7.5/10
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Bullets Over Broadway (1994)

In New York in 1928, a struggling playwright is forced to cast a mobster's talentless girlfriend in his latest drama in order to get it produced.

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Won 1 Oscar. Another 20 wins & 19 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Lili (as Margaret Sophie Stein)
Charles Cragin ...
Rifkin
Nina von Arx ...
Josette (as Nina Sonya Peterson)
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Storyline

1920s Broadway. Playwright David Shayne considers himself an artist, and surrounds himself with like minded people, most struggling financially as they create art for themselves, not the masses. David, however, believes the failure of his first two plays was because he gave up creative control to other people who didn't understand the material. As such, he wants to direct his just completed third play, "God of Our Fathers", insider scuttlebutt being that it may very well make David the toast of Broadway. With David having no directing history, David's regular producer, Julian Marx, can't find any investors,... until a single investor who will finance the entire production comes onto the scene. He is Nick Valenti, a big time mobster, with the catch being that his dimwitted girlfriend, non-actress Olive Neal, get the lead role. A hesitant David and Julian, who are able to talk Nick into them giving Olive one of the two female supporting roles instead, go along with the scheme hoping ... Written by Huggo

Plot Summary | Add Synopsis

Taglines:

The New Comedy From Woody Allen! See more »

Genres:

Comedy | Crime

Motion Picture Rating (MPAA)

Rated R for some language | See all certifications »

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Details

Country:

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Release Date:

24 February 1995 (USA)  »

Also Known As:

Disparos sobre Broadway  »

Box Office

Budget:

$20,000,000 (estimated)

Gross:

$13,383,737 (USA)
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Company Credits

Show detailed on  »

Technical Specs

Runtime:

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Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Rob Reiner portrays "Sheldon", a name featured in Reiner's When Harry Met Sally... (1989). See more »

Goofs

When David stands in the street and argues with Sheldon Flender in the apartment above, a powerful floodlight on a technical-looking stand is reflected in the open window. See more »

Quotes

Sheldon Flender: You, you, you're all missing the point, the point is I can give pleasure many times a day!
Rita: Oh, now, really Flender, what does quantity got to do with it?
Sheldon Flender: Quantity, quantity affects quality!
David Shayne: Says who?
Sheldon Flender: Karl Marx!
Rita: Oh, so now we're talking economics.
Sheldon Flender: Sex is economics!
See more »

Connections

Referenced in Femme Fatales with Gina Gershon and Jennifer Tilly (2014) See more »

Soundtracks

Nagasaki
Music by Harry Warren
Lyrics by Mort Dixon
Performed by The Three Deuces Musicians & Singers
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User Reviews

Witty and sparkly
2 August 2002 | by (United Kingdom) – See all my reviews

In 1920's New York a young author, David, manages to get his play off the ground with funding from mobster Valenti. The money allows David to get actors of the caliber of Helen Sinclair and Warner Purcell, however there's a catch. Valenti wants his screechy girl friend Olive to play a key part. This problem is compounded by Olive's minder Cheech who has plenty of constructive criticism on how the play could be better. David tries to balance all these in the name of art.

It's rarely new ground that Woody Allen walks – but how come he manages to make it so damn sparkly and witty? Here he delivers wonderful spoof on theatre people and the assumptions we all make about characters based on what they do or how they talk. The writing is spot on, Allen delivers tonnes of great lines but also creates characters that he expands over the film. It is very watchable and it rarely suffers from the fate on some of Allen's recent comedies – feeling too light or whimsical for it's own good. Instead it is funny but has some points to make.

Of course it always helps if you have a great cast and this does. With people like Warden, Broadbent, Wiest, Tilly, Parker, Fierstein, Reiner, Falco and Palminteri it's hard not to have at least the majority of the cast giving good performances – Wiest, Tilly and Palminteri were my favourites. Cusack was good as the overpowered writer but the one thing I didn't like is the same with many actors who do the traditional Woody role – he gives a slight impression at times rather than cutting out the role as his own.

Overall Woody Allen may not be everyone's cup of tea – but for fans this is him at his whimsical best. Not a classic comedy but a warm Allen film that sparkles in nearly every scene.


34 of 38 people found this review helpful.  Was this review helpful to you?

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