A color-blind psychiatrist Bill Capa is stalked by an unknown killer after taking over his murdered friend's therapy group, all of whom have a connection to a mysterious young woman that Capa begins having intense sexual encounters with.
A young man is plunged into a life of subterfuge, deceit and mistaken identity in pursuit of a femme fatale whose heart is never quite within his grasp. Remake of François Truffaut's 1969 film 'Mississippi Mermaid'
Mike Church is a Los Angeles private detective who specializes in finding missing persons. He takes on the case of a mystery woman who he calls Grace. She is suffering from amnesia and has ... See full summary »
Psychologist Bill Capa gives up his practise when he unintentionally pushes a patient to commit suicide. In an effort to come to terms with this tragedy he visits an old colleague, Bob Moore, who is subsequently murdered. The quest to catch the killer centres around a group of Moore's psychologically disturbed patients, however equally as important is an affair which develops between Capa and the mysterious Rose. This relationship, at first a diversion, becomes central to the plot as the film progresses. Written by
Drew McCormack <firstname.lastname@example.org>
This over-blown, over-heated Hollywood S & M mystery has everything but entertainment value. Oh yes, there's plenty of wild and crazy(but not particularly titillating) sex, typical of these mindless BASIC INSTINCT "inspired" porn-thrillers, and there are even a few kinky/gory murders thrown it. There just isn't anything that even remotely resembles a good movie. The film casts Bruce Willis as a psychiatrist(Please!) who becomes traumatized after a very disturbed patient commits suicide before his very eyes. He then suffers another blow(no pun intended) when his doctor-friend(Scott Bakula) is brutally murdered. Willis is then called in to take over Bakula's creepy group, and the mysterious murders continue. Meanwhile, Bruce gets involved with an attractive, but strange "fender-bender"(Jane March) who has some bizarre connection to the unfortunate chain of events in his life. Bruce is his inimitable DIE HARD-self, and Jane March is pretty in a girlish sort-of-way, but their sex scenes are very difficult to watch because Willis, while undeniably a good-looking guy, still looks every bit of his forty years, while his partner looks all of fourteen, effectively killing any sex appeal this film was suppose to have. But, of course, that is the very least of the movie's problems. Most of the problems can be traced back to the script, a ridiculous combination of BASIC INSTINCT/FATAL ATTRACTION/PSYCHO-type cliches. If you are wondering what the most suspenseful parts of the movie are, there aren't any. The true horror is in the fact that this ugly little number ever got made. This is the price we pay for going to see movies like BASIC INSTINCT. Believe it or not, this movie was directed by Richard Rush, the same guy who gave us the brilliant THE STUNT MAN.
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