| Rupert Everett | ... | Francesco Dellamorte | |
| François Hadji-Lazaro | ... | Gnaghi | |
| Anna Falchi | ... | She | |
| Mickey Knox | ... | Marshall Straniero | |
| Fabiana Formica | ... | Valentina Scanarotti | |
| Clive Riche | ... | Doctor Verseci | |
| Katja Anton | ... | Claudio's Girlfriend | |
| Barbara Cupisti | ... | Magda | |
| Anton Alexander | ... | Franco | |
| Pietro Genuardi | ... | New Mayor Civardi | |
| Patrizia Punzo | ... | Claudio's Mother | |
| Stefano Masciarelli | ... | Mayor Scanarotti | |
| Vito Passeri | ... | 1st Returner | |
| Alessandro Zamattio | ... | Claudio | |
| Marijn Koopman | |||
| Renato Donis | ... | Husband of 'She' | |
| Claudia Lawrence | ... | Miss Chiaromondo | |
| Francesca Gamba | ... | Hospital Nurse | |
| Elio Cesari | ... | Monk | |
| Maurizio Romoli | ... | Hospital Doctor | |
| Maddalena Ischiale | ... | Stanza Franco Nurse | |
| Elena Fresco | ... | Hospital Sister (as Mariaelena Fresu) | |
| rest of cast listed alphabetically: | |||
| Michele Soavi | ... | Man in City Square (uncredited) | |
Directed by | |||
| Michele Soavi | |||
Writing credits(in alphabetical order) | ||
| Gianni Romoli | (as Giovanni Romoli) | |
| Tiziano Sclavi | novel | |
Produced by | |||
| Conchita Airoldi | .... | co-producer | |
| Conchita Airoldi | .... | executive producer | |
| Heinz Bibo | .... | producer | |
| Tilde Corsi | .... | producer | |
| Dino Di Dionisio | .... | co-producer | |
| Dino Di Dionisio | .... | executive producer | |
| Michèle Ray-Gavras | .... | executive producer | |
| Gianni Romoli | .... | producer (as Giovanni Romoli) | |
| Michele Soavi | .... | producer | |
Original Music by | |||
| Riccardo Biseo | |||
| Manuel De Sica | |||
Cinematography by | |||
| Mauro Marchetti | |||
Film Editing by | |||
| Franco Fraticelli | |||
Production Design by | |||
| Massimo Antonello Geleng | |||
Set Decoration by | |||
| Roberto Caruso | |||
Costume Design by | |||
| Alfonsina Lettieri | |||
| Maurizio Millenotti | |||
Makeup Department | |||
| Daniel Auber | .... | assistant makeup artist (as Daniele Auber) | |
| Maria Teresa Corridoni | .... | chief hair stylist | |
| Enrico Iacoponi | .... | makeup artist | |
| Marijn Koopman | .... | assistant makeup artist | |
| Barbara Morosetti | .... | assistant makeup artist | |
| Francesco Motolese | .... | assistant makeup artist | |
| Sabrina Ranalli | .... | hair stylist | |
| Sergio Stivaletti | .... | makeup artist | |
| Gino Zamprioli | .... | key makeup artist | |
Production Management | |||
| Carla Bernardin | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Julie Gavras | .... | assistant director | |
| Enrico Grassi | .... | first assistant director | |
| Francesca Marra | .... | assistant director | |
Art Department | |||
| Roberto Angelini | .... | sculptor | |
| Marina Pinzuti Ansolini | .... | set dresser | |
| Sebastiano De Caro | .... | property master | |
| Tommaso Dubla | .... | set painter | |
| Umberto Fantina | .... | carpenter | |
| Maurizio Garrone | .... | assistant production designer | |
| Sergio Grassi | .... | property master | |
| Osvaldo Monaco | .... | property master | |
| Caterina Napoleone | .... | assistant production designer | |
| Dionisio Rossi | .... | sculptor | |
Sound Department | |||
| Massimo Anzellotti | .... | sound effects editor | |
| Andrea Dallimonti | .... | sound recordist | |
| Alessandro Peticca | .... | sound editor (as Sandro Peticca) | |
| Alfredo Petti | .... | boom operator | |
| Angelo Raguseo | .... | sound re-recording mixer | |
| Frank von Kuegelgen | .... | adr editor | |
Special Effects by | |||
| Daniel Auber | .... | special effects assistant (as Daniele Auber) | |
| Massimo Cristofanelli | .... | special effects | |
| Marijn Koopman | .... | special effects assistant | |
| Barbara Morosetti | .... | special effects assistant | |
| Francesco Motolese | .... | special effects assistant | |
| Sergio Stivaletti | .... | special effects designer | |
Visual Effects by | |||
| Francesca R. Di Nunzio | .... | ossuary designer | |
| Sergio Stivaletti | .... | ossuary designer | |
Stunts | |||
| Valerio Colombaioni | .... | stunts | |
| Fabio Romanielo | .... | stunts | |
| Mauro Romanielo | .... | stunts | |
| Pamela Vitali | .... | stunts | |
| David Zamperla | .... | stunts | |
| Mirko Zamperla | .... | stunts | |
| Nazzareno Zamperla | .... | stunt coordinator (as Neno Zamperla) | |
| Rinaldo Zamperla | .... | stunts | |
Camera and Electrical Department | |||
| Alessandro Bolognesi | .... | Steadicam operator | |
| Domenico Caponecchi | .... | grip | |
| Romolo Eucalitto | .... | still photographer | |
| Stefano Falivene | .... | focus puller | |
| Claudio Frollano | .... | electrician | |
| Luciano Giusepponi | .... | key grip | |
| Roberto Luzi | .... | camera operator | |
| Marco Massaccesi | .... | electrician | |
| Cesare Pascarella | .... | grip | |
| Marco Pieroni | .... | Steadicam operator | |
| Giovanni Piperno | .... | camera loader | |
| Otello Simotti | .... | generator operator | |
| Claudio Verdenelli | .... | chief electrician | |
| Daniele Verdenelli | .... | electrician | |
Casting Department | |||
| Ofelia Garcia | .... | casting: children | |
Costume and Wardrobe Department | |||
| Giovanni Casalnuovo | .... | assistant costume designer | |
| Monica Ricci | .... | costume assistant | |
| Maria Spigarelli | .... | wardrobe mistress | |
| Maura Zuccherofino | .... | wardrobe mistress | |
Editorial Department | |||
| Julie Gavras | .... | post-production | |
| Roberto Priori | .... | assistant editor | |
Music Department | |||
| Luca di Silverio | .... | soundtrack album producer | |
Other crew | |||
| Renato Agostini | .... | set technician | |
| Guido Airoldi | .... | paymaster | |
| Giordano Esposito | .... | production assistant | |
| Renata Franceschi | .... | continuity | |
| Alessandra Guerra | .... | cutting room assistant | |
| Paolo Lombardi | .... | voice dubbing: François Hadji-Lazaro | |
| Anna Orieti | .... | production accountant | |
| Roberto Pedicini | .... | voice dubbing: Rupert Everett | |
| Barbara Petrelli | .... | production secretary | |
| Claudio Quaglietti | .... | set technician | |
| William Quarshie | .... | dialogue director | |
| Frank von Kuegelgen | .... | adr director | |
| Emilio Zaccaria | .... | production assistant | |
| Robert Schlockoff | .... | press attache: France (uncredited) | |
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| Deep Red | Downfall | Class Trip | Persepolis | The Professional: Golgo 13 |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb Italy section |
Okay, forget the really cheesy American title ("Cemetery Man") and just pick it up if you ever see it. Anyone with an open mind and any mind at all should be able to like this film, if not for the bizarre story for Michele Soavi's incredible visual style, the perfect performances by Everett and Lazaro, or just as a plain, good old time.
"Dellamorte Dellamore" begins like a fun B-horror movie telling us of the care-taker of th Buffalora cemetery, Francesco Dellamorte. In the cemetery some dead people come back to life 7 days after burial, but, Dellamorte isn't too bothered by this, he just takes it as part of his job to put the dead back in the ground, answering his door with a gun in hand, ready to dispense some Grim Reaper-type justice. But, within the first three minutes we know from the visual complexity of the film that this won't be just any B-horror movie, and within the first ten minutes we get a glimpse of what is to come - a fascinating meditation on the difference (if any) between life and death, a philosophical look at insanity and loneliness, a recurring love story that grows more bizarre with each telling, and eventually a big old representation about how life is just what we make of it. The dead returning and the whole zombie thing is just a doorway into Dellamorte's world. Fortunately, it never takes itself too seriously, if it had it would be a dull bore, but thankfully Romoli throws in lots of wit and dark humor ("I'd give my life to be dead"), and Soavi never lets us get bored with his always moving, floating camera and elaborate but never over-done sets.
Everett gives one of the best performances in film history because it is so subtle, he delivers his lines with just the right amount of sarcasm, cynicism, and un-emotionalism (is that a word?) to pull off what was probably an incredibly difficult performance - but he does it perfectly. Francois Hadji-Lazaro, playing Dellamorte's mute and retarded assistant manages to build more of a character with his simple one word vocab of "Nyah" and his facial expressions than most big over-done actors/actresses in movies now-a-days. Anna Falchi is mainly there to provide mysteriously beautiful looks, which she does, in all three of her roles and all of her many lives and unlives. Soavi was the protogé of Italian horror-stylist Dario Argento, but in "Dellamorte Dellamore" he comes fully into his own with his own bizarre and incredible style. This isn't just a case of the student copying the teacher, in this case the student might have even surpassed the master. Ah, if only you could see one movie this life time.