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Cemetery Man (1994)
"Dellamorte Dellamore" (original title)

 -  Comedy | Horror  -  26 April 1996 (USA)
7.3
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Ratings: 7.3/10 from 14,545 users  
Reviews: 159 user | 119 critic

A cemetery man must kill the dead a second time when they become zombies.

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Title: Cemetery Man (1994)

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Cast

Cast overview, first billed only:
...
François Hadji-Lazaro ...
Gnaghi
...
She
Mickey Knox ...
Marshall Straniero
Fabiana Formica ...
Valentina Scanarotti
Clive Riche ...
Doctor Verseci
Katja Anton ...
Claudio's Girlfriend
Barbara Cupisti ...
Magda
...
Pietro Genuardi ...
New Mayor Civardi
Patrizia Punzo ...
Claudio's Mother
Stefano Masciarelli ...
Mayor Scanarotti
Vito Passeri ...
1st Returner
Alessandro Zamattio ...
Claudio
Marijn Koopman
Edit

Storyline

This movie is based on a novel of Tiziano Sclavi, and it always reflects the "sclavian philosophy" diffused by the most succesful comics in Italy: Dylan Dog, the detective of the nightmare. There is the duality between love and dead (in Italian "dellamore" means "of love" and "dellamorte" means "of death"), a duality that Dellamorte feels in a really hard way. He is the guardian of the cemetery of Buffalora, a little town in the north of Italy, in which, we don't know why, corpses rise from tombs and Dellamorte has to destroy them. Dellamorte seems not to ask to himself why this happen, he shoots and loves. But at the end he wants to leave Buffalora... Written by Bruno Iannazzo <iannazzo@cibs.sns.it>

Plot Summary | Add Synopsis

Taglines:

Zombies, guns, and sex, OH MY!!!

Genres:

Comedy | Horror

Motion Picture Rating (MPAA)

Rated R for macabre violence and gore, strong sexuality and some language | See all certifications »

Parents Guide:

 »
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Details

Country:

| |

Language:

Release Date:

26 April 1996 (USA)  »

Also Known As:

Cemetery Man  »

Filming Locations:

 »

Box Office

Budget:

$4,000,000 (estimated)

Gross:

$253,969 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.66 : 1
See  »
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Did You Know?

Trivia

When Francesco and "She" are kissing in the crypt with the shroud over their heads, the shot mimics the painting "The Lovers" by Rene Magritte. See more »

Goofs

During the shot of Dellamorte digging up the mayors daughter for the photo, you can clearly see his cigarette fall and roll on the corpse. Yet the cigarette is in his mouth a moment later. See more »

Quotes

[Francesco finds a zombie biker snacking on his living girlfriend. He pulls out his gun]
Girl: No, please don't! He's only eating me!
Francesco Dellamorte: Move aside.
Girl: Mind your business! I shall be eaten by whoever I please!
Francesco Dellamorte: This is my business. They pay me for it.
[Shoots the zombie]
See more »

Connections

Spoofs Jules and Jim (1962) See more »

Soundtracks

Hadi Bakalim
Sezen Aksu
See more »

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User Reviews

 
A bizarre but incredibly rewarding film
10 August 1999 | by (Minneapolis, Minnesota) – See all my reviews

Okay, forget the really cheesy American title ("Cemetery Man") and just pick it up if you ever see it. Anyone with an open mind and any mind at all should be able to like this film, if not for the bizarre story for Michele Soavi's incredible visual style, the perfect performances by Everett and Lazaro, or just as a plain, good old time.

"Dellamorte Dellamore" begins like a fun B-horror movie telling us of the care-taker of th Buffalora cemetery, Francesco Dellamorte. In the cemetery some dead people come back to life 7 days after burial, but, Dellamorte isn't too bothered by this, he just takes it as part of his job to put the dead back in the ground, answering his door with a gun in hand, ready to dispense some Grim Reaper-type justice. But, within the first three minutes we know from the visual complexity of the film that this won't be just any B-horror movie, and within the first ten minutes we get a glimpse of what is to come - a fascinating meditation on the difference (if any) between life and death, a philosophical look at insanity and loneliness, a recurring love story that grows more bizarre with each telling, and eventually a big old representation about how life is just what we make of it. The dead returning and the whole zombie thing is just a doorway into Dellamorte's world. Fortunately, it never takes itself too seriously, if it had it would be a dull bore, but thankfully Romoli throws in lots of wit and dark humor ("I'd give my life to be dead"), and Soavi never lets us get bored with his always moving, floating camera and elaborate but never over-done sets.

Everett gives one of the best performances in film history because it is so subtle, he delivers his lines with just the right amount of sarcasm, cynicism, and un-emotionalism (is that a word?) to pull off what was probably an incredibly difficult performance - but he does it perfectly. Francois Hadji-Lazaro, playing Dellamorte's mute and retarded assistant manages to build more of a character with his simple one word vocab of "Nyah" and his facial expressions than most big over-done actors/actresses in movies now-a-days. Anna Falchi is mainly there to provide mysteriously beautiful looks, which she does, in all three of her roles and all of her many lives and unlives. Soavi was the protogé of Italian horror-stylist Dario Argento, but in "Dellamorte Dellamore" he comes fully into his own with his own bizarre and incredible style. This isn't just a case of the student copying the teacher, in this case the student might have even surpassed the master. Ah, if only you could see one movie this life time.


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