Detective Joe Garvey is called in to a mysterious case: a ballerina has been slayed on stage during a performance, it seems she didn't even fight. At her house Garvey finds her 14 years old... See full summary »
A woman moves from NYC to LA after a murder, in which she is implicated. She is followed by what is apparently her evil alter- ego. She moves into a room for rent by a writer, and he begins... See full summary »
The film opens with 4 tuxedo clad men showing up at a penitentiary to meet a friend who has just been released after three years in prison and is going straight from the jail to marry his ... See full summary »
Casey and Matt are high school kids in love. They run away together after Casey's parents check her into a mental hospital for trying to kill herself. Matt sneaks her out and on the road ... See full summary »
Detective Kyle Bodine falls for Rachel Munro who is trapped in a violent marriage. After shooting her husband, Kyle relucantly agrees to help hide the body, but Kyle's partner is showing an... See full summary »
Jane is a night club singer, out of work. Robin is a quirky real estate agent looking for a ride-share to accompany her to California. Her advertisement is answered by Jane, who at first ... See full summary »
A story told from three angles. Max meets Elizabeth; they live together, but when she talks of marriage, he balks. He becomes extremely jealous, probably without cause, and thinks she's ... See full summary »
Emma is a blind cellist who finally gets the opportunity to get to see. Meanwhile, a string of bizarre rapes and murders has taken place. All of the victims have had transplants within the last month. A coincidence, or is Emma next?
When saloon prostitute Cody Zamora rescues her friend Anita from an abusive customer by killing him, she is sentenced to hang. However, Anita and their two friends Eileen and Lilly rescue Cody and the four make a run for Texas, pursued by Graves and O'Brady, two Pinkerton detectives hired to track them. When Cody withdraws her savings from a Texas bank, the women believe they can now start a new life in Oregon. But Cody's old partner Kid Jarrett takes Cody's money when his gang robs the bank, and so the four so-called "Honky- Tonk Harlots" set out to recover the money, with the Pinkertons hot on their trail. Written by
Jim Beaver <email@example.com>
According to producer Lynda Obst, the original production design was essentially monochromatic, and the leading actresses had primary color costumes. During the brief halt in production and cast and crew replacements, a different production designer was hired and the costume and set concepts were retooled. One recurring problem in the original project was that the lead actresses were fighting over a red costume originally intended for Madeleine Stowe. See more »
At the end it looks like Kid Jared puts his gun in the holster before the next scene when he puts it in his holster. See more »
Lily! Can't you see that I was just trying to get us something passable to eat?
Yeah, and I'm Wyatt Earp.
Can I have a kiss, Wyatt Earp?
Don't you go puckering up to me, Eileen.
Oh come on, come on.
See more »
Gunslingerettes line up for the atrocity exhibition.
Bad Girls is directed by Jonathan Kaplan from a screenplay by Ken Friedman and Yolande Turner. It stars Madeleine Stowe, Mary Stuart Masterson, Andie MacDowell and Drew Barrymore. The plot sees the four girl actors playing prostitutes on the run following a justifiable homicide and a hanging escape. Suffice to say that they get into scrapes & double crosses whilst being pursued by the Pinkerton's.
Being asked to suspend disbelief is one thing, being force fed drivel masquerading as pro-feminism is entirely another. Bad Girls is a mess of a movie, an insult to the Western genre, the fans of the lady actors, to the lady actors themselves; who simply deserve much much better and arguably worst of all; to women in general. The script is laughable, serving only as an excuse for the gals to sling those guns and hips when possible, and be abused and saved by "men", while the plotting is by the numbers as everything falls into place readily. There's even slow-mo shots where they serve no purpose of enhancement. Throw into the mix that three of ladies look nothing like on the run outlaws, all shine and span and make up with nice hair (Masterson the exception as she has a modicum of believability about her), well it's rather a depressing experience all told. Sure, as a red blooded guy I'm not going to be turned off by Barrymore's shapely thighs adorned in white stockings, or Stowe's truly gorgeous face, but when the highlights of a "girl" Western is something that's only aesthetically sexy for men, then they clearly have got it wrong.
So what's the justification for it being so bad? Well the back story offers up the answer. Film was meant to be directed by a woman, Tamra Davis (erm-Billy Madison & Crossroads), but she was jettisoned a couple of weeks into production. The plan with Davis at the helm was for it to be a Western told from a female point of view. However, Kaplan (The Accused/Unlawful Entry) was brought in quickly and the screenplay rewritten in a hurry. And boy does it show. Technically it's a duffer too, Jerry Goldsmith's score is cheap in texture and Jane Kurson's editing is choppy to say the least. There's no eye catching cinematography (Ralf D. Bode), while the acting away from the script hindered girls (ie: the men), is either a waste of time them being in it (Nick Chinlund) or badly directed (James Russo). While Dermot Mulroney seems only to exist as being a link to Young Guns; the "boy" version that this is clearly trying to ride the coat tails in on. If you want a good Western about the girls fighting the good fight then seek out George Marshall's 1957 film The Guns Of Fort Petticoat. It's a fun movie that at least has believable women fighting back under duress. Bad Girls, tho, is just bad in every department. 2/10
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