A young woman in L.A. is having a bad day: she's evicted, an audition ends with a producer furious she won't trade sex for the part, and a policeman nabs her for something she didn't do, demanding fellatio to release her. She snaps, grabs his gun, takes his uniform, and leaves him cuffed to a tree where he's soon having a defenseless chat with a homeless man. She takes off on the cop's motorcycle and, for an afternoon, experiences a cop's life. She talks a young man out of suicide and then is plunged into violence after a friendly encounter with two "vatos." She is torn between self-protection and others' expectations. Is there any resolution for her torrent of feelings? Written by
Sometimes you've got to break the rules
Did You Know?
In between the crew, cast and special thanks section, the screen fades completely black for a second and a painting of a Native American and a girl inside a box with a window are visible for a short time. See more
Referenced in Lips to Lips