Roper, a hostage negotiator catches a murderous bank robber after a blown heist. The bank robber escapes and immediately goes after the man who put him behind bars. The ending is played out... See full summary »
A Florida con man uses the passing of the long time Congressman from his district who he just happens to share a name with, to get elected to his version of paradise, Congress, where the ... See full summary »
Axle Foley, while investigating a car theft ring, comes across something much bigger than that: the same men who shot his boss are running a counterfeit money ring out of a theme park in Los Angeles. Written by
Jason Ihle <firstname.lastname@example.org>
Among the rejected ideas for "Beverly Hills Cop III" included a Robert Towne screenplay idea (one in which Axel Foley has to deal with his celebrity cop status), a scenario teaming 'Eddie Murphy' with Sean Connery as a Scotland Yard detective, and another Axel Foley-in-London idea where his Scotland Yard counterpart would have been played by John Cleese. The last story would have involved a British gangster loosely based on the real-life Kray brothers, who was captured in Detroit and transported to London by Paul Reiser's Jeffrey, and Axel would have gone overseas after the gangster's henchmen broke him out of custody and murdered Jeffrey. This concept was scrapped because producers Don Simpson and Jerry Bruckheimer decided it was too close to the storyline of the Michael Douglas' film Black Rain (1989). See more »
Axel has Janice put the blueprint in his suit, when he takes the suit off, Axel takes the blueprint out of his back pocket of his jeans. There is no way he could have moved it with the suit on. See more »
I think "Beverly Hills cop III" was an extremely regrettable turning point in the nice career of one of the most talented and funniest black comedians Hollywood has ever seen - Mr. Eddie Murphy. Before it he used to be funny or at least much funnier. He appeared in the rather enjoyable flicks like "48 Hrs.", "Coming to America", "Another 48 Hrs.", "The Distinguished gentleman", "Boomerang" and of course "Beverly Hills cop I & II" - two beloved movies that'll always be his very best works.
Then someone decided to add part three in the so far terrific "Beverly Hills cop" saga. This time Axel Foley was on the mission of revenge and the comedy was unfortunately replaced by action. Who forgot that most of the glamour behind these movies came directly from the humor? Even though John Landis - the man behind hit comedies like "The Blues Brothers" and "Three Amigos!" - sat in the director's chair the end result just wasn't that funny anymore or at least it was funny very rarely and that's a bad thing if we compare part three to its absolutely hilarious precursors. ...and as it happened, after "Beverly Hills cop III" Eddie Murphy got roles from the movies like "Vampire in Brooklyn" (with only couple of excellent scenes), "Metro" (that apparently wasn't supposed to be funny in the first place), "Doctor Dolittle" (cute little film for kiddies who love furry animals that talk), "Holy man" (interesting but more confusing than amusing) and "Nutty Professor II: The Klumps" (definitely one of his worst movies, waste of his undisputed talents and a model example of a comedy that doesn't make you laugh).
Lately I saw "Life" and surprisingly it was pretty brilliant and alongside with fairly good "Bowfinger" it's the only completely clear exception in this course. What I'm saying is, "Beverly Hills cop III" started it all. Was it all just a coincidence or was it meant to be that Eddie Murphy's best years were in the 80's and early 90's? I can't tell. This is just the way I see things.
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