In a small village in a valley everyone who reaches the age of 70 must leave the village and go to a certain mountain top to die. If anyone should refuse he or she would disgrace their ... See full summary »
The story of five teenage girls who form an unlikely bond after beating up a teacher who has sexually harassed them. They build a solid friendship but their wild ways begin to get out of ... See full summary »
A hate crime on the campus of a New England college puts the school's dean (Parker) in a position where she has to examine her own feelings about race and prejudice, while maintaining her administration's politically correct policies.
Sarah Jessica Parker,
Sam Shepard's coming of age drama about a dirt-poor 1950's-era farm family. Dad's a foul talking drunk and Mom is desperately trying to save what's left of their family life. Written by
Richard Jones <email@example.com>
This would've been a *great* silent film. The acting really is good, at least in a Look Ma, I'm Doing Really Big Acting! sort of way.
Everything is HUGE. Every line is PROFOUND! Every scene is SHATTERED BY HUMAN TRAGEDY!
Mostly, I felt like gagging. Yet, like any train wreck, I couldn't tear my eyes away. This dialogue might've worked on the stage, although I doubt it. On the screen, it was cluttered, haphazard, hackneyed and pretty much every other stereotypical negative adjective you can come up with to describe a really bad dramatic work.
If you enjoy your melodrama in huge, heaping doses, you *might* enjoy the movie. Be prepared to wait, however. For all that melodrama, this thing sure plods along at its own pace.
This script must've sounded a lot different when the actors involved were reading it to themselves. It simply doesn't work once they get around to delivering it in front of the camera.
IMDB does us a great disservice, at times, when it uses its goofy computer-controlled "weighted score". Curse of the Starving Class deserves less than a 1.
Character-driven fiction is great, but when you develop your characters by simply pushing them through hoops with no plausible explanation for their maturation or evolution, it isn't character development! Your characters must have a motivation. Being drunk for a while and waking up in a field is *not* character development. That's a plot contrivance.
Stay away from this movie. Or at the very least, watch it muted. Perhaps you'll get some amusement from all the arm-waving the characters do.
Oh, and word to the wise -- to prove that this is truly an artsy film, you see James Woods in all his dangly male "look-at-me, I'm-the-figurative-and-literal-representation-of-the-naked-vulnerability-of- man" glory.
Don't say you weren't warned.
5 of 27 people found this review helpful.
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