Ted, a stuffy white guy from Illinois working in sales for the Barcelona office of a US corporation, is paid an unexpected visit by his somewhat less stuffy cousin Fred, who is an officer ... See full summary »
A gently comic contemporization of "The New Testament, "The Second Greatest Story Ever Told...chapter one" introduces Jake of Brooklyn, Jesus' "younger, dumber brother." "Second Greatest" ... See full summary »
Ralph Glenn Howard,
Well-known philanthropist and deaf-mute John G. Harrison is identified leaving the scene of several murders but evades successful prosecution as there are hundreds of witnesses who have ... See full summary »
Horace Jackson (John Beal) and his bride, Millie ('Wanda McKay' qv)),check into a New York City hotel room for their one-night honeymoon before he reports for induction into the arm the ... See full summary »
Honest Plush Brannon is a con-man thrown out of the Barbary Coast in San Francisco in the 1880s and headed for the gold rush region of Nevada. He discovers a real mine which lead to several complications.
Roy Del Ruth
Ted, a stuffy white guy from Illinois working in sales for the Barcelona office of a US corporation, is paid an unexpected visit by his somewhat less stuffy cousin Fred, who is an officer in the US Navy. Over the next few months, both their lives are irrevocably altered by the events which follow Fred's arrival, events which are the trivial stuff of a comedy of manners at first but which gradually grow increasingly dramatic. Written by
Tim Horrigan <firstname.lastname@example.org>
Director Cameo: Whit Stilman on the dance floor at the disco club along with cinematographer John Thomas and a few of the camera crew in the opening shot as dancing extras during the dance number 'You've Got What It Takes' just before Ted and Montserrat arrive. Stillman is the one on the extreme left looking into a teleprompter just off-camera (identifiable from the shining white light from the teleprompter screen). See more »
When Fred and Ted are driving through Barcelona early in the film, Ted's driving barely matches the direction the car is moving. See more »
I couldn't believe Fred would just show up like that. On the other hand, it was absolutely typical.
See more »
I have not looked at this movie in over a year, yet it is still so fond to my recollection...that I have to stop here and share my thoughts.
First, this is a genuinely warm film and some of the sunniness of the setting, I think, permeates the mood it creates and the feeling that is left with the viewer. And this is despite the sterility of Ted Boynton's work and the comparable hollowness of his sales "ethos." I know what people say about Whit Stillman's films (ie. that they are peopled with talking heads and not much feeling is generated)....but this is absolutely NOT the case with BARCELONA. In spite of Ted Boynton's pragmatic and brainy approach to life, he is still shown the value of love and life...and learns some of the humility he has been so sorely lacking. It has to do, also, with his consciousness of being a foreigner: he has lowered his expectations to the point where the slightest display of kindness (by Montserrat and her friends) is a revelation to him. I think anyone wanting to work abroad should see this film first!
There is much to admire in here: the crispness of Stillman's dialogue, the excellent performance by Taylor Nichols and his comic, verbally-sparring, exchanges with Chris Eigeman. It teaches us to never lose our wonder and become complacent when becoming established in a foreign country. It offers a lesson to intellectuals and would-be intellectuals everywhere that there is still plenty to be learned where the human heart is concerned. I liked this movie a lot and rate it as Stillman's clearest and most entertaining work to date.
5 of 7 people found this review helpful.
Was this review helpful to you?