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Storyline
A young woman in L.A. is having a bad day: she's evicted, an audition ends with a producer furious she won't trade sex for the part, and a policeman nabs her for something she didn't do, demanding fellatio to release her. She snaps, grabs his gun, takes his uniform, and leaves him cuffed to a tree where he's soon having a defenseless chat with a homeless man. She takes off on the cop's motorcycle and, for an afternoon, experiences a cop's life. She talks a young man out of suicide and then is plunged into violence after a friendly encounter with two "vatos." She is torn between self-protection and others' expectations. Is there any resolution for her torrent of feelings? Written by
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Did You Know?
Crazy Credits
In between the crew, cast and special thanks section, the screen fades completely black for a second and a painting of a Native American and a girl inside a box with a window are visible for a short time.
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Connections
Referenced in
Lips to Lips (2000)
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Bleak look at the life of the less-privileged in contemporary Los Angeles. Darling Narita is utterly believable as the unemployed, homeless actress who gets to be a "cop" for a day, and the dialogue, situations and general flow of the film have a definite ring of authenticity (you will never say to yourself "no, this couldn't happen"). The director's documentary-like technique draws you into the film; on the other hand, it doesn't give you too many insights into the characters. Ultimately, the film comes to a dead end - like its heroine, it has nowhere to go. (**1/2)