British couple Fiona and Nigel Dobson are sailing to Istanbul en route to India. They encounter a beautiful French woman, and that night Nigel meets her while dancing alone in the ship's ... See full summary »
Kristin Scott Thomas,
A young American woman (Sydne Rome) traveling through Italy finds herself in a strange Mediterranean villa where nothing seems right. Her visit becomes an absurd, decadent, oversexed ... See full summary »
A wounded criminal and his dying partner take refuge at a beachfront castle. The owners of the castle, a meek Englishman and his willful French wife, are initially the unwilling hosts to ... See full summary »
Paulina Escobar is a political activist whose husband is a prominent lawyer in an unnamed South American country just out of a dictatorship. One day a storm forces her husband to ride home with a neighbor. That chance encounter brings up demons from her past, as she is convinced that the neighbor (Dr. Miranda) was part of the old fascist regime that tortured and raped her, while blindfolded. Paulina takes him captive to determine the truth. Paulina is torn between her psychological repressions and somber memory, Gerardo is torn between his wife and the law, and Dr. Miranda is forced to endure captivity while husband and wife seek out the uncertain truth about the clouded past. Written by
Henry G. Herron <email@example.com>
The "Death and the Maiden" Quartet was originally a lied (song) which was composed by Franz Schubert in February 1817 and known in its original German language under the title of "Der Tod und das Mädchen". It was first published in Vienna in November 1821 by by Cappi und Diabelli (D.531; Op. 7, No. 3). The lyrics were taken from a poem by German poet Matthias Claudius. In the movie, the musical piece is heard without words, though the original song was actually composed for both voice and the piano. Director Roman Polanski later directed a film called The Pianist (2002). The piece of music in the film is actually the later 1824 quartet based on the original song, hence the non-use of words with the music. Website Wikipedia states: "Composed in 1824, after the composer suffered through a serious illness and realized that he was dying, it is Schubert's testament to death. The quartet is named for the theme of the second movement, which Schubert took from a song he wrote in 1817 of the same title; but the theme of death is palpable in all four movements of the quartet". See more »
At the beginning Paulina is cooking something in a pan over the fire, then, for dinner she produces only a roasted chicken and green salad. So what was she cooking in the pan? See more »
In this movie, Sigourney Weaver is thoroughly believable with her trademark edge, rarely seen in other women actors. The doctor, although obviously with selfish motives, kept me guessing until the end as to whether he was guilty of the crimes of torture she claimed he committed against her, having not seen the face of, but only having heard the voice of the man she remembered. You don't know the truth until the end. It is very riveting. Her relationship with her husband is very realistic, as well, and very revealing about both of their characters. All three roles were depicted as intensely real. I enjoyed this thriller from the moment it began to the very end. You are immediately engaged in her reality, rather than experiencing a slow build up seen with most movies. Very satisfying because no character was one-sided, but they were multi-dimensional, with each having a unique history. Bravo!
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