| Peta Lily | ... | Dr. Penny Second / Sexy Nurse | |
| Philip Pellew | ... | Detective Sergeant Stiltskin | |
| Julian Bleach | ... | Dr. Rogers | |
| Olegar Fedoro | ... | Hal (as Oleg Federov) | |
| Jeremy Wilkin | ... | Dr. Melplash | |
| Rex Doyle | ... | Pathologist | |
| Chris Banks | ... | Dr. Second Senior | |
| Rachel Izen | ... | Sister Helston | |
| Stephanie Buttle | ... | Karen | |
| Yasmin Pettigrew | ... | Nurse to Dr. Second Sr. | |
| Terence Soall | ... | Dr. Ruden (as Terrence Soall) | |
| David Tysall | ... | Dr. John Lord | |
| James Clarkson | ... | Dr. Sterk | |
| Simon Fisher-Becker | ... | Dr. Farth (as Simon Fisher Becker) | |
| David Trevena | ... | Dr. Scut | |
| John Scott Martin | ... | Nightwatchman | |
| Tina Ellen Lee | ... | Club Singer | |
| Gavin MacFadyen | ... | Detective Bland | |
| Christopher Adamson | ... | Detective Jarvis | |
| Polly Jackson | ... | Women's Ward Nurse | |
| Mary Roscoe | ... | Pregnant Rioter | |
| John Deery | ... | Riot Warder | |
| Jelena Budimir | ... | Patient | |
| Eve Pearce | ... | Patient | |
| David Glass | ... | Young Daddy | |
| Rosanna Marsh | ... | Young Penny | |
| Eleanor Marsh | ... | Young Girl Patient | |
| Malcolm Freeman | ... | Emergency Room | |
| Sally O'Donnell | ... | Emergency Room | |
| Angelo Piccigallo | ... | Emergency Room | |
| David Ould | ... | Waiting Room | |
| John Ould | ... | Waiting Room | |
| Amelie von Harrach | ... | Waiting Room | |
| Sinèad Skinner | ... | Waiting Room |
Directed by | |||
| Robert Golden | |||
Writing credits | ||
| Peta Lily | (play) and | |
| David Glass | (play) | |
| Peta Lily | (screenplay) and | |
| David Glass | (screenplay) and | |
| Robert Golden | (screenplay) | |
Produced by | |||
| Robert Golden | .... | executive producer | |
| Andrea Marsh | .... | associate producer | |
| Sandra Yarwood | .... | producer | |
Original Music by | |||
| Stephen W. Parsons | (as Stephen Parsons) | ||
| David Pearl | |||
Cinematography by | |||
| Chris Middleton | |||
Film Editing by | |||
| Terry Jones | |||
| Dean Wyles | |||
Casting by | |||
| Suzy Korel | |||
Production Design by | |||
| Harry Metcalfe | |||
Art Direction by | |||
| Sue Ferguson | |||
Costume Design by | |||
| Jo Van Schuppen | (as Jochien Van Schuppen) | ||
Makeup Department | |||
| Karen Beadle | .... | makeup designer | |
| Xanthia Cooper | .... | makeup artist | |
Production Management | |||
| Brian Windus | .... | production manager | |
Second Unit Director or Assistant Director | |||
| David Glass | .... | associate director | |
| Steve Lincoln | .... | first assistant director | |
| David Skynner | .... | third assistant director (as David Skinner) | |
| Matthew Whitley | .... | second assistant director | |
Art Department | |||
| Simon Bisset | .... | props driver | |
| Lyndsay Bullock | .... | assistant art director (as Lindsay Bullock) | |
| Gary Gleeson | .... | master painter | |
| Justine Jones | .... | art department runner | |
| Jonathan Leahey | .... | assistant art director | |
| Barnaby Papworth | .... | master carpenter | |
| Alan Pike | .... | art department runner | |
| Damian Waters | .... | props | |
| Barnaby Papworth | .... | carpenter (uncredited) | |
Sound Department | |||
| Chris Domaille | .... | foley artist | |
| Paul Hamblin | .... | dubbing mixer | |
| Jonathan Jenkins | .... | foley mixer | |
| Karl Mardert | .... | boom operator (as Karl Madert) | |
| James Mather | .... | adr editor | |
| James Mather | .... | sound effects editor | |
| Lisa Newsome | .... | boom operator | |
| Steve Taylor | .... | sound mixer | |
Special Effects by | |||
| Dave Elsey | .... | special effects makeup | |
| Adrian Getley | .... | special effects makeup | |
| Alan Hedgcock | .... | special effects makeup | |
| Brendan Lonergan | .... | special effects makeup | |
| John Schoonraad | .... | special effects makeup | |
| Cliff Wallace | .... | special effects makeup | |
Camera and Electrical Department | |||
| Tessa Brown | .... | camera trainee | |
| John Devine | .... | gaffer | |
| Marco di Giulio | .... | best boy (as Marco Di Guilio) | |
| Martin Duncan | .... | gaffer | |
| Paul Englefield | .... | camera operator | |
| Adam Harris | .... | electrician | |
| Nic Holman | .... | electrician | |
| Russell Hopkin | .... | focus puller | |
| Brett Lamb-Shine | .... | focus puller | |
| Michael McDermott | .... | gaffer (as Mick McDermott) | |
| Chris Middleton | .... | lighting | |
| Rob Roy | .... | focus puller | |
| Stephen Sadler | .... | clapper loader | |
| Matt Skinner | .... | focus puller | |
| Mark Smythe | .... | camera operator | |
| Jim Solan | .... | electrician | |
| Corinne Turner | .... | still photographer | |
| Gary Waters | .... | grip | |
| Vanessa Woolf-Hoyle | .... | electrician (as Vanessa Woolfe) | |
| Lucho Zuidema | .... | grip | |
Costume and Wardrobe Department | |||
| Beatrice Balazs | .... | assistant costume designer | |
| Tamsin Thorne | .... | wardrobe assistant | |
Editorial Department | |||
| Martin McGlone | .... | color grader | |
Music Department | |||
| Nehra Ashworth | .... | musician | |
| Alexander Balanescu | .... | musician (as Alex Balanescu) | |
| Richard Causon | .... | music programmer | |
| Francis Haines | .... | composer: additional music | |
| Simon Lupin | .... | music recording engineer | |
| Chris Pye | .... | music recording engineer | |
| Steve Sidwell | .... | musician | |
| Joe Thompson | .... | musician | |
| Nigel Woodhouse | .... | musician | |
Other crew | |||
| Richard Beresford | .... | legal services | |
| Jamie Bossom | .... | location manager | |
| Liz Broberg | .... | production assistant | |
| Vanessa Davies | .... | unit publicist | |
| Clifford Davis | .... | legal services | |
| Mike Dempsey | .... | title designer | |
| David Glass | .... | choreographer | |
| Gary Gleeson | .... | dog owner | |
| Maralyn Moseley | .... | bookkeeper | |
| Chris Parkinson | .... | legal services | |
| Marinella Setti | .... | continuity | |
| Julie Tottman | .... | animal wrangler (as Julie Tottham) | |
Thanks | |||
| David Ellis | .... | thanks (as Dr. David Ellis) | |
| Stiv Jenner | .... | thanks | |
| Richard Paynter | .... | thanks | |
| Clare Timms | .... | thanks: Soho 601 | |
|
|
|
|
|
| The Ruling Class | Intermission | Freeway | Nurse Betty | Suicide Kings |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb UK section |
Robert Golden has only made two films. This film, Beg, is subversive art, sure, but it doesn't mean that it would be considered very "good" art. It's main intention, for a large portion of the running time, is to disorientate the viewer, constantly, scene to scene, with a ferocious, unyielding grasp of cinematographic technique. There's barely a chance, until perhaps midway through the film, when we get a breather for a few scenes of characters trying to connect and talk, but mostly Golden and his DP string together a bunch of incomprehensible mind-f***s. Sometimes inventive, yes, but never more than just a surface of "hey, we can do lots of colorful-but-dark lighting" and surrealism just for its own sake.
The plot itself sounds interesting enough, about Doctor Second and her faulty attempts to control her ward of a mental hospital while also fighting to save the life of her father who is on life support. The actors seem to be left to their own warped devices since the director is too busy making every scene "DIRECTED BY". You might know this kind, like a lessor David Lynch who cares too much about the mood of a scene, and then another and another. It's suffocating to see so much of a flagrancy of technique, of trying to make this story, or stories, more important then they are with flash and whiplash style theatrics with the lens and editing tricks. It's like a magician who keeps throwing plates up in the air with technicolor effects - and then keeps doing it for far long past his welcome.
My advice, if you must watch a crazy European art-house movie on a mental hospital, check out Jan Svankmajer's Lunacy instead. There's a reason Golden didn't get very far after this film hit a few festivals and subsequently (and rightfully so) got picked up by Troma video. It looks fantastic, but it goes absolutely nowhere. You keep watching, but you wont know what's really going on most of the time except for lots of flash and sex and abnormal figures doing s***.