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Disclosure (1994)

 -  Drama | Thriller  -  9 December 1994 (USA)
6.0
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Ratings: 6.0/10 from 29,164 users   Metascore: 58/100
Reviews: 90 user | 54 critic | 19 from Metacritic.com

A computer specialist is sued for sexual harassment by a former lover turned boss who initiated the act forcefully, which threatens both his career and his personal life.

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(novel), (screenplay)
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Title: Disclosure (1994)

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2 wins & 2 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Stephanie Kaplan
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Mark Lewyn
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Mary Anne Hunter
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Don Cherry
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Cindy Chang
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John Conley Jr
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Stephen Chase
Joseph Attanasio ...
Furillo
Faryn Einhorn ...
Eliza Sanders
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Storyline

With his company about to merge, a happily married and successful computer expert is expecting a promotion. Instead the job goes to a woman from another plant with whom he had an affair in his bachelor days. His new boss, not only dangerously sexy but equally dangerously ambitious, has climbed the corporate ladder by exerting undue influence on the CEO. She apparently tries to pick up where they left off but he just about manages to resist. This liaison is soon revealed to be part of her master plan to consolidate power and use Tom as a scapegoat to cover her technical misdeeds. As his position at work comes under increasing pressure he decides to file charges of sexual harassment. This is the last thing the company needs. Written by Jeremy Perkins <jwp@aber.ac.uk>

Plot Summary | Add Synopsis

Taglines:

Sex Is Power

Genres:

Drama | Thriller

Motion Picture Rating (MPAA)

Rated R for a very strong sex scene, sexual dialogue and other strong language | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

9 December 1994 (USA)  »

Also Known As:

Disclosure  »

Box Office

Budget:

$32,000,000 (estimated)

Opening Weekend:

£3,834,289 (UK) (17 March 1995)

Gross:

£6,903,320 (UK) (14 April 1995)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

As filming neared completion, Caroline Goodall slipped on a water spillage in her home and broke her shoulder. She was able to film her remaining scenes by taking some painkillers and removing her sling. See more »

Goofs

The stain on Tom Sanders' tie changes position. See more »

Quotes

Catherine Alvarez: [to Tom] Sexual harassment is not about sex. It is about power. She has it; you don't.
See more »

Connections

Referenced in Dinner for Five: Episode #1.4 (2002) See more »

Frequently Asked Questions

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User Reviews

 
Taut psychological suspense, good performances. Didn't like the sci-fi stuff!
27 June 2004 | by (Oz) – See all my reviews

Tense thriller mixes legal suspense, gender-role debate and technology-based action, with mixed results. In fact, its all good except for the computer stuff. The firm which the film revolves around is Digicom (a bit too made-up sounding for my liking), a computer technology firm. We're told at the beginning that the firm is developing a new technology, which will be used as collateral in the upcoming merger. They develop a sort of virtual reality file-scanning system, which doesn't make file-searching any easier whatsoever, but is more like an unnecessary toy for show - but it plays a part late in the film that, for me, was my only complaint about the film. All of a sudden, we go into the machine, and it just sticks out like a sore thumb as being totally wrong for this movie - we're in a sci-fi movie all of a sudden. Plus, it was totally unnecessary. In the scene straight after, the character reports what they discovered in the machine, so it was more for show than relevance - but it ends up hurting the consistency of the film for those five minutes.

This film suffers a little from the same thing the Sandra Bullock vehicle The Net suffers from - in hindsight, now that we've all just accepted the internet and computers as a helpful part of our daily existence, all these old fears we had seem slightly silly. Its a bit like looking back at those Y2K scares and thinking how ridiculous we were to be so afraid. Unlike The Net, though, technology-phobia is only in the subplot of this film. Its more about what happens between Michael Douglas and Demi Moore late one night at the office, and what happens afterwards.

Its very wordy - so be prepared for that. A couple of early dialogue scenes should have been rewritten with the dialogue absent, and told with a couple of thoughtful extended shots. But maybe i only think that because i've just gotten into Antonioni. He really makes this movie look reliant on words.

The sex scene is so well choreographed as to feed an entire movie's worth of plot. Its sexy - true, Demi Moore radiates sex appeal like you wouldn't believe - its an incredible scene to watch. But its stict mechanics are also very necessary for the rest of the plot. Its one of the most necessary and justified sex scenes i've ever seen.

Overall, it works. Its a tense thriller with two really incredible performances from the leads. I don't think its an essential movie, and its not particularly pleasant, if that's what you're after, but if you want a good tense thriller (which many of us do), this is worth a rental. Plus, we feel for Michael Douglas and want things to turn out good for him. So in that way, i think it deserves a workmanlike 7/10.


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