Mary Giordano is a bright, intelligent student who goes to a catholic school. She also has a addiction to mystery novels and detective magazines (hence the title of the movie), which ... See full summary »
Emily has always been the rich brat who tries to pull every imaginable stunt to get attention. But one day, as she fakes her own kidnapping and locks herself in the trunk of a car, a thief ... See full summary »
Benicio Del Toro,
Michael and Roslyn are high school sweethearts who are now married with children in their early 20's. Roslyn's friend, Joannie, convinces her to have an affair with bad boy Joey. Joey is a very bad boy. Written by
Josh Pasnak <firstname.lastname@example.org>
Ralph Bakshi wrote the screenplay before he became famous with the intention to produce it as his first feature film. It was originally titled "When I Catch Her I'll Kill Her." The studio Bakshi approached found the material to be "too hot." According to Bakshi, "A story about women cheating on their husband was too far out at that time for some reason." Years later, Bakshi handed in the same script, with a few changes, and it was approved by the studio that eventually produced the film. See more »
Express Yourself Back Home
Written by Dave Antrell
Published by Autopower Music / Stethoscope Music (BMI) /
Administered by Bug
Performed by Rudy West and The Five Keys
Courtesy of Classic Artists Recordings See more »
I never saw "Beverly Hills 90210," but I did see "Rebel Without a Cause". It's possible that this film could be a hybrid of both with its "who's going to sack up with whom" dramatics, as well as the occasional flashes of gang violence and car chases. This story, however, is set in the '50s.
Alicia Silverstone and Jared Leto were high-school-sweethearts-turned-young marrieds-with-an-unplanned-child couple who struggle to find themselves amid a marriage gone sour. Alicia is cheating on Jared with bad-boy Joey (Matthew Flint, in a loud, obnoxious performance), so Jared decides to get even.
The film's jazz soundtrack adds some ambience to the film, and the seedy look of L.A. during the fifties is OK, but on the whole, "The Cool and the Crazy" is mainly for fans of the stars. Ralph Bakshi might want to stick to his cartoons from now on...
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