A grief-stricken mother takes on the LAPD to her own detriment when it stubbornly tries to pass off an obvious impostor as her missing child, while also refusing to give up hope that she will find him one day.
Mark Sway is an 11 year old boy who lives with his mother and brother in a trailer. One day he and his brother are hanging out when a car pulls over beside them. The driver then sticks a hose in his exhaust and puts the other end into the car. Mark pulls it out. But the man sees him and grabs him and takes inside the car. The man talks to Mark then later shoots himself. The shock sends Mark's brother into a catatonic state. The police question him and slips out some stuff that makes them think he's saying more than he knows. Roy Foltrigg, a prosecutor with political ambitions tells Mark he wants to talk to him tomorrow. Mark feeling that he needs a lawyer, sees Reggie Love. Mark tells him about the man who killed himself. Reggie tells him he's a mob lawyer. And one of his clients is a member of a mob family who is suspected of killing a Senator who was trying to take down his family. But because the Senator's body is missing, they can't prosecute him. Reggie thinks Foltrigg thinks the... Written by
Joel Schumacher proposed "movie marriage" to Susan Sarandon in the middle of a crowded New York City restaurant during the summer of 1993 in order to convince her to do the movie. She agreed to make the film a few days later. See more »
When Mark and Reggie hug while his family is boarding the plane to Phoenix, there are flipped shots where Reggie's bracelet swaps from her "right" wrist in close-ups of Mark showing her "right" hand is on Mark's shoulder (at 1:53:54 and 01:53:57 on the DVD) to her left wrist in her close-up where her left hand is on the back of Mark's head (at 1:53:56 on the DVD). This was done intentionally because Mark's head was actually facing to his left in his close-up but was facing to his right in Reggie's close-up; the flip avoids Mark appearing to turn his head during the hug. See more »
Where are your parents?
Where are yours?
Are you even injured?
Do I look injured?
Well, we only do injuries.
Well, I'll just go get hit by a truck and come back.
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Somehow the plot holes didn't seem so glaring in Grisham's novel. Anyway, this is one of Susan Sarandon's many excellent performances. And Tommy Lee Jones gleefully chews the scenery here. You might think he is overacting, but he is really playing a character that comes across that way. Brad Renfro was an excellent find for this part. I haven't seen him in anything else, though. I imagine his Southern accent will hurt in getting other roles. Current TV stars Bradley Whitford and Anthony Edwards were non-entities in this film. It's a good film, not great. Grade B-
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