A disillusioned killer embarks on his last hit but first he has to overcome his affections for his cool, detached partner. Thinking it's dangerous and improper to become involved with a ... See full summary »
Yiu-Fai and Po-Wing arrive in Argentina from Hong Kong and take to the road for a holiday. Something is wrong and their relationship goes adrift. A disillusioned Yiu-Fai starts working at a... See full summary »
Kar Wai Wong
Tony Chiu Wai Leung,
Set in 1960, the film centres on the young, boyishly handsome Yuddy, who learns from the drunken ex-prostitute who raised him that she is not his real mother. Hoping to hold onto him, she ... See full summary »
Wong Kar-Wai's movie about two love-struck cops is filmed in impressionistic splashes of motion and color. The first half deals with Cop 223, who has broken up with his girlfriend of five years. He purchases a tin of pineapples with an expiration date of May 1 each day for a month. By the end of that time, he feels that he will either be rejoined with his love or that it too will have expired forever. The second half shows Cop 663 dealing with his breakup with his flight attendant girlfriend. He talks to his apartment furnishings until he meets a new girl at a local lunch counter. Written by
Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>
Originally, there was going to be three parts to the film. The third part instead became Wong Kar-Wai's "Fallen Angels" film. See more »
The woman in the blonde wig had no apparent opportunity to get the beeper number except from Cop 223 himself the night before, and he wouldn't have started to abandon his beeper as useless if he had just given someone new the number. See more »
[223 leaves the store]
He Zhiwu, Cop 223:
Somehow everything comes with an expiry date. Swordfish expires. Meat sauce expires. Even cling-film expires. Is there anything in the world which doesn't?
[223 gives a can of pineapple to a passing street person. The street person looks at the can and throws it on the ground]
It's expired. Don't want it.
He Zhiwu, Cop 223:
See more »
Chungking express is one of my all time favorite films. It is a story of human despair and loneliness told with a good measure of comedy; as such, it can be seen as a spin-off of the black comedy, which usually deals with more morbid issues such as death. Although Chungking Express dwells on human despair, there is always a lingering feeling of hopefulness. When you see a down-trodden person, there are three ways to go about: you could either walk past the person with an air of apathy, you could kick him while he is down, or you could wrap your arms around him and hoist him up; this film is the kind of film that sympathizes with the characters and attempt to hoist them up. It shows the audience that sadness and desolation are natural parts of life, but what one must always strive to do is look forward with optimism.
The direction of the movie is excellent. The camera works in such a way that it feels as though you, an audience member, is right in on the action, standing beside the characters as an observer; as such, the movie has a deep, subjective feel to it. The movie is jarring at times, but that adds to that subjective experience. There are various points where the movie jumps ahead in timeline in very quick succession, giving the audience the feeling of the fleeting nature of time. The movie does not spoon-feed you, rather, it asks you to think and to feel. The acting feels very natural, almost improvisational, and it is required for a movie such as this. Wong Kar Wai, one of the auteurs of world cinema, has made many great movies since, but to this day, Chungking Express stands out as his best, and one of the best movies, in my opinion, of all time.
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