An old Gothic cathedral, built over a mass grave, develops strange powers which trap a number of people inside with ghosts from a 12th Century massacre seeking to resurrect an ancient demon from the bowels of the Earth.
Feodor Chaliapin Jr.
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This movie is based on a novel of Tiziano Sclavi, and it always reflects the "sclavian philosophy" diffused by the most succesful comics in Italy: Dylan Dog, the detective of the nightmare. There is the duality between love and dead (in Italian "dellamore" means "of love" and "dellamorte" means "of death"), a duality that Dellamorte feels in a really hard way. He is the guardian of the cemetery of Buffalora, a little town in the north of Italy, in which, we don't know why, corpses rise from tombs and Dellamorte has to destroy them. Dellamorte seems not to ask to himself why this happen, he shoots and loves. But at the end he wants to leave Buffalora... Written by
Bruno Iannazzo <firstname.lastname@example.org>
One of the most incredible and overlooked films ever made.
Dellamorte Dellamore (aka Cemetery Man) is one of those ingenious, creative movies that appear once in a blue moon and is virtually unrecognized. It tells the story of a cemetery caretaker's troubled life and descent into madness, while at the same time, trying to rid himself of the zombies that rise from the ground after burial. Featuring Rupert Everett giving one of the best performances in cinematic history, Dellamorte Dellamore is a unique blend of humor, horror, and romance into a gothic art-house flick. This movie is proof that American film-makers have a lot to learn.
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