichton, after being displeased with other adaptations of his work, got big say on the screenplay as a written project. So with director Levinson in tow, he set about pushing the buttons of his audience, attempting to continue the heated debates that were brought about previously from Douglas' Fatal Attraction and Basic Instinct. If it's Crichton's or Levinson's fault that it didn't work out that way? I'm not sure, but fact is, is that Disclosure really wasn't that potent back then, and certainly now it's not even lukewarm.

There's too much techno babble going on, and an over keenness to stick the nose up at the big business vultures picking the flesh off of the lesser minions. Entering the last half hour of the film, it's easy to forget there has actually been a sexual harassment case! Here's the crux of the matter, if going in to it for a first time viewing expecting this to be a powder-keg of sexual harassment muckiness and legal intrigue, then you are in for a big disappointment. I know, because I was one of the paying patrons at the theatre back in 94! You sense that one of the makers got a bit carried away…

Yet the film still has much going for it if stripped of that expectation, not least that it packs a pile of tension in that last half hour and the finale is rather rewarding. I'd go as far to say I'm a fan of the film, but it's not the film I originally went to see! There's a trio of interesting and differing female characters at the front of the narrative, even if Moore's stair-master vixen isn't exactly developed beyond being a bitch, and the virtual reality sequences have an appealing charm about them. The cast are turning in good ones, with a notable shout out to Caroline Goodall who wisely underplays it as the wife. While the interior set design (Gary Lewis/Joseph Hodges) for the DigiCom HQ is wonderful with its 90s excess of glass meeting mirrors and open spaces. Which leaves us with what?

A film that is not what you expect! Which in this case is both disappointing and a surprise. 7/10

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