A second-class horror movie has to be shown at Cannes Film Festival, but, before each screening, the projectionist is killed by a mysterious fellow, with hammer and sickle, just as it happens in the film to be shown.
Yvon Rance, a born hairdresser and an elegant middle-aged man with a perfect toupee, reigns in his native Brittany over a clientèle of little old ladies. But his main reason for living, his... See full summary »
In 1942, in an occupied Paris, the apolitical grocer Edmond Batignole lives with his wife and daughter in a small apartment in the building of his grocery. When his future son-in-law and ... See full summary »
Colonel Chabert has been severely wounded in the French-Russian Napoleonic war to the point that the medical examiner has signed his death certificate. When he regains his health and memory... See full summary »
Quatre amis, Etienne, Daniel, Simon et Bouly ont du mal à grandir et, la quarantaine révolue, continuent de se jouer des tours. Etienne, qui est toujours resté fidèle à sa femme, tombe ... See full summary »
Jimmy Alto is an actor wannabe who stumbles into the role of a lifetime. He becomes a vigilante crime-fighter, aided by his sidekick William, who has suffered a head wound and has problems ... See full summary »
This Gérard Jugnot vehicle attests of his own approach of French comedy: to take a serious theme and move it in the domain of the comedy. In his previous effort, "une Epoque Formidable" (1991), he had been interested by homeless people whom he introduced, with humor as deeply united and resourceful. In this "Casque Bleu" (1994), he makes a bunch of tourists confront with a regiment of soldiers who took possession of their hotel.
In spite of his awkward directing, there's an evident will from Jugnot to film his contemporary peers' customs and manners and his perception doesn't lack of insight and sharpness. The image he gives of the tourist on holiday in a country in prey to social turmoil rings true either it is in the beginning of the movie when he and wife, Victoria Abril are in the hotel before the drama or when their van tries to make its way to the airport and they are surrounded by sorrow and misery.
"Casque Bleu" is supposed to be a laugh-filled comedy but the problem is that we don't laugh a lot. Jugnot put aside the drawbacks from his previous opus, notably this somewhat nagging vulgarity but apart some delightful gags and a true image of the tourist, virtually all the actors act cardboard characters like Valérie Lemercier, a former secretary full of hang-ups. Furthermore there's a brutal change of tone when the army besieges the hotel and Jugnot has trouble to find reliable comical situations or dialogs and the movie is a little marred by an end which takes the easy way.
Jugnot's formula (dramatic topic/comic treatment) proved itself in "une Epoque Formidable". Here, it didn't really work. Apart from the true perception of the tourist, "Casque Bleu" has little to recommend in store. Try "une Epoque Formidable" instead.
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