| Darling Narita | ... | The Girl | |
| Peter Greene | ... | Adam | |
| Michael Newland | ... | Officer Rattler | |
| Erik Schrody | ... | Pimp | |
| Michael Artura | ... | Officer Trotter | |
| James Sharpe | ... | Officer Ham | |
| Luis Guizar | ... | Jesús | |
| Art Cruz | ... | Juan | |
| David Alan Graf | ... | The Producer | |
| Stanley Herman | ... | Landlord | |
| Donald 'Notorious' D | ... | O.G. On Rooftop | |
| James Noble | ... | Rooftop Dealer | |
| Eric Kirkpatrick | ... | Tucker | |
| Wandi Herman | ... | Piwi On Rooftop | |
| David Conner | ... | Ivan | |
| Stephanie Martini | ... | Joey | |
| Jason Pepper | ... | Newscaster / TV Cop | |
| Lucy Liu | ... | Hooker (as Lucy Lui) | |
| David N. Preston | ... | Cook | |
| Paul Saucido | ... | Drive-By Cholo | |
| Thomas Prisco | ... | Addict (as Tom Prisco) | |
| Claudia Kareem | ... | Waitress | |
| Daniel M. Berger | ... | Man On Bus | |
| Pamela Tomasetti | ... | Housewife | |
| Roberta Rodman | ... | Audition Model | |
| Rowen Kerr | ... | Golfer | |
| Darren Lane | ... | Businessman | |
| Juanita Salinas | ... | Latina Woman | |
| Kirk Homehunter | ... | Homeless Man | |
| Glori Gold | ... | Do-Me Girl |
Directed by | |||
| Ash Baron-Cohen | (as Ash) | ||
Writing credits(in alphabetical order) | ||
| Ash Baron-Cohen | writer (as Ash) | |
Original Music by | |||
| Orlando Aguillen | |||
Cinematography by | |||
| David Gasperik | (as Dave Gasperik) | ||
Film Editing by | |||
| Ash Baron-Cohen | (Ash Baron-Cohen) (as Ash) | ||
Casting by | |||
| Ash Baron-Cohen | (as Ash) | ||
| Cynthia Lane | |||
| Yasmine | |||
Production Design by | |||
| Daniel M. Berger | |||
Makeup Department | |||
| Donna Cicatelli-Lewis | .... | makeup artist | |
| Fred Nye | .... | makeup effects | |
Production Management | |||
| Daniel Voltz | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Daniel M. Berger | .... | first assistant director | |
| Emil Somogyi Jr. | .... | second assistant director | |
| Paul Thompson | .... | second assistant director | |
Sound Department | |||
| Rob Disner | .... | boom operator | |
| Bob Disnir | .... | boom operator | |
| Margaret Duke | .... | sound mixer | |
| Bill Foster | .... | sound mixer | |
| Bill Montei | .... | sound designer | |
Special Effects by | |||
| Mike Sullivan | .... | special effects weapon | |
Visual Effects by | |||
| Jeffrey Arnold | .... | visual effects production assistant (as Jeff Arnold) | |
| Ken Rudolph | .... | opticals | |
| Dan Winthorp | .... | titles and opticals | |
Stunts | |||
| Darren Bignaud | .... | stunts | |
| Sasha Welles | .... | stunts | |
| Mark Wilkinson | .... | stunts | |
Costume and Wardrobe Department | |||
| Stacy Bass | .... | assistant costumer | |
| Dana R. Woods | .... | costumer | |
Editorial Department | |||
| Michael McCann | .... | negative cutter | |
Music Department | |||
| Spring Aspers | .... | music supervisor | |
| Orlando Auguillan | .... | music coordinator | |
| Jon Deprudhoe | .... | music coordinator | |
Other crew | |||
| Jeffrey Arnold | .... | production assistant (as Jeff Arnold) | |
| Liz B-C. | .... | script consultant | |
| Daniel M. Berger | .... | script consultant | |
| Bill Briggs | .... | production assistant | |
| Jane-Jane Caeneddi | .... | script consultant | |
| Gerry Chapnic | .... | business manager | |
| Melodie Cudanes | .... | script consultant | |
| Luis Guizar | .... | assistant to director | |
| Linda Lichter | .... | legal counsel | |
| Darling Narita | .... | script consultant | |
| Ross Rodriguez | .... | production assistant | |
| Ken Rudolph | .... | title designer | |
| Mark Walego | .... | production assistant | |
| Andy Weiss | .... | production assistant | |
| Dan Winthrop | .... | title designer | |
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| Little Athens | Jimmy and Judy | The Basketball Diaries | Fiona | The Negotiator |
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| Full cast and crew | Company credits | External reviews |
| IMDb Crime section | IMDb USA section | Add this title to MyMovies |
The only memorable things about "Bang" is that it features a female Asian protagonist in a non-stereotypical role and its use of cinema verite techniques. That said, the movie meanders about without any sort of coherent plot or message. At times, I felt as if the filmmaker was making the story up as he was filming it.
Essentially "Bang" is all flash and no substance.