| Photos (see all 15 | slideshow) |
| Julia Ormond | ... | Rachel Clifford | |
| Tim Roth | ... | Philip Chaney | |
| Keith Allen | ... | Lenny | |
| Siobhan Redmond | ... | Sue | |
| Peter Capaldi | ... | Simon | |
| Colin Salmon | ... | Towler | |
| Richard Hawley | ... | Sexton | |
| Annette Badland | ... | Maggie | |
| Jeff Nuttall | ... | Harold | |
| Kenneth Cope | ... | Dr. Hockley | |
| Bill Moody | ... | Surgery Officer | |
| Nathan Dambuza | ... | Moses | |
| Christina Collingridge | ... | Katie | |
| Victoria Scarborough | ... | Dental Nurse | |
| Anthony Keirnan | ... | Blackie | |
| Aedin Moloney | ... | Supermarket Checker | |
| Tricia Thorns | ... | Prison Receptionist | |
| Cathy Murphy | ... | Companion | |
| Mark Strong | ... | Kenny | |
| Sandra James-Young | ... | Angie | |
| Sharon Hines | ... | Melissa | |
| Julian Maud | ... | Escort Officer / Newsreader | |
| Tony Curran | ... | Spider | |
| James Hooton | ... | Trustee Prisoner | |
| Steve Swinscoe | ... | Officer A | |
| Catherine Sanderson | ... | Coffeeshop Waitress | |
| Michael L. Blair | ... | Hare Krishna | |
| David MacCreedy | ... | Officer B | |
| Douglas McFerran | ... | Officer C | |
| Joe Tucker | ... | Con | |
| Shaheen Khan | ... | Estate Agent | |
| Shend | ... | Gus | |
| Gilbert Martin | ... | Bulldog Officer | |
| David Hounslow | ... | Detective |
Directed by | |||
| Angela Pope | |||
Writing credits(in alphabetical order) | ||
| Frank Deasy | writer | |
Produced by | |||
| Ian Hopkins | .... | associate producer | |
| Mark Shivas | .... | executive producer | |
| Anant Singh | .... | executive producer | |
| David M. Thompson | .... | producer | |
Original Music by | |||
| Colin Towns | |||
Cinematography by | |||
| Remi Adefarasin | |||
Film Editing by | |||
| Dave King | |||
Casting by | |||
| Gail Stevens | |||
Production Design by | |||
| Stuart Walker | |||
Art Direction by | |||
| Diane Dancklefsen | |||
Costume Design by | |||
| Odile Dicks-Mireaux | |||
Makeup Department | |||
| Elaine Davies | .... | makeup assistant | |
| Jan Sewell | .... | hair stylist | |
| Jan Sewell | .... | makeup artist | |
| Dorey Sheppard | .... | makeup assistant | |
Second Unit Director or Assistant Director | |||
| William Booker | .... | third assistant director | |
| Melanie Dicks | .... | first assistant director | |
| Robert Fabbri | .... | second assistant director | |
| Clare Nicholson | .... | second assistant director | |
| Pip Short | .... | first assistant director | |
| David Taylor | .... | second unit director | |
| Sarah White | .... | trainee assistant director | |
Art Department | |||
| John Behan | .... | stand-by carpenter | |
| Les Benson | .... | property master | |
| Roy Biggs | .... | stagehand | |
| John Bush | .... | property buyer | |
| Jack Carter | .... | construction manager | |
| Trevor Dyer | .... | construction supervisor | |
| Elli Griff | .... | assistant art director | |
| Derek Ixer | .... | storeman | |
| Kenneth Langridge | .... | chargehand stagehand | |
| Maxie McDonald | .... | stand-by props | |
| Dave Midson | .... | dressing props | |
| Brian Neighbour | .... | carpenter | |
| Dennis Simmonds | .... | dressing props | |
| Jeff Sullivan | .... | painter | |
| Mark White | .... | construction | |
| Clive Wilson | .... | stand-by props | |
Sound Department | |||
| Russell Eatough | .... | foley editor | |
| Mick Gough | .... | boom operator | |
| Diane Greaves | .... | foley artist | |
| Chris Hainstock | .... | sound editor | |
| Chris Hainstock | .... | sound effects editor | |
| Stewart Henderson | .... | dialogue editor | |
| Dominic Lester | .... | sound re-recording mixer | |
| Richard Manton | .... | sound mixer | |
| Richard Manton | .... | sound recordist | |
| Ian Merrylees | .... | sound effects editor | |
| Stuart Moser | .... | sound recordist | |
| Robin O'Donoghue | .... | sound re-recording mixer | |
| Jack Stew | .... | foley artist | |
Visual Effects by | |||
| Stuart Brisdon | .... | visual effects designer | |
Stunts | |||
| Clive Curtis | .... | stunt coordinator | |
| Wayne Michaels | .... | stunt coordinator | |
Camera and Electrical Department | |||
| John Arnold | .... | grip | |
| Mike Chelton | .... | focus puller | |
| Mike Chitty | .... | clapper loader | |
| Mickey Ellis | .... | grip (as Micky Ëllis) | |
| Sid Hinson | .... | rigger | |
| Liam Longman | .... | unit photographer | |
| Neil Munro | .... | electrician | |
| Roy Russell | .... | grip | |
| Sean Savage | .... | focus puller | |
| Bill Thornhill | .... | electrician (as William Thornhill) | |
| Iwan Williams | .... | electrician | |
| Jimmy Wilson | .... | gaffer | |
| Dennis Young | .... | electrician | |
Casting Department | |||
| Andy Pryor | .... | casting associate | |
Costume and Wardrobe Department | |||
| Sarah Burns | .... | assistant costume assistant | |
| Colin May | .... | wardrobe assistant | |
Editorial Department | |||
| Susanne Hamilton | .... | post-production coordinator | |
| Debbie Pragnell | .... | first assistant editor | |
| Kathy Rodwell | .... | second assistant editor | |
| Sue Wyatt | .... | additional editor | |
Other crew | |||
| Lucy Ainsworth-Taylor | .... | production coordinator | |
| Chris Allies | .... | title designer | |
| Lucy Cooke | .... | stand-in: Julia Ormond | |
| Marissa Cowell | .... | script supervisor | |
| Elinor Day | .... | script editor | |
| Paul Janssen | .... | production executive | |
| Geoffrey Paget | .... | production executive | |
| Maggie Phelan | .... | production accountant | |
| Asmaa Pirzada | .... | script editor | |
| Sudhir Pragjee | .... | production executive | |
| Steve Ricard | .... | stand-in: Tim Roth | |
| Adam Richards | .... | location manager | |
| Maurice Scanlon | .... | production accountant | |
| John Smithson | .... | production consultant | |
| John Spencer | .... | assistant location manager | |
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| The Hard Word | Boy A | The Drag-Net | In the Cut | Map of the Human Heart |
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| Full cast and crew | Company credits | External reviews |
| IMDb Crime section | IMDb UK section | Add this title to MyMovies |
Tim Roth never ceases to amaze me with the parts that he plays. He is an "actor's actor". Julia Ormond had some roles in which, I believe, she received unfair unfavorable reviews, here in the states. She is a very talented actress, capable of giving great depth to each performance. Without the experience of working in, and knowing prison systems, this story may seem improbable to some. Having spent some time working at an American prison during graduate schooling, I feel a need to say that it is not at all improbable. I feel that the short synopsis given for this film is not representative of the intention and depth of this creation. Both of the two main characters are in vulnerable personal positions. Their affair is one that is likely enhanced by the potential threat to her job and his upcoming parole. However, the actual relationship these two people establish, is so tender, touching and truly intimate. The trap that develops around them is frightening for them both. But it is this, that brings out each one's absolute need to protect one another, thereby cementing their bond and making them "captives", each to the other's heart. This is a film that I can watch over and over again, even in one evening. I highly recommend it.