A color-blind psychiatrist Bill Capa is stalked by an unknown killer after taking over his murdered friend's therapy group, all of whom have a connection to a mysterious young woman that Capa begins having intense sexual encounters with.
In 1929 French Indochina, a French teenage girl embarks on a reckless and forbidden romance with a wealthy, older Chinese man, each knowing that knowledge of their affair will bring drastic consequences to each other.
Tony Ka Fai Leung,
Cynthia comes forward to talk to detective John about the murder of her best friend's husband. The story is told as a series of flashbacks... James was a bullying, verbally and physically ... See full summary »
Coming from a police family, Tom Hardy ends up fighting his uncle after the murder of his father. Tom believes the killer is another cop, and goes on the record with his allegations. Demoted then to river duty, the killer taunts Tom.
Sarah Jessica Parker,
Thomas Murray and Amanda have just moved to Paris. He works for a bank owned by Amanda's father Arthur Trevane. Amanda decides that she does not like Paris, so she goes back to London. ... See full summary »
In 1994 South Korea, a female North Korean spy integrates herself as a housekeeper for U.S. military officer to steal classified documents, but soon worries about her cover when she falls for the teenage son of the officer.
Samantha Hughes, a teenaged Kentucky girl, never knew her father, who died in Vietnam before her birth. Samantha lives with her uncle Emmett, who also served in Vietnam. Emmett hangs around... See full summary »
Walter Davis is a workaholic. His attention is all to his work and very little to his personal life or appearance. Now he needs a date to take to his company's business dinner with a new ... See full summary »
Psychologist Bill Capa gives up his practise when he unintentionally pushes a patient to commit suicide. In an effort to come to terms with this tragedy he visits an old colleague, Bob Moore, who is subsequently murdered. The quest to catch the killer centres around a group of Moore's psychologically disturbed patients, however equally as important is an affair which develops between Capa and the mysterious Rose. Written by
Drew McCormack <email@example.com>
This film is listed among The 100 Most Enjoyably Bad Movies Ever Made in Golden Raspberry Award founder John Wilson's book THE OFFICIAL RAZZIE® MOVIE GUIDE. See more »
The rattlesnake in the mailbox that attacks Capa is hanging down almost the entire length of its body when Capa is on the ground. When he stands, it cuts to him getting the tool from the truck and the snake is mostly back in the mailbox again. See more »
Hey! Listen up, you fucking daffodils! You gonna leave me hanging here all night, huh? Get me down, you goddamn cuckoos! Get me some fucking Band-Aids! Come on, you fucking daffodils! Get me out of here!
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After the credits roll, Hector can be heard calling for help because he is still hanging on the wall. See more »
I have to believe there was some studio meddling to make this more of a conventional thriller, because everyone seems to agree that this represents a major step backwards from the man behind the brilliant "The Stunt Man" - Richard Rush. There are little reminders of his talent early on when Willis' psychiatrist is getting to know the mercurial Jane March. Rush has a knack for making the viewer feel like they're being caught up and swept along in someone's feverish dream - the editing and camera placement seem haphazardly designed to make you feel a little dizzy and open to suggestion.
But otherwise, "Color of Night" is episodic, dim-witted, way over-long, and wildly overblown. There is a lot of over-emoting in this film, especially from that queen of over-emoters - Lesley Ann Warren. The movie's idea of excitement is to have various repellent characters scream the F-word a lot, have tears run down their cheeks and threaten to go off the deep end but never quite do. And there are downright idiotic chase scenes, particularly the one that takes place in the parking garage: for some reason, instead of just running him down, the mysterious Camaro driver pushes a parked car off an upper level and tries to time it so that it will land on Willis on the bottom level. And then of course in the very next scene, Willis is behaving as if nothing really traumatic has happened. In fact, Willis is tentative and under-directed throughout the film.
There is one interesting footnote however. Has anyone else noticed the similarity to "The Sixth Sense", at least as far as basic premise? True, the films couldn't be more different in terms of development of story or quality, but to wit: Both star Bruce Willis as a psychiatrist who feels tremendous guilt over a patient he's failed, and they both highlight the color "red". Hmmmm.
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