A widowed lawyer wanted by the IRS assumes a new identity and signs his now-too-old son up for one more year of Little League. However, this may have been a mistake, as his son's dominance ... See full summary »
Harry Connick Jr.,
After she discovers that her boyfriend has betrayed her, Hilary O'Neil is looking for a new start and a new job. She begins to work as a private nurse for a young man suffering from blood ... See full summary »
Mark Sway is an 11 year old boy who lives with his mother and brother in a trailer. One day he and his brother are hanging out when a car pulls over beside them. The driver then sticks a hose in his exhaust and puts the other end into the car. Mark pulls it out. But the man sees him and grabs him and takes inside the car. The man talks to Mark then later shoots himself. The shock sends Mark's brother into a catatonic state. The police question him and slips out some stuff that makes them think he's saying more than he knows. Roy Foltrigg, a prosecutor with political ambitions tells Mark he wants to talk to him tomorrow. Mark feeling that he needs a lawyer, sees Reggie Love. Mark tells her about the man who killed himself. Reggie tells him he's a mob lawyer. And one of his clients is a member of a mob family who is suspected of killing a Senator who was trying to take down his family. But because the Senator's body is missing, they can't prosecute him. Reggie thinks Foltrigg thinks the... Written by
At the time of the film, the only prior acting experience Brad Renfro had was a school production about D.A.R.E (Drug and Alcohol Resistance Education). Renfro was arrested and convicted several times for drugs possession prior to his death in 2008. See more »
Some have suggested that Mark could not be charged with obstruction of justice simply for lying or refusing to cooperate with the FBI, because of the 5th Amendment. This is not true. Lying to the FBI/prosecutor/police officer can result in a charge of obstruction. Refusing to answer questions will quickly result in a formal subpoena; if one then continues to refuse to testify, he could be charged with contempt. The right not to speak to police or prosecutors (the 5th Amendment) only consists of the right not to incriminate oneself of a crime. However, at the court hearing, Reggie tries to argue around this limitation by pointing out that the prosecutors vaguely implied that Mark could've been involved in killing the lawyer. But the judge doesn't buy it (and the prosecutors could easily get around the problem by giving Mark a guarantee of immunity). If he refused to testify, Mark could be charged with contempt of court. If he lied, he could be charged with obstruction of justice, lying to a federal agent, and/or perjury. See more »
Thanks Rev. Roy, you've been a real pain in the ass.
Thank you, son. I can assure you, you have been an even larger pain in the ass.
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Mark Sway is a real hero here, although he is not only a mere child, but a disadvantaged child in the middle of adult power structures breathtaking in their deviousness and casual cruelty. The theme of youngsters forced by circumstances into adult roles and responsibilities, particularly in being more level-headed and mature than their parent(s) has become as strikingly common in contemporary literature as it was strikingly uncommon until about a generation ago. But there are ample parallels to real life in pre-Romantic history. It is really our modern assumptions of prolonged childhood and adolescence which are abnormal in the fuller perspective of human experience. Aren't we on the verge of these concepts' retreating from the apogees to which western culture pushed them in the 19th and early 20th centuries?
If so, this film is on the cusp of the trend. Yet it might never have worked but for the director's good fortune in locating Brad Renfro for the lead role. What a find! His earthy, protean spunk and obliviousness to any cute brown-nosing towards his elders, simply because they are elders, make him entirely convincing in the part. He is, I hope, on his way to being a great actor, but perhaps it will continue to be this film which shows his freshness most clearly.
Not that it isn't very taut cinema in other regards. The build up of drama in the opening scenes is superb, with acting, cinematography, and the score all combining to provide a seamless experience. As one critic put it, it starts like a house afire, and the fire never goes out. This is a film one can see again and again, noticing additional fine touches each time.
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