| Madeleine Stowe | ... | Cody Zamora | |
| Mary Stuart Masterson | ... | Anita Crown | |
| Andie MacDowell | ... | Eileen Spenser | |
| Drew Barrymore | ... | Lilly Laronette | |
| James Russo | ... | Kid Jarrett | |
| James LeGros | ... | William Tucker | |
| Robert Loggia | ... | Frank Jarrett | |
| Dermot Mulroney | ... | Josh McCoy | |
| Jim Beaver | ... | Pinkerton Detective Graves | |
| Nick Chinlund | ... | Pinkerton Detective O'Brady | |
| Neil Summers | ... | Ned, Jarrett Gang | |
| Daniel O'Haco | ... | Roberto, Jarrett Gang | |
| Richard Reyes | ... | Rico, Jarrett Gang | |
| Alex Kubik | ... | Yuma, Jarrett Gang | |
| Will MacMillan | ... | Colonel Clayborne | |
| Harry Northup | ... | Preacher | |
| Don Hood | ... | Echo City Sheriff | |
| Donald L. Montoya | ... | Station Master | |
| Zoaunne LeRoy | ... | Widow Matilda Clayborne | |
| Jimmy Lewis Jr. | ... | Surrey Driver | |
| Millie Weddles | ... | Widow's Maid | |
| Vince Davis | ... | Apparel Clerk | |
| Blue Deckert | ... | Rich Citizen | |
| Rodger Boyce | ... | Agua Dulce Bank Manager | |
| Nik Hagler | ... | Agua Dulce Marshal | |
| Mark Feltch | ... | Teller | |
| Max Bode | ... | Boy in Bank | |
| Cooper Huckabee | ... | Deputy Earl | |
| Richard Robbins | ... | Posse Member | |
| Beulah Quo | ... | Chinese Herbalist | |
| Richard Lundin | ... | Jack, Wagon Driver (as Rick Lundin) | |
| Mark Carlton | ... | Lawyer Lurie | |
| Amber Leigh | ... | Laughing Woman | |
| Chuck Bennett | ... | Covered Wagon Driver | |
| R.C. Bates | ... | Tector | |
| rest of cast listed alphabetically: | |||
| Morgan Blanchard | ... | Slick (uncredited) | |
Directed by | |||
| Jonathan Kaplan | |||
Writing credits(WGA) | ||
| Albert S. Ruddy | (story) & | |
| Charles Finch | (story) & | |
| Gray Frederickson | (story) | |
| Ken Friedman | (screenplay) and | |
| Yolande Turner | (screenplay) (as Yolande Finch) | |
Produced by | |||
| William Fay | .... | co-producer | |
| Charles Finch | .... | producer | |
| Bruce Meade | .... | producer | |
| Andre Morgan | .... | producer | |
| Lynda Obst | .... | executive producer | |
| Albert S. Ruddy | .... | producer | |
Original Music by | |||
| Jerry Goldsmith | |||
Cinematography by | |||
| Ralf D. Bode | (director of photography) (as Ralf Bode) | ||
Film Editing by | |||
| Jane Kurson | |||
Casting by | |||
| Julie Ashton | |||
| Mike Fenton | |||
| Julie Selzer | |||
Production Design by | |||
| Guy Barnes | |||
Art Direction by | |||
| M. Nord Haggerty | |||
Set Decoration by | |||
| Michael Taylor | |||
Costume Design by | |||
| Susie DeSanto | |||
Makeup Department | |||
| Jim Beinke | .... | makeup effects crew | |
| Monika Blunder | .... | makeup artist | |
| Tony Gardner | .... | makeup effects | |
| Barbara Olvera | .... | hair department head | |
| Baker Smith | .... | assistant hair stylist | |
| Edward St. George | .... | hair stylist | |
| Cindy J. Williams | .... | assistant makeup artist | |
| Patty York | .... | makeup artist | |
| Lucienne Zammit | .... | makeup artist | |
Production Management | |||
| Paul Biddle | .... | post-production supervisor | |
| William Fay | .... | unit production manager | |
| Laura Greenlee | .... | production supervisor | |
Special Effects by | |||
| Geoff Brewis | .... | key special effects | |
| John C. Hartigan | .... | special effects | |
| Paul Hickerson | .... | special effects foreman | |
| Thomas Ordorff | .... | special effects assistant | |
| Gary Phillips | .... | special effects assistant | |
Visual Effects by | |||
| John N. Campbell | .... | digital artist (uncredited) | |
Stunts | |||
| Julie Adair | .... | stunts | |
| Tony Lee Boggs | .... | stunts (as Tony Boggs) | |
| Will Cascio | .... | stunts (as Will Jake Cascio) | |
| Kerrie Cullen | .... | stunts | |
| Anthony De Longis | .... | stunts | |
| Bill Erickson | .... | stunts | |
| Clifford Happy | .... | stunts | |
| Marguerite Happy | .... | stunts | |
| Bonnie Hock | .... | stunts | |
| Shawn Howell | .... | stunts | |
| Robert Jauregui | .... | stunts | |
| Denise Lynne Roberts | .... | stunts | |
| Debby Lynn Ross | .... | stunts | |
| David Rowden | .... | stunts | |
| Ben Scott | .... | stunts (as Ben R. Scott) | |
| Walter Scott | .... | stunt coordinator | |
| Gwynn Turnbull | .... | stunts | |
| Mark Warrick | .... | stunts (as Mark Warrack) | |
| Jennifer Watson-Johnston | .... | stunts | |
Costume and Wardrobe Department | |||
| Marsha Barton | .... | costume cutter | |
| Nancy Collini | .... | key set costumer | |
| Lois DeArmond | .... | costume illustrator | |
| Wendy J. Greiner | .... | costumer | |
| Jeannie Johnson | .... | costumer | |
| Kathy Kiatta | .... | costumer | |
| Susan Kistler | .... | key costumer | |
| Beverly Kline | .... | costumer | |
| Melissa Merwin | .... | costume supervisor | |
| Lonnie Porro | .... | costumer | |
| Wendy Range Rao | .... | costumer (as Wendy Range) | |
| Eileen Sieff Stroup | .... | costume supervisor | |
Editorial Department | |||
| Gary Burritt | .... | negative cutter | |
| Jennifer Jean Cacavas | .... | second assistant editor | |
| Catherine Chase | .... | first assistant editor | |
| Phil Hetos | .... | color timer | |
| Martin Allan Kloner | .... | apprentice editor | |
| Jim Makiej | .... | second assistant editor | |
| Brent A. Schoenfeld | .... | additional film editor (as Brent Schoenfeld) | |
| Greg Thompson | .... | second assistant editor | |
Music Department | |||
| Sandy DeCrescent | .... | orchestra contractor | |
| Darrell Hall | .... | music editor: temp music | |
| Kenneth Hall | .... | music editor (as Ken Hall) | |
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| Once Upon a Texas Train | Los Locos | Hang 'Em High | The Quick and the Dead | Draw! |
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IMDb User Rating: |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Western section | IMDb USA section |
Bad Girls was a Young Guns wannabe with women. The actresses gave fair performances with the roles they were given, though those roles were clichéd and one-dimensional. The film was meant to show the struggles and hardships of women in the old west, yet the film failed on many levels. Rather than turning the women into gunslingers, they should've played more on the Thelma-and-Louise-of-the-old-west routine. What was worse was the whole "we don't need you men, but we love you" attitude. Overall, it could have been better, but then again, it could've been worse. It could've been "Catwoman in the Old West". As crappy as it was, they should've had some T&A in the film, just for redeeming value. It would've made the show more watchable, at least. Feminists probably loved the film. At least it has a niche audience.