Roper, a hostage negotiator catches a murderous bank robber after a blown heist. The bank robber escapes and immediately goes after the man who put him behind bars. The ending is played out... See full summary »
Axle Foley, while investigating a car theft ring, comes across something much bigger than that: the same men who shot his boss are running a counterfeit money ring out of a theme park in Los Angeles. Written by
Jason Ihle <firstname.lastname@example.org>
One idea for the film came from Brandon Tartikoff who suggested a crossover film with 'Paul Hogan' as Crocodile Dundee but the idea was rejected by 'Eddie Murphy'. See more »
When the guard jumps over the railing onto Axel, in the security tunnel at Wonder World, Axel drops his gun. Axel then knees the security guard in the face and runs away without picking up his gun. In the next shot, another security guard runs over to help the downed guard and Axel's gun is gone. See more »
Axel, you on a coffee break? Go get that son of a bitch.
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There are no opening credits. The title appears during the closing credits. See more »
I think "Beverly Hills cop III" was an extremely regrettable turning point in the nice career of one of the most talented and funniest black comedians Hollywood has ever seen - Mr. Eddie Murphy. Before it he used to be funny or at least much funnier. He appeared in the rather enjoyable flicks like "48 Hrs.", "Coming to America", "Another 48 Hrs.", "The Distinguished gentleman", "Boomerang" and of course "Beverly Hills cop I & II" - two beloved movies that'll always be his very best works.
Then someone decided to add part three in the so far terrific "Beverly Hills cop" saga. This time Axel Foley was on the mission of revenge and the comedy was unfortunately replaced by action. Who forgot that most of the glamour behind these movies came directly from the humor? Even though John Landis - the man behind hit comedies like "The Blues Brothers" and "Three Amigos!" - sat in the director's chair the end result just wasn't that funny anymore or at least it was funny very rarely and that's a bad thing if we compare part three to its absolutely hilarious precursors. ...and as it happened, after "Beverly Hills cop III" Eddie Murphy got roles from the movies like "Vampire in Brooklyn" (with only couple of excellent scenes), "Metro" (that apparently wasn't supposed to be funny in the first place), "Doctor Dolittle" (cute little film for kiddies who love furry animals that talk), "Holy man" (interesting but more confusing than amusing) and "Nutty Professor II: The Klumps" (definitely one of his worst movies, waste of his undisputed talents and a model example of a comedy that doesn't make you laugh).
Lately I saw "Life" and surprisingly it was pretty brilliant and alongside with fairly good "Bowfinger" it's the only completely clear exception in this course. What I'm saying is, "Beverly Hills cop III" started it all. Was it all just a coincidence or was it meant to be that Eddie Murphy's best years were in the 80's and early 90's? I can't tell. This is just the way I see things.
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