2 items from 2014
“Money alone sets all the world in motion.”
—Publilius Syrus, Maxim 656
The desire for money, for personal gain or business interests, is a frequent catalyst for dramatic action in William Friedkin’s films. In The Night They Raided Minsky’s (1968), The French Connection (1971), Sorcerer (1977), The Brink’s Job (1978), Deal of the Century (1983), To Live and Die in L.A. (1985), Blue Chips (1994) and, more recently, Killer Joe (2011), the pursuit of money entails underhand tactics, struggle, betrayal and violence. Dollar bills are passed from one person to another, in plain view or sight unseen; or promised at the completion of a job; or seized, burned or spent. But the money always materializes again, somehow, coursing into the narrative economy and organizing social relations.
In a notable sequence in To Live and Die in L.A. we see this material created illegally, and witness its eruption and flow into the system. Friedkin here offers an »
- Yusef Sayed
A quarter-century ago, Kevin Costner hit a double-play, following up "Bull Durham" with "Field of Dreams" and becoming king of the sports movie. Twenty-five years later, as "Field of Dreams" marks its 25th anniversary (it was released on April 21, 1989), Costner is back with "Draft Day." The movie's about football, not baseball, and Costner's character plays in the executive suite, not on the field, but his mere presence still offers a reminder of great sports movies past.
And after all, isn't nostalgia a key element of sports movies? "Field of Dreams" makes this explicit -- we long for the sports heroes of our childhood, for a supposed long-gone golden age of our preferred sport, as a way of connecting with our past and bridging the generational divide that separates us as adults from our parents. Sports movies offer more than just the drama of winners and losers, or the journey from dream to achievement, »
- Gary Susman
2 items from 2014
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