After Pardon Chato, a mestizo, kills a US marshal in self-defense, a posse pursues him, but as the white volunteers advance deep in Indian territory they become more hunted than prey, ... See full summary »
After the Civil War, ex-Union Colonel John Henry Thomas and ex-Confederate Colonel James Langdon are leading two disparate groups of people through strife-torn Mexico. John Henry and ... See full summary »
Brendan O'Malley arrives at the Mexican home of old flame Belle Breckenridge to find her married to a drunkard getting ready for a cattle drive to Texas. Hot on O'Malley's heels is lawman ... See full summary »
Running from the law after a bank robbery in Mexico, Dad Longworth finds an opportunity to take the stolen gold and leave his partner Rio to be captured. Years later, Rio escapes from the ... See full summary »
When saloon prostitute Cody Zamora rescues her friend Anita from an abusive customer by killing him, she is sentenced to hang. However, Anita and their two friends Eileen and Lilly rescue Cody and the four make a run for Texas, pursued by Graves and O'Brady, two Pinkerton detectives hired to track them. When Cody withdraws her savings from a Texas bank, the women believe they can now start a new life in Oregon. But Cody's old partner Kid Jarrett takes Cody's money when his gang robs the bank, and so the four so-called "Honky- Tonk Harlots" set out to recover the money, with the Pinkertons hot on their trail. Written by
Jim Beaver <firstname.lastname@example.org>
Drew Barrymore threatened to quit the production when original director Tamara Davis was fired. This was due to Davis being a friend of Barrymore's who had directed her in the film Guncrazy (1992). See more »
A wad of hundred dollar bills seen briefly is obviously twentieth-century money. See more »
Agreed, the acting could have been a bit less melodramatic but the actresses concerned did a good job when they weren't looking like supermodels.
The trick about it was "they had to look good" and they did look good. Madeleine Stowe's "Cool Cody", Andie McDowell's Elegant Eileen, Mary Stuart Masterson's "Arch Anita", and Drew Barrymore's tomboyish "Li'l Lilly", were fetching and gave rise to Girl Power credence.
I couldn't take my eyes off Barrymore who had come a long since E.T. and her drug/alcohol fuelled periods of teen angst/pain.
The fight at the end in the corral blew me away, those girls proved they could outshoot anything on two legs!!!
There should be a sequel!!!
4 out of 5
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