A grief-stricken mother takes on the LAPD to her own detriment when it stubbornly tries to pass off an obvious impostor as her missing child, while also refusing to give up hope that she will find him one day.
Mark Sway is an 11 year old boy who lives with his mother and brother in a trailer. One day he and his brother are hanging out when a car pulls over beside them. The driver then sticks a hose in his exhaust and puts the other end into the car. Mark pulls it out. But the man sees him and grabs him and takes inside the car. The man talks to Mark then later shoots himself. The shock sends Mark's brother into a catatonic state. The police question him and slips out some stuff that makes them think he's saying more than he knows. Roy Foltrigg, a prosecutor with political ambitions tells Mark he wants to talk to him tomorrow. Mark feeling that he needs a lawyer, sees Reggie Love. Mark tells him about the man who killed himself. Reggie tells him he's a mob lawyer. And one of his clients is a member of a mob family who is suspected of killing a Senator who was trying to take down his family. But because the Senator's body is missing, they can't prosecute him. Reggie thinks Foltrigg thinks the... Written by
Mark's hairstyle when talking to the thug in the hospital changes from having the part on his right side at 45:21 on the DVD sweeping to his left across his forehead to having the part on his left side at 45:25 sweeping to his right across his forehead. At other points in the film, such as 28:51 when he first talks with Reggie, the part runs down the middle of his head. See more »
You've been lyin' to me. You got three to tell me the truth, 1... 2... 3...
YOU'RE THE LIAR! KEEP THE DOLLAR! YOU'RE FIRED!
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Such interesting characters come from John Grisham
Ironically enough I saw a Perry Mason episode a few days earlier where a young kid around Brad Renfro's age comes to Raymond Burr seeking legal advice and got taken on as a client eventually. I wonder if John Grisham saw the episode and got the germ of an idea for a book.
Renfro is a most wanted individual. He saw a lawyer from New Orleans kill himself and before he died he revealed where the missing body of a Louisiana State Senator was. It seems as though organized crime put a hit on him and the discovery of said body will cinch an indictment against Anthony LaPaglia the number one contract killer in the New Orleans mob.
So US Attorney Tommy Lee Jones wants Renfro. LaPaglia wants to silence him. It's all way too overwhelming for Renfro's mother, some poor white trash woman played by Mary Louise Parker. And too overwhelming for Renfro who finds Susan Sarandon as an attorney who will guard his interests.
Susan Sarandon got a Best Actress nomination for this film and on the strength of her scenes as a righteous attorney guarding Renfro's interests and her very tender scenes with Renfro earning his trust which was not easy. Sarandon hits all the right notes and every emotion from her in this film rings true to life.
Brad Renfro was a complete unknown who was cast in the film because he was a local kid and he does come across as a real kid and very well. Half of Sarandon's nomination should have been credited to him. Sad indeed that he proved to be another young Hollywood tragedy.
Down in the cast in a small part that he really makes count is Ossie Davis playing a judge who is trying to sort out everyone's rights in this situation. Davis was a great authority figure on the bench.
John Grisham novels have such interesting characters they seem to be almost ready made for a screen adaption. The Client is no exception here, you will be engrossed in the story within seconds of starting to watch this film.
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