An intimate portrait of the controversial cartoonist and his traumatized family.

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Cast

Cast overview, first billed only:
Robert Crumb ...
Himself
Aline Kominsky ...
Herself (as Aline Crumb)
Charles Crumb ...
Himself
Maxon Crumb ...
Himself
Robert Hughes ...
Himself
Martin Muller ...
Himself
Don Donahue ...
Himself
Dana Morgan ...
Herself (as Dana Crumb)
Trina Robbins ...
Herself
Spain Rodriguez ...
Himself
Bill Griffith ...
Himself
Deirdre English ...
Herself
Peggy Orenstein ...
Herself
Beatrice Crumb ...
Herself
Kathy Goodell ...
Herself
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Storyline

This movie chronicles the life and times of R. Crumb. Robert Crumb is the cartoonist/artist who drew Keep On Truckin', Fritz the Cat, and played a major pioneering role in the genesis of underground comix. Through interviews with his mother, two brothers, wife, and ex-girlfriends, as well as selections from his vast quantity of graphic art, we are treated to a darkly comic ride through one man's subconscious mind. As stream-of-consciousness images incessantly flow forth from the tip of his pen, biting social satire is revealed, often along with a disturbing and haunting vision of Crumb's own betes noires and inadequacies. As his acid-trip induced images flicker across our own retinas, we gain a little insight into this complex and highly creative individual. Written by Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>

Plot Summary | Add Synopsis

Taglines:

Weird sex · Obsession · Comic books


Motion Picture Rating (MPAA)

Rated R for graphic sex-related cartoons, and for language | See all certifications »

Parents Guide:

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Details

Official Sites:

Country:

Language:

Release Date:

28 April 1995 (USA)  »

Also Known As:

Крамб  »

Filming Locations:

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Box Office

Gross:

$3,174,695 (USA)
 »

Company Credits

Production Co:

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Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Picked by Entertainment Weekly magazine as one of the "50 Greatest Independent Films" in a special supplement devoted to independent films that was only distributed to subscribers in November 1997. See more »

Goofs

"San Francisco" is misspelled in the closing titles. The caption reads: "Max Crumb still lives in San Francicsco". See more »

Quotes

Robert Crumb: [looking at sketches he's done of female classmates] Ah, where are they now? It was 30 years ago. 30 years ago, they're all middle-aged housewives now. Jesus, what a thought.
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Connections

Referenced in Ghost World (2001) See more »

Soundtracks

Shake It and Break It
Composed by Friscoe-Clark
Performed by King Oliver & His Orchestra)
Courtesy of the RCA Records Label of BMG Music
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User Reviews

 
Sex, drugs and piggyback rides
4 September 2004 | by (Helsinki) – See all my reviews

Robert Crumb became an idol among hippies in the 1960's because of the psychedelic comics he drew at the time. In this excellent film, directed by Terry Zwigoff (who also directed the excellent, and also comic book related, "Ghost World" and "American Splendor") Crumb starts out by telling that he hates just about all the work he is most famous for. This is typical, Í think, of Crumb: he is uncompromisingly politically incorrect, completely unafraid to speak his mind openly, and above all disgusted by the idea of selling out for money.

I have been a fan of Crumb ever since I advanced beyond Donald Duck and Marvel Comics about 20 years ago (this is not to say that I don't love Donald or Marvel anymore, because I do). Crumb is probably the most talented comic book artist of the latter half of the 20t Century. Quite simply, I don't think anyone can draw as well as he does. He is not much of a storyteller, but like I pointed out above, that is more than made up by the fact that he is always totally candid about his life, sometimes painfully and embarrassingly so.

"Crumb" is an excellent portrait of an exceptionally talented artist who also happens to be a total pervert. However, as this film makes abundantly clear, Robert Crumb is practically the ideal model of a stable, well-adjusted person when compared to his mother or his brothers Charles and Maxon. We see once again that great suffering makes a great artist.


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