A color-blind psychiatrist Bill Capa is stalked by an unknown killer after taking over his murdered friend's therapy group, all of whom have a connection to a mysterious young woman that Capa begins having intense sexual encounters with.
In 1929 French Indochina, a French teenage girl embarks on a reckless and forbidden romance with a wealthy, older Chinese man, each knowing that knowledge of their affair will bring drastic consequences to each other.
Tony Ka Fai Leung,
Cynthia comes forward to talk to detective John about the murder of her best friend's husband. The story is told as a series of flashbacks... James was a bullying, verbally and physically ... See full summary »
Coming from a police family, Tom Hardy ends up fighting his uncle after the murder of his father. Tom believes the killer is another cop, and goes on the record with his allegations. Demoted then to river duty, the killer taunts Tom.
Sarah Jessica Parker,
In 1994 South Korea, a female North Korean spy integrates herself as a housekeeper for U.S. military officer to steal classified documents, but soon worries about her cover when she falls for the teenage son of the officer.
Thomas Murray and Amanda have just moved to Paris. He works for a bank owned by Amanda's father Arthur Trevane. Amanda decides that she does not like Paris, so she goes back to London. ... See full summary »
Sully is a rascally ne'er-do-well approaching retirement age. While he is pressing a worker's compensation suit for a bad knee, he secretly works for his nemesis, Carl, and flirts with ... See full summary »
Psychologist Bill Capa gives up his practise when he unintentionally pushes a patient to commit suicide. In an effort to come to terms with this tragedy he visits an old colleague, Bob Moore, who is subsequently murdered. The quest to catch the killer centres around a group of Moore's psychologically disturbed patients, however equally as important is an affair which develops between Capa and the mysterious Rose. This relationship, at first a diversion, becomes central to the plot as the film progresses. Written by
Drew McCormack <email@example.com>
When I saw The Man in the Iron Mask through to the end, I thought I'd reached the depth of cinematic embarassment. Color of Night, amazingly, is worse. In this straight-to-trashcan production by Alan Smithee wannabe Rush, Bruce Willis and Jane March co-star in what was probably intended as a psychological thriller, but turned out as a campy comedy with very few laughs. Support actors Pakula, Warren, Dourif and Blades murder lines from a script that should have never been considered for production. The plot roams, swerves and bucks without making any sense at any point in the movie. None of the characters convince or connect, and none of the dialogue moves or sparkles, though Dourif does try. The Raspberries go to Willis and March, though. Willis gets his for the worst script-picking of his career. And March for the mistake of thinking she's in a Playboy feature - though the camera work supports this misconception. These two are supposed to be young lovers, but there is no recognizable chemistry whatsoever. Even the sex scenes are lame and unconvincing. Yes, we get to see Willis's willy. And yes, there isn't much of ms. March we don't get to see. But I've never seen two actors who looked less like they enjoyed making out, and I've seen Attack of the Clones twice. If you're reading this trying to decide if you want to rent this movie, just send me your five bucks. If you're deciding if you want to watch it on TV, go to your bathroom and watch mould develop instead. You'll have a better time.
11 of 19 people found this review helpful.
Was this review helpful to you?