A New York City doctor, who is married to an art curator, pushes himself on a harrowing and dangerous night-long odyssey of sexual and moral discovery after his wife admits that she once almost cheated on him.
After a car wreck on the winding Mulholland Drive renders a woman amnesiac, she and a perky Hollywood-hopeful search for clues and answers across Los Angeles in a twisting venture beyond dreams and reality.
Mourning his dead child, a haunted Vietnam vet attempts to discover his past while suffering from a severe case of disassociation. To do so, he must decipher reality and life from his own dreams, delusion, and perception of death.
A grief-stricken mother takes on the LAPD to her own detriment when it stubbornly tries to pass off an obvious impostor as her missing child, while also refusing to give up hope that she will find him one day.
Paulina Escobar is a political activist whose husband is a prominent lawyer in an unnamed South American country just out of a dictatorship. One day a storm forces her husband to ride home with a neighbor. That chance encounter brings up demons from her past, as she is convinced that the neighbor (Dr. Miranda) was part of the old fascist regime that tortured and raped her, while blindfolded. Paulina takes him captive to determine the truth. Paulina is torn between her psychological repressions and somber memory, Gerardo is torn between his wife and the law, and Dr. Miranda is forced to endure captivity while husband and wife seek out the uncertain truth about the clouded past. Written by
Henry G. Herron <email@example.com>
3 characters, 1 location - and the suspense never ends!!!
Roman Polanski has proven himself as one of the leading directors for quite some time - but nobody seems to take any notice! (yes I know people try to forget him becouse of the 'incident'...)
The same applies for Sigourney Weaver. I've gon mad when a certain guy said how it's funny that Sigourney Weaver actually made other movies except Alien(s) - but nobody saw them! I showered him with titles such as 'The Ice Storm', 'Gorillas in the Mist', 'Working Girl', ...... and finally 'Death and the Maiden'. Off course - he saw none of them! It's sad how (in my humble oppinion) the best actress we currently have is so underrated. But hey - tell me who else got a leading actress Oscar nomination for a sequel of a Sci-Fi movie...??? She also was nominated for both leading and supporting actress in the same year (Gorillas & W. Girl) and strangely lost both!!! The Academy kept ignoring her Oscar worthy performances in 'The Ice Storm', 'Map of the World' and one of the best female performances of the decade 'Death and the Maiden'. She is unbelievable in this movie - the woman we saw as the World's heroine is so fragile and shaken in this movie that it is astonishing. She plays a sexualy molested (in the worst possible way) woman with all of her phobias and stirred feelings to the perfection - withought crossing the fine line to overacting. The scenes where she tortures Ben Kingsley are just amazing - as is the whole movie.
It takes strong actors and a brilliant director to make a movie which virtually takes place in one house - and has only three characters; and yet it never loses the suspense even for a minute.
This is a masterpiece, and one of rare movie that can be watched both by art-movie philes and the 'regular'-movie fans. This is Roman Polanski at his best since 'Chinatown' and Sigourney at her best ever!
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