| C. Thomas Howell | ... | Ben Braden / Alex Connelly | |
| Lisa Zane | ... | Elizabeth Braden | |
| Miko Hughes | ... | Nick 'Nicky' Braden | |
| Ethan Phillips | ... | Henry | |
| Richard Hamilton | |||
| Nicolas Coster | |||
| Joanna Miles | |||
| Cameron Dye | ... | Craig | |
| Paul Eiding | |||
| Brenda Varda | ... | Donna | |
| John Mahon | ... | Coach Dickler | |
| J.P. Bumstead | ... | Manager | |
| rest of cast listed alphabetically: | |||
| Jenna Cole | ... | Carol | |
Directed by | |||
| Jack Sholder | |||
Writing credits(WGA) | ||
| Todd Slavkin | (written by) & | |
| Darren Swimmer | (written by) | |
Produced by | |||
| Bob Lemchen | .... | producer | |
| Kevin Reidy | .... | producer | |
| Kiefer Sutherland | .... | executive producer | |
| Charles Weinstock | .... | executive producer | |
Original Music by | |||
| David McHugh | |||
Cinematography by | |||
| Bryan England | |||
Film Editing by | |||
| Caroline Biggerstaff | |||
Casting by | |||
| Sharon Bialy | |||
| Debi Manwiller | |||
| Richard Pagano | |||
Production Design by | |||
| Alfred Sole | |||
Art Direction by | |||
| Dennis Gibbens | |||
| Marc Robinson | |||
Set Decoration by | |||
| Clare Clarkson | |||
Costume Design by | |||
| Peter Mitchell | |||
Makeup Department | |||
| Dee Dee Altamura | .... | key makeup artist | |
| Janice Berridge | .... | hair stylist | |
| Theo Mayes | .... | makeup artist | |
| Gloria Ponce | .... | key hair stylist | |
Production Management | |||
| Bob Lemchen | .... | production manager | |
| Michael Schweitzer | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Stuart B. Hagen | .... | second assistant director | |
| Warren R. Turner | .... | second second assistant director | |
| Michael Zimbrich | .... | first assistant director | |
Art Department | |||
| Amy H. Abrams | .... | set dresser | |
| Scott Ambrose | .... | property master | |
| Jeffrey W. Bennett | .... | swing gang | |
| Deborah Cottrill | .... | assistant props | |
| James Eric | .... | construction foreman | |
| Matthew Gilbert | .... | swing gang | |
| Johnston H. Moore | .... | art department coordinator | |
| Troy Myers | .... | lead man | |
| Karen Stein | .... | assistant set decorator | |
Sound Department | |||
| Craig Berkey | .... | dialogue editor | |
| Tim Boggs | .... | adr editor | |
| Patrick Giraudi | .... | sound re-recording mixer | |
| Stanley Kastner | .... | sound re-recording mixer | |
| Derek Marcil | .... | adr mixer | |
| Robert Polich | .... | boom operator | |
| Steve Scoville | .... | dialogue editor | |
| Reinhard Stergar | .... | production sound mixer | |
| David Torres | .... | foley mixer | |
| Paul Urmson | .... | sound re-recording mixer | |
Special Effects by | |||
| G. Bruno Stempel | .... | special effects | |
Visual Effects by | |||
| David M. Garber | .... | visual effects | |
Stunts | |||
| Gregg Brazzel | .... | stunts | |
| John Cann | .... | stunts | |
| Cole S. McKay | .... | stunts | |
| Noon Orsatti | .... | stunts | |
| Ellen G. Statham | .... | stunts | |
| Patrick J. Statham | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Richard Alarian | .... | gaffer | |
| Ian Dodd | .... | first assistant camera | |
| Josh Drew | .... | grip (as Josh Walters) | |
| Philip Euling | .... | camera loader | |
| Curtis Failor | .... | additional electrician | |
| Bob Ivanjack | .... | dolly grip (as Robert Ivanjack) | |
| Brian Kinzey | .... | electrician | |
| Ronald R. Koch Jr. | .... | electrician | |
| Mark Ludwig | .... | camera operator | |
| Steven R. Morales | .... | electrician | |
| Robert W. Morgenroth | .... | video playback operator | |
| Tim Rinehart | .... | grip | |
| Gregory Schwartz | .... | still photographer | |
| Jan Sears | .... | second assistant camera | |
| Tim Soronen | .... | grip | |
| Bruce Swift | .... | key grip | |
| Mark Watson | .... | best boy electric | |
| James D. Wickman | .... | best boy grip | |
Costume and Wardrobe Department | |||
| Shawn Barry | .... | wardrobe supervisor | |
| Robert Courtman | .... | wardrobe assistant | |
Editorial Department | |||
| Bill Karydes | .... | post-production coordinator | |
| Chris Olsen | .... | post-production | |
| Pam Parrillo | .... | film color timer | |
| Sunny Wood | .... | telecine color timer | |
| Joan Wrzala | .... | assistant film editor | |
Music Department | |||
| Kubilay Uner | .... | music editor | |
Transportation Department | |||
| Dennis Coleman | .... | driver captain | |
| Terry Mack | .... | transportation coordinator (as Terry R. Mack) | |
Other crew | |||
| Jeremy Arnold | .... | assistant: Mr. Sholder | |
| Chris Briggs | .... | production assistant | |
| Davia Clayton | .... | production secretary | |
| Marc Diener | .... | production attorney | |
| O. William Faison | .... | location assistant | |
| Larry Fisch | .... | assistant coordinator | |
| Thom Fleming | .... | production coordinator | |
| Lynn Harris | .... | script supervisor | |
| Jon Hoeber | .... | production assistant | |
| Dandridge Keyser | .... | location assistant | |
| Marc Lasko | .... | location manager | |
| Ellen McDonald | .... | production accountant | |
| Robyn Norris | .... | production assistant | |
| Mary Pickert | .... | assistant accountant | |
| Peggy Pierce | .... | assistant: Mr. Weinstock | |
| Ken M. Russell | .... | production assistant (as Ken Russell) | |
| Ann Shea | .... | craft service | |
| Forrest Sloan Wright | .... | production secretary | |
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| The Mothman Prophecies | Pet Sematary | Shutter | Carnival of Souls | Dark Corners |
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| Full cast and crew | Company credits | IMDb Horror section |
| IMDb USA section |
This movie was a nice surprise. It had an above average story (for a TV movie) that really captivated and entertained me for that hour and 1/2. The cloning thing was really interesting, not because of its credibility or believability (because there isn't a lot of that), but because it left me wondering if something like this could (or already has) really happen(ed). The thought of having a clone of yourself and meeting him/her someday is truly mind boggling and fascinating. The acting is good, and I thought the leading actor, C. Thomas Howwel did a great job. He's one of those actors who's face you remember distinctly although seeing him only once.
Sure, the story could have been from another movie and the ending is predictable(it's similar to the one in "The Assignment", except the ending there is, in my opinion, opened to the viewers imagination), but hey, I enjoyed it. 7/10