Zeki Demirkubuz plays the lead character Ahmet who wants to make a film about Dostoyevsky's 'Crime and Punishment'. He falls into a deep depression, loses interest in the film and life, ... See full summary »
Isa is beaten up after being accused of stealing $50. When his landlord demands the back rent, Isa gets angry and shoots him. The police round up the tenants, but are not suspicious of him.... See full summary »
Mertkan has a simple life in Istanbul: 'working' as an office-boy in his dad's construction company, hanging out with his male friends in malls and discos, cruising with his dad's 4-wheel ... See full summary »
Nihal G. Koldas
A dowdy university instructor Isa is an inattentive husband to his younger, TV-business wife Bahar. Self-absorbed and selfish, Isa only communicates in the most rudimentary way, while she, similarly, detaches into crying jags and juvenile behavior.
Musa, who works as a bookkeeper in the customs office, believes in the emptiness and absurdity of life. He doesn't struggle to change his life; he lets himself flow along with events ... See full summary »
A small, poor village leaning over high rocky mountains, facing the immense sea, flanked by olive yards. Villagers are simple and diligent people who struggle to cope with a harsh nature. ... See full summary »
This is a movie within movie, which is almost recursive, i.e., the movie inside looks like director Ceylan's previous movie, Kasaba. It is about the movie director, Muzaffer, going back to ... See full summary »
Poet Yusuf (35-38) returns to his childhood hometown, which he hadn't visited for years, upon his mother's death. He is faced with a neglected, crumbling house. Ayla, a young girl (17-19) ... See full summary »
Somehow most Turkish directors cannot go beyond mediocre films, especially big names. In a 20-year period, there is really maybe a handful of good movies in Turkish cinema (at most). Scripts succeed in capturing neither the locally nor the globally interesting story. Both big box office hits and the critically acclaimed leave a lot to be desired (Eskiya, Vizontele, Propaganda, Abuzer Kadayif, Cazibe Hanimin Gunduz Dusleri, Salkim Hanimin Taneleri, Surgun, many others). In this bleak picture, Block C presents a good dose of fresh air. In this movie Demirkubuz shows he understands what movies are all about. The storyline is universal, yet very specific to what is happening in Istanbul during the last quarter of 20th century. Although it takes a bit of effort on the viewer's part to appreciate the depth of the story, this is a great movie with a powerful story to tell. We need more movies like this, and if the director's performance at Cannes 2002 (*two* movies in the regular program, a first according to what I read), is any indication, we may have a great director in the making. Block C is a good movie with an intelligent story you will think about after seeing and not quite forget.
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