From Spike Lee comes this vibrant semi-autobiographical portrait of a school-teacher, her stubborn jazz-musician husband and their five kids living in '70s Brooklyn.
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Craig and Smokey are two guys in Los Angeles hanging out on their porch on a Friday afternoon, smoking and drinking, looking for something to do. Encounters with neighbors and other friends... See full summary »
Matriarch Mama Joe has held her family together for 40 years around a Sunday dinner of soul food. When diabetes hospitalizes her, the dinners stop and tensions among her three daughters ... See full summary »
Insightful look at an unattractive 7th grader as she struggles to cope with un-attentive parents, snobbish classmates, a smart older brother, an attractive younger sister, and her own insecurities.
Director:
Todd Solondz
Stars:
Heather Matarazzo,
Victoria Davis,
Christina Brucato
Harper's autobiographical novel is almost out, his girlfriend Robin desires commitment, and he's best man at the wedding of Lance, a pro athlete. He goes to New York early (Robin will come ... See full summary »
From Spike Lee comes this vibrant semi-autobiographical portrait of a school-teacher, her stubborn jazz-musician husband and their five kids living in '70s Brooklyn.
None of the children on set had any idea how to play any of the street games their characters engage in - Lee had to personally instruct them. See more »
Goofs
In the beginning of the movie, Troy is playing stick ball wearing moccasin shoes, in the next scene, she is still wearing the moccasin shoes. See more »
Quotes
Carolyn Carmichael:
Damn it, Woody, you bounced another check.
Woody Carmichael:
I thought we had it covered. I'll get some money.
Carolyn Carmichael:
When?
Woody Carmichael:
When? What do you think I'm doing right here? Gem, Let me just finish this music.
Carolyn Carmichael:
That's what I've always done. The problem is your music's not bringing anything into the house but music.
Woody Carmichael:
Gem, the money will come.
Carolyn Carmichael:
I'm waiting. I'm back teaching school again, and I am waiting, Woody.
Woody Carmichael:
Just keep doing what you're doing, Gem. Now you know it wasn't always like this. I made money before. I'll make ...
[...] See more »
Crazy Credits
The closing credits play over old footage of several episodes of "Soul Train". See more »
CROOKLYN isn't Spike Lee's greatest, but it comes very close. Parts of the film hit so close to home with me - the sense of community so vividly depicted, and the 70s soul music (which is nearly ubiquitous through CROOKLYN) makes this film something much like a musical, with the grit and intimacy of Lee's visual realism constantly balanced against the idealism and romanticism of the music. As slice-of-life Americana, this is about as good as it gets. I disliked the scenes with the Aunt & Uncle - I felt that they were being ridiculed mercilessly, for no good reason (they are the living embodiment of the idealism contained in at least some of the music heard at other times in the film, whether they know it or not), and I wished those scenes were handled with more subtlety - Lee, like his NYC bretheren Martin Scorsese and Woody Allen has major issues with suburban types (this hits a peak in Lee's later BAMBOOZLED - an almost brilliant, but also almost cruel expression of rage at the excesses of the entertainment industry that also aimed merciless fury at uncritical audiences - audiences of any and every race and class).
But this scene aside, the remainder of CROOKLYN is so strong, and very well-made - I'd still offer a recommendation.
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CROOKLYN isn't Spike Lee's greatest, but it comes very close. Parts of the film hit so close to home with me - the sense of community so vividly depicted, and the 70s soul music (which is nearly ubiquitous through CROOKLYN) makes this film something much like a musical, with the grit and intimacy of Lee's visual realism constantly balanced against the idealism and romanticism of the music. As slice-of-life Americana, this is about as good as it gets. I disliked the scenes with the Aunt & Uncle - I felt that they were being ridiculed mercilessly, for no good reason (they are the living embodiment of the idealism contained in at least some of the music heard at other times in the film, whether they know it or not), and I wished those scenes were handled with more subtlety - Lee, like his NYC bretheren Martin Scorsese and Woody Allen has major issues with suburban types (this hits a peak in Lee's later BAMBOOZLED - an almost brilliant, but also almost cruel expression of rage at the excesses of the entertainment industry that also aimed merciless fury at uncritical audiences - audiences of any and every race and class).
But this scene aside, the remainder of CROOKLYN is so strong, and very well-made - I'd still offer a recommendation.