What is going on here?!? French director, Michel Blanc (as Himself), just doesn't understand why his life is suddenly falling apart. This nightmarish comedy-thriller is all about identity. ... See full summary »
Yvon Rance, a born hairdresser and an elegant middle-aged man with a perfect toupee, reigns in his native Brittany over a clientèle of little old ladies. But his main reason for living, his... See full summary »
A chauffeur for a corrupt CEO, and a few hours later, his boss himself, are killed by the industrialist's associate. But their ghosts remain on Earth, and they try to tell the millionaire's teenage son the identity of the killer.
Maxime and Gerard are a couple of white-collar criminals condemned to 5 years in prison. Sandrine Athan, an honest and principled young police officer, is assigned the banal task of ... See full summary »
Miranda is a crew member of a nightly radio programmme. She and her husband Felix, a cop, are parents of a girl. Miranda's daily dog walking strolls are excuses to pursue sexual encounters ... See full summary »
Manuel Gómez Pereira
Isabel, donna ricca e matura, è ossessionata da un presunto blocco sessuale e cerca di farsi curare dalla giovane psichiatra Ana. Nel frattempo, Antonio, giovane e affascinante, la seduce ... See full summary »
A medieval nobleman and his squire are accidentally transported to contemporary times by a senile sorcerer. He enlists the aid of his descendent to try to find a way to return home, all the... See full summary »
Escaping gangsters trying to kill her because of being witness to a crime, Gloria (Victoria Abril), a young woman of lower class, comes back to Madrid, Spain and to her family. There she ... See full summary »
Agustín Díaz Yanes
This Gérard Jugnot vehicle attests of his own approach of French comedy: to take a serious theme and move it in the domain of the comedy. In his previous effort, "une Epoque Formidable" (1991), he had been interested by homeless people whom he introduced, with humor as deeply united and resourceful. In this "Casque Bleu" (1994), he makes a bunch of tourists confront with a regiment of soldiers who took possession of their hotel.
In spite of his awkward directing, there's an evident will from Jugnot to film his contemporary peers' customs and manners and his perception doesn't lack of insight and sharpness. The image he gives of the tourist on holiday in a country in prey to social turmoil rings true either it is in the beginning of the movie when he and wife, Victoria Abril are in the hotel before the drama or when their van tries to make its way to the airport and they are surrounded by sorrow and misery.
"Casque Bleu" is supposed to be a laugh-filled comedy but the problem is that we don't laugh a lot. Jugnot put aside the drawbacks from his previous opus, notably this somewhat nagging vulgarity but apart some delightful gags and a true image of the tourist, virtually all the actors act cardboard characters like Valérie Lemercier, a former secretary full of hang-ups. Furthermore there's a brutal change of tone when the army besieges the hotel and Jugnot has trouble to find reliable comical situations or dialogs and the movie is a little marred by an end which takes the easy way.
Jugnot's formula (dramatic topic/comic treatment) proved itself in "une Epoque Formidable". Here, it didn't really work. Apart from the true perception of the tourist, "Casque Bleu" has little to recommend in store. Try "une Epoque Formidable" instead.
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