Dozens of American cargos with high valuable goods have disappeared, probably attacked by modern pirates. The United States decide to mobilize a team of expert SWAT, with Mike Bradley as ... See full summary »
Four college students and an Iraq War vet, lost on a desert highway, encounter a terrified young woman with a black van on her trail. They survive the ensuing chase but their car doesn't, ... See full summary »
Scott L. Schwartz
What if a computer disc held a code so powerful that it could change the world forever? While translating the Dead Sea Scrolls, a professor discovers a hidden formula that not only unlocks ... See full summary »
Maria Conchita Alonso,
DIVORCE TEXAS STYLE is about four men, four women and a Texas legend that says: if somebody wants a divorce in Texas, someone has to die. With two detectives hot on their trail, the four ... See full summary »
Marshall R. Teague
A story that questions the shaming of the US through revisionist history, lies and omissions by educational institutions, political organizations, Alinsky, Barack Obama, Hillary Clinton and other progressives to destroy America.
This cinema version of the Sam Shepard play is set well after the mid-century. James Woods as the alcoholic farmer drives a huge beater with a rusted roof which is emblematic of the general disrepair of his farm. A lovingly tended lamb with maggots is the reverse emblem of something helpless, needy and cared for. The refrigerator is spoken to as a character, as if standing in for absent nurturing from Woods' self-centered wife. The couple have two kids who must come of age as their home is being torn apart around them and the parents pursue fantasies of "better things" offered by crook Randy Quaid. Henry Thomas as the son copes by holding on to the land and creating a poetic commentary, and the responses of his sister to the crisis become a powerful and surprising tribute to womanhood. Written by
Around The Bend
Written and Performed by Emily Renkler
Courtesy of Justice Record Company, Inc.
Published by Equity Music Corp. and administered by MCA Music Pub., A Divison of MCA, Inc./ASCAP See more »
You can't improve on the casting of the leads here, nor the dialogue. So earthy, and James Woods in the field during the thunder is incredible. Cinematography holds your admiration and attention. Can't beat Sam Shepherd in the first place; Beresford's name is familiar to me.... True as I read in another viewer's observation that it was slow, but when your focus is the craft, slow is a luxury. Beautifully understated complexities that hit home with few words. I did turn away during the graphic violence; I see men outnumber women in the enjoyment of this movie, and that's likely why. The role of the daughter was the only lackluster performance. For lovers of craft, I'd recommend this movie highly.
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