CIA analyst Jack Ryan must stop the plans of a Neo Nazis faction that threatens to induce a catastrophic conflict between the United States and Russia's newly elected president by detonating a nuclear weapon at a football game in Baltimore.
Henry is a lawyer who survives a shooting only to find he cannot remember anything. As if that weren't enough, Henry also has to recover his speech and mobility, in a life he no longer fits... See full summary »
Jack Ryan is back and this time the bad guys are in his own government. When Admiral James Greer becomes sick with cancer, Ryan is appointed acting CIA Deputy Director of Intelligence. Almost before he can draw a breath in his new position, one of the president's closest friends and his family are murdered in their sleep by what appears to by drug cartels. Ryan is called in to investigate, but unknown to him the CIA has already sent a secret field operative to lead an illegal paramilitary force in Colombia against cartels. Things get even more complicated when his team is set up and he loses an agent in the field and a friend of his wife's, who was the murdered agent's secretary, is murdered that same day. Ryan must then risk not only his career, but his life to expose the truth behind the mystery. Written by
The Oval Office set was originally built for Dave (1993). See more »
In the scene where Jack has access to Ritter's computer, Jack is seen viewing and printing files. Then Ritter discovers Jack's diversionary phone call, so Ritter begins to delete the same files from the disk, and eventually clears the screen of the file Jack was accessing. Disk operating systems of all kinds do not allow an open file, the file jack was printing, to be deleted; thus, Jack should have been able to keep the file open as long as he wanted to and print or copy to another disk to use as evidence against Ritter. Furthermore, Ritter would have received an error message on his computer like, "CANNOT DELETE FILE - FILE IN USE", or some similar message, and not a "Deleting files *.*" message for the duration. The fact that the printer Jack was using ran out of paper is irrelevant. See more »
[Cortez realizes his betrayal has been exposed]
[referring to Jack Ryan]
Whatever this man has told you is a lie. He LIES for a living!
He is in the Intelligence business.
YOU'RE in the Intelligence business!
[Escobedo plays back Cortez's conversation with Cutter]
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Tom Clancy's Jack Ryan has had an odd time at the movies. So far 3 actors and as many directors have had a go at him, with varying degrees of success. Hunt for Red October might come up in conversations more often, but it's hard to get past the silliness of Sean Connery pretending to be Russian (and speaking worse Russian than Baldwin's American character).
Clear and Present Danger is where your money belongs. One of Clancy's best Ryan efforts in print, this massive door-stop of a book was condensed by veteran scribes Steven Zallian and John Milius - how's that for a screen writing combo? - into a script that retains a lot of the original's moral complexity while making smart concessions to the blockbuster format. For a blockbuster is what you have before you, and one of the smartest ones out there, where art and commerce were combined in perfect harmony.
As Ryan 2.0, Harrison Ford is perfect in the lead, and it's hard to believe at times, that Clancy didn't have him in mind when creating the character. With a narrative this fragmented, it is essential that the supporting roles be pitch perfect and across the board everyone does first-rate work, with special mention to Willem Dafoe as John Clarke and Donald Moffat at a devious commander in chief.
Philip Noyce builds on his Ryan-debut Patriot Games and shows he is equally at ease with the quiet parts and the loud ones, particularly an RPG-powered car ambush centerpiece. The action beats are used sparingly but with brilliant precision.
All in all, this is smart, tight, believable and expertly executed. It is that rare brainy "action" film that will involve you and have you hanging on the edge of your seat.
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