Ted, a stuffy white guy from Illinois working in sales for the Barcelona office of a US corporation, is paid an unexpected visit by his somewhat less stuffy cousin Fred, who is an officer ... See full summary »
Diana, a young Italian-American photographer, returns to the city in which she grew up in order to settle her mother's estate. She had not gotten along well with her mother in recent years.... See full summary »
Helen De Michiel
Horace Jackson (John Beal) and his bride, Millie ('Wanda McKay' qv)),check into a New York City hotel room for their one-night honeymoon before he reports for induction into the arm the ... See full summary »
A gently comic contemporization of "The New Testament, "The Second Greatest Story Ever Told...chapter one" introduces Jake of Brooklyn, Jesus' "younger, dumber brother." "Second Greatest" ... See full summary »
Ralph Glenn Howard,
Ted, a stuffy white guy from Illinois working in sales for the Barcelona office of a US corporation, is paid an unexpected visit by his somewhat less stuffy cousin Fred, who is an officer in the US Navy. Over the next few months, both their lives are irrevocably altered by the events which follow Fred's arrival, events which are the trivial stuff of a comedy of manners at first but which gradually grow increasingly dramatic. Written by
Tim Horrigan <firstname.lastname@example.org>
Director Cameo: Whit Stilman on the dance floor at the disco club along with cinematographer John Thomas and a few of the camera crew in the opening shot as dancing extras during the dance number 'You've Got What It Takes' just before Ted and Montserrat arrive. Stillman is the one on the extreme left looking into a teleprompter just off-camera (identifiable from the shining white light from the teleprompter screen). See more »
When Fred and Ted are driving through Barcelona early in the film, Ted's driving barely matches the direction the car is moving. See more »
I couldn't believe Fred would just show up like that. On the other hand, it was absolutely typical.
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This is one of those movies that get better with age. I first saw it ten years ago, when Mira Sorvino was an unknown actress, and I was surprised to learn later that she wasn't really Spanish. (I lived in Spain for five years, so I'm not easily fooled.) If you've been to Barcelona, you'll like the glowing glimpses of the city, sun-drenched during the day, lit by neon and fireworks at night. There is much charming, often subtle, humor in the film. Who could resist Taylor Nichols dancing alone in his dining room while reading the Bible? Or Chris Eigeman using a felt tip pen to change anti-American graffiti from "American pigs" to "American deer"? Sure, the film is talky, but it doesn't take itself too too seriously.
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