5.1/10
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42 user 23 critic

Bad Girls (1994)

Four prostitutes join together to travel the Old West.

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Writers:

(story), (story) | 3 more credits »
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Cast

Cast overview, first billed only:
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William Tucker (as James LeGros)
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Frank Jarrett
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Daniel O'Haco ...
Roberto, Jarrett Gang
Richard Reyes ...
Rico, Jarrett Gang
Alex Kubik ...
Yuma, Jarrett Gang
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Storyline

When saloon prostitute Cody Zamora rescues her friend Anita from an abusive customer by killing him, she is sentenced to hang. However, Anita and their two friends Eileen and Lilly rescue Cody and the four make a run for Texas, pursued by Graves and O'Brady, two Pinkerton detectives hired to track them. When Cody withdraws her savings from a Texas bank, the women believe they can now start a new life in Oregon. But Cody's old partner Kid Jarrett takes Cody's money when his gang robs the bank, and so the four so-called "Honky- Tonk Harlots" set out to recover the money, with the Pinkertons hot on their trail. Written by Jim Beaver <jumblejim@prodigy.net>

Plot Summary | Add Synopsis

Taglines:

It was a dangerous time to be a woman. And a good time to have friends.

Genres:

Romance | Western

Motion Picture Rating (MPAA)

Rated R for western violence | See all certifications »

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Details

Country:

Language:

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Release Date:

22 April 1994 (USA)  »

Also Known As:

Belles de l'Ouest  »

Box Office

Opening Weekend:

$5,012,200 (USA) (24 April 1994)

Gross:

$15,240,435 (USA)
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Company Credits

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Technical Specs

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Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

20 years later James Le Cros & Madaline Stowe both star in Revenge together. See more »

Goofs

When the stage coach comes out of the canyon/gorge, the camera crew and modern vehicles are reflected in the window. See more »

Quotes

Jerome Lurie: Ma'am, I don't know how to tell you this...
Anita Crown: Tell me what?
Jerome Lurie: Well, your claim is worthless without your husband alive. See for yourself... second paragraph. Now ma'am, I'm sorry but it's the law. Surely you understand that.
Anita Crown: Yes, I understand that. I was worthless until I married. So now, I guess I'm worthless as a widow. Funny, I had some value as a whore.
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Soundtracks

Streets of Laredo
Traditional
Solo Guitar James Le Gros
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Frequently Asked Questions

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User Reviews

 
Cast off the shackles that bind women of the West
24 April 2006 | by (New York) – See all my reviews

Jonathan Kaplan's Bad Girls leaves an interesting taste in my mouth. It is an energetic and fun film, offset by its ridiculous characters and plot. The believability factor in this flick is low, which encourages its audience to view it as a swirling maelstrom of metaphor and symbol. Woman, as defined by the early 90's, can overcome any impediment and still be beautiful, no need to become manly (and lose her femininity) to assert herself. The Western genre serves as a perfect tableau for this discourse because it is one traditionally dominated by men. Likewise, the men in Bad Girls each represent an institution of American culture that is dominated by men and their mentality, conveniently dispatched by the bad girls.

Four whores raise hell by killing a Colonel and running out of town, complete with unnecessary slow motion of Drew Barrymore shouting "heeyah!" and the humiliation of every man who crosses their path. The military, traditional justice, and Christianity are trampled upon, left wondering how these motivated and hard working women could escape their clutches. The film from here takes some twists and turns, and several complete circles. In short, the whores chase a dream of establishing a home for themselves around a mill that Mary Stuart Masterson's late husbands owned, countering the murderous advances of men with their own sexual flaunting. Gunfights, smarmy dialogue, pseudo-lesbianic encounters, and female flesh fill the film to to a near bursting capacity, much like Barrymore's bosom.

It is not what I would call a smart film, however it does present itself as an interesting fable about the empowerment of women by women who remain women. I would liken Bad Girls to that of the Freudian dreams of those who struggle against "the man." I feel that it deserves to be seen at least once.


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