Yvon Rance, a born hairdresser and an elegant middle-aged man with a perfect toupee, reigns in his native Brittany over a clientèle of little old ladies. But his main reason for living, his... See full summary »
A second-class horror movie has to be shown at Cannes Film Festival, but, before each screening, the projectionist is killed by a mysterious fellow, with hammer and sickle, just as it happens in the film to be shown.
In spring 1976, a 19-year-old beauty, her German-born mother, and her crippled father move to the town of a firefighter nicknamed Pin-Pon. Everyone notices the provocative Eliane. She ... See full summary »
VÃctor MartÃnez (Santi MillÃ¡n) is a shy 36-year-old man working as an usher at a movie theater. He still lives with his mother (Chus Lampreave). By some mistake, he ends up in a reality ... See full summary »
Paris 1577 - King Henri III gives famous couturier Pic Saint Loup a crucial diplomatic mission. He must go to Spain to make a magnificent gown for the wedding of the King's nephew to the ... See full summary »
Guillaume has made it: A machine that can clean dirty air by simply sucking all dirt into air balloons and then shipping them far far away so his explanation. Some Japanese business guys, ... See full summary »
Louis de Funès,
After his successful `Une époque formidable', a comedy about homeless people, Gérard Jugnot came back with another, even more ambitious, comedy, about the Balkanic wars (though the place is left unnamed). A group of French tourists, vacationing in a Mediterranean island, is caught in the middle of a war they didn't even know about. In a few hours, they learn to set aside their former troubles (pending divorce, loneliness, ageing) so that they can cope with important matters, like avoiding to get killed or fishing corpses in a swimming pool. While the movie is not entirely satisfying (every character learns the usual lesson about what's really important in life, and the war they're in is too theoretical to be convincing), it explores a few new themes, like our (Western Europeans) ambiguous feelings about the Yugoslavian tragedies (and foreign tragedies in general), or the idea that we (Western Europeans) tend to live in a bubble that's bound to explode. Jugnot has certainly to be credited for taking comedy out of its usual tracks.
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