Detective Joe Garvey is called in to a mysterious case: a ballerina has been slayed on stage during a performance, it seems she didn't even fight. At her house Garvey finds her 14 years old... See full summary »
After Pardon Chato, a mestizo, kills a US marshal in self-defense, a posse pursues him, but as the white volunteers advance deep in Indian territory they become more hunted than prey, ... See full summary »
Brendan O'Malley arrives at the Mexican home of old flame Belle Breckenridge to find her married to a drunkard getting ready for a cattle drive to Texas. Hot on O'Malley's heels is lawman ... See full summary »
When saloon prostitute Cody Zamora rescues her friend Anita from an abusive customer by killing him, she is sentenced to hang. However, Anita and their two friends Eileen and Lilly rescue Cody and the four make a run for Texas, pursued by Graves and O'Brady, two Pinkerton detectives hired to track them. When Cody withdraws her savings from a Texas bank, the women believe they can now start a new life in Oregon. But Cody's old partner Kid Jarrett takes Cody's money when his gang robs the bank, and so the four so-called "Honky- Tonk Harlots" set out to recover the money, with the Pinkertons hot on their trail. Written by
Jim Beaver <email@example.com>
Tamra Davis started as director of this film, with a script written by Yolande Turner and Becky Johnston. A few weeks into filming, the production company became unhappy with the direction the film was taking. They shut down production, replaced Davis with Jonathan Kaplan, had the script rewritten and sent the four main actresses off to "cowboy camp" to learn how to shoot, rope and ride. See more »
When the stage coach comes out of the canyon/gorge, the camera crew and modern vehicles are reflected in the window. See more »
It's the language of love.
I didn't know the language of love had words, ma'am.
Oh my, yes. I could teach you.
See more »
Agreed, the acting could have been a bit less melodramatic but the actresses concerned did a good job when they weren't looking like supermodels.
The trick about it was "they had to look good" and they did look good. Madeleine Stowe's "Cool Cody", Andie McDowell's Elegant Eileen, Mary Stuart Masterson's "Arch Anita", and Drew Barrymore's tomboyish "Li'l Lilly", were fetching and gave rise to Girl Power credence.
I couldn't take my eyes off Barrymore who had come a long since E.T. and her drug/alcohol fuelled periods of teen angst/pain.
The fight at the end in the corral blew me away, those girls proved they could outshoot anything on two legs!!!
There should be a sequel!!!
4 out of 5
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