When student Jake Lo witnesses a killing, he finds himself caught between two feuding drug lords. Betrayed and set up by the federal agents protecting him, the only one he can trust is Ryan... See full summary »
Detective Chris Kenner was orphaned as a child as his father was in the service and was killed and lived in Japan. Now he is on the trail of ruthless Yakuza leader named Yoshido, who helped... See full summary »
A poetic guitarist Eric Draven is brought back to life by a crow a year after he and his fiancée are murdered. The crow guides him through the land of the living, and leads him to his killers: knife thrower Tin-tin, drugetic Funboy, car buff T-Bird, and the unsophisticated Skank. One by one, Eric gives these thugs a taste of their own medicine. However their leader Top-Dollar, a world-class crime lord who will dispatch his enemies with a Japanese sword and joke about it later, will soon learn the legend of the crow and the secret to the vigilante's invincibility. Written by
Brandon Lee died during a mishap on the set. A scene required a gun to be loaded, cocked, and then pointed at the camera. Because of the close-range of the shot, the dummy cartridges loaded had real brass caps, bullet, but no powder. After the cut, the props master (not the arms master - he had left the set for the day) dry-fired the gun to get the cock off, knocking the projectile/bullet into the barrel of the gun. The next scene to be filmed involving that gun was the rape of Shelly. The gun was loaded with blanks (which usually contain double or triple the powder of a normal cartridge to make a loud noise). Lee entered the set carrying a bag of groceries containing an explosive blood pack. The script called for Funboy (Michael Massee) to shoot Eric Draven (Lee) as he entered the room, triggering the blood pack. The bullet that was stuck in the barrel was blasted at Lee through the bag he was carrying, killing him. The footage of his death was subsequently developed and used as evidence in the investigation into his death. As part of the lawsuit settlement, the footage was later destroyed. Lee is the son of martial arts legend Bruce Lee, who died in mysterious circumstances before completing Game of Death (1978). See also Dragon: The Bruce Lee Story (1993). See more »
People once believed that when someone dies, a crow carries their soul to the land of the dead. But sometimes, something so bad happens that a terrible sadness is carried with it and the soul can't rest. Then sometimes, just sometimes, the crow can bring that soul back to put the wrong things right.
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"Suddenly I heard a tapping, as of someone gently rapping...at my chamber door"
THE CROW, like 2001: A SPACE ODYSSEY separates those who see from those who do not! (who CANNOT). Alex Proyas will never achieve anything close to this masterpiece again and if Brandon Lee HAD to die, then there could never have been a better time and place (do not misinterpret my words or meaning here). Personally, I shall for ever be indebted to him for what he has left...a performance in a film that challenges, implores, conjures, paints. A surreal landscape of good and evil in almost equal proportions.
I am no Goth, have never read the original comic strip, nor do I wish to. I simply regret watching the unspeakably pathetic and inappropriate sequels...do not make the same mistake!
For all its grotesque violence, seediness and Gothic degeneracy, THE CROW is a pure love story, so pure, that even immersed within the blackest of adult fairy-tales its power cannot be dampened or lessened. Eric Draven's spiritual pursuit of those who murdered his beautiful girlfriend is less of a revenge story and more a reminder that karma balances out in the end.
Perhaps the best performance, other than that of the crow itself, is from Michael Wincott, a very underrated actor, as the incarnately evil gang leader. It is the role of a lifetime for him.
If I were in a position that I could see only two films again for the rest of my life, they would be 2001 and THE CROW. At no stage would I ever subsequently be able to say that I had seen EVERYTHING that either had to offer.
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