| Photos (See all 10 | slideshow) | Videos |
| Isabelle Huppert | ... | Isabelle | |
| Martin Donovan | ... | Thomas Ludens | |
| Elina Löwensohn | ... | Sofia Ludens | |
| Damian Young | ... | Edward, Jaque's Accountant | |
| Chuck Montgomery | ... | Jan, Jaque's Goon | |
| Dave Simonds | ... | Kurt, Jaque's Goon | |
| Pamela Stewart | ... | Officer Patsy Melville | |
| Erica Gimpel | ... | Irate Woman | |
| Jan Leslie Harding | ... | Waitress | |
| Terry Alexander | ... | Frank, the Cook | |
| Holt McCallany | ... | Usher | |
| Hugh Palmer | ... | Warren | |
| Michael Imperioli | ... | Doorman at Club | |
| Angel Caban | ... | Detective | |
| Emmanuel Xuereb | ... | Bartender | |
| Lennie Loftin | ... | Taxi Driver | |
| David Greenspan | ... | George, the Pornographer | |
| Adria Tennor | ... | Kid reading 'The Odyssey' | |
| Parker Posey | ... | Girl Squatter | |
| Dwight Ewell | ... | Boy Squatter | |
| Currie Graham | ... | Video Store Clerk | |
| Jamie Harrold | ... | Pizza Guy | |
| Patricia Scanlon | ... | Young Irate Mother | |
| James McCauley | ... | Policeman | |
| Benny Nieves | ... | Policeman | |
| David Troup | ... | Guard | |
| Tim Blake Nelson | ... | Young Detective | |
| Marissa Copeland | ... | Sister at Door | |
| Dael Oriandersmith | ... | Mother Superior | |
| Michael Gaston | ... | Sharpshooter | |
| Paul Schulze | ... | Cop Who Shoots Thomas | |
| rest of cast listed alphabetically: | |||
| Jason Fisher | ... | David (uncredited) | |
Directed by | |||
| Hal Hartley | |||
Writing credits(in alphabetical order) | ||
| Hal Hartley | ||
Produced by | |||
| Jerome Brownstein | .... | executive producer | |
| Hal Hartley | .... | producer | |
| Ted Hope | .... | producer | |
| Lindsay Law | .... | executive producer | |
| Yves Marmion | .... | executive producer | |
| Scott Meek | .... | executive producer | |
Original Music by | |||
| Hal Hartley | (as Ned Rifle) | ||
| Jeffrey Taylor | |||
Cinematography by | |||
| Michael Spiller | |||
Film Editing by | |||
| Steve Hamilton | |||
Casting by | |||
| Billy Hopkins | |||
| Suzanne Smith | |||
Production Design by | |||
| Steve Rosenzweig | |||
Art Direction by | |||
| Ginger Tougas | |||
Set Decoration by | |||
| Jennifer Baime | |||
| Amy Tapper | |||
Costume Design by | |||
| Alexandra Welker | |||
Makeup Department | |||
| Judy Chin | .... | makeup artist | |
| Marjorie Durand | .... | key makeup artist | |
Production Management | |||
| Christopher Goode | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Robert C. Albertell | .... | third assistant director | |
| Gregory Jacobs | .... | first assistant director | |
| Allen Kupetsky | .... | second assistant director | |
Art Department | |||
| Susan Blume | .... | scenic artist | |
| Laurie F. Cohen | .... | scenic charge | |
| Robert Cosentino | .... | art production assistant | |
| David Doernberg | .... | property master (as Dave Doernberg) | |
| Linda Harvey | .... | construction coordinator | |
| Sarah Lavery | .... | assistant props | |
| Joyce M. Pierpoline | .... | art department coordinator | |
| Neda Pourang | .... | art intern | |
| Constance Van Flandern | .... | set property master | |
Sound Department | |||
| Marko A. Costanzo | .... | foley artist | |
| Jeanne Gilliland | .... | second boom operator | |
| Paul Koronkiewicz | .... | boom operator | |
| Susan Littenberg | .... | sound editor | |
| Jeff Pullman | .... | sound mixer | |
| Steve Silkensen | .... | sound editor | |
| Reilly Steele | .... | sound re-recording mixer | |
Special Effects by | |||
| Drew Jiritano | .... | special effects | |
| Ron Petruccione | .... | special effects | |
Stunts | |||
| Phil Neilson | .... | stunt coordinator | |
| Ron Petruccione | .... | stunts | |
Camera and Electrical Department | |||
| Bart Blaise | .... | second assistant camera | |
| Richard Breen | .... | best boy electric | |
| Paul Candrilli | .... | key grip | |
| Leonard Freed | .... | additional still photographer | |
| Eric M. Klein | .... | best boy grip | |
| Richard Ludwig | .... | still photographer | |
| Paul Nickason | .... | dolly grip | |
| Storn Peterson | .... | first assistant camera | |
| Linda Phillips | .... | electrician | |
| Danya Reich | .... | second second assistant camera | |
| Frank Stubblefield | .... | gaffer (as W. Stubblefield) | |
| Joe Stubblefield | .... | electrician | |
Casting Department | |||
| Kerry Barden | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Elana C. Fisher | .... | costume production assistant | |
| Marina Marit | .... | wardrobe supervisor | |
| Kathryn Nixon | .... | assistant costume designer | |
Editorial Department | |||
| Alex Albanese | .... | first assistant editor | |
| Susan Littenberg | .... | assistant editor | |
| Patricia Sztaba | .... | negative matcher | |
| Stan Sztaba | .... | negative matcher | |
Transportation Department | |||
| Brian Maxwell | .... | transportation captain | |
Other crew | |||
| Joan Altman | .... | production auditor | |
| Paul C. Arianas | .... | assistant production coordinator | |
| Randall Balsmeyer | .... | title designer | |
| Eddy Collyns | .... | location manager | |
| Fliss Coombs | .... | unit publicist | |
| Joyce Hsieh | .... | assistant auditor | |
| Jocelyn Jansons | .... | location assistant | |
| Roger Kass | .... | legal services | |
| Lilene Mansell | .... | dialect coach | |
| James McCauley | .... | fight director (as James Michael McCauley) | |
| Victoria McGarry | .... | production coordinator | |
| Alexa D. O'Brien | .... | production office intern | |
| Andrew Saxe | .... | assistant location manager | |
| Rick Washburn | .... | weapons coordinator | |
| Greg White | .... | production assistant | |
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| The Bank Job | The Lost Son | Freeway | The Player | Freeway II: Confessions of a Trickbaby |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
Hal Hartley where have you been all my movie-loving life? This was the sort of movie-watching experience which required my calling my best friend and telling her about it, as I would any noteworthy experience.
Yes, the ending was dismal... yet perfect! So much about redemption: This was clear if one remembers Thomas's feet at the beginning of the movie, and then Thomas's feet at the end. At that point, I saw the (one of) point to the story. I enjoyed the clipped dialogue, the clarity, AND the ironic absurdity. The story was not meant to be reality-driven, but limited to the raison d'etre of Thomas and the other characters: as in a dream, but not. Discovering it was a marvelous channel-surfing accident.
Now I must do a search on Hal Hartley. Check out his portfolio, so to speak. Rating 9/10.