All the kids in a town over night become feverish and have convulsions. The next day they start to become evil, change their names for those of kids killed long ago, and then start killing ... See full summary »
Jamie Renée Smith,
Six college students take a wrong turn and find themselves lost in a strangely deserted rural town... only to discover that this deceptively quiet place hides a murderous cult of children ... See full summary »
Hannah goes back to her hometown (Gatlin) to find out who her mother is, but on the way she picks up a strange man who fore-shadows her life with a passage from the bible. When she gets ... See full summary »
When a girl named Jamie repeatedly tries to contact her grandmother to no avail, she investigates by going to her apartment in Omaha Nebraska....only to find that it's been condemned and ... See full summary »
Two young Gatlin residents are orphaned after the younger brother kills their father. So, the terror of Gatlin goes urban when the two boys are placed in the custody of two foster parents. The younger brother (who by this point is established as the "evil one") bought some corn seeds along for the road and plants them in the courtyard of an abandoned warehouse, bring He Who Walks Behind the Rows to the city. He winds up possessing his high school peers, and soon his older brother feels called to stop him. Written by
Michael Cucinotta <firstname.lastname@example.org>
THE BIRTH OF S.O.U.L.
Written by Roni Skies (as R. Skies), Kevin Cloud (as K. Cloud), M. Fox
Produced by CLOUD n' SKIES
Performed by S.O.U.L.
Published by Kevin Cloud Music (BMI) and Ron Skies Music (ASCAP) See more »
Apart from the Texas-sized loopholes in the script, this film is one of the corniest horror films I have ever watched. Stephen King is credited as one of the writers, and this is surprising to see as it is unclear if he has actually contributed to the script or this film was inspired from King's initial novel. The acting is quite mediocre, but the special effects are of record tackiness, with human puppets of the amazing quality of voodoo dolls. The gore factor is satisfying, even unexpectedly high. The reference to environmental issues as a contemporary premise to any evil we see on screen is flimsy and ephemeral. Overall, spare a few bucks to rent this on a Saturday night in with your friends and pizza.
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