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| Hugo Weaving | ... | Anthony 'Tick' Belrose / Mitzi Del Bra | |
| Guy Pearce | ... | Adam Whitely / Felicia Jollygoodfellow | |
| Terence Stamp | ... | Ralph Waite / Bernadette Bassenger | |
| Rebel Penfold-Russell | ... | Logowoman (as Rebel Russell) | |
| John Casey | ... | Bartender | |
| June Marie Bennett | ... | Shirley | |
| Murray Davies | ... | Miner | |
| Frank Cornelius | ... | Piano Player | |
| Bob Boyce | ... | Petrol Station Attendant | |
| Leighton Picken | ... | Young Adam | |
| Maria Kmet | ... | Ma | |
| Joseph Kmet | ... | Pa | |
| Alan Dargin | ... | Aboriginal Man | |
| Bill Hunter | ... | Robert 'Bob' Spart | |
| Julia Cortez | ... | Cynthia Campos | |
| Daniel Kellie | ... | Young Ralph | |
| Hannah Corbett | ... | Ralph's Sister | |
| Trevor Barrie | ... | Ralph's Father | |
| Ken Radley | ... | Frank | |
| Sarah Chadwick | ... | Marion | |
| Mark Holmes | ... | Benjamin | |
| rest of cast listed alphabetically: | |||
| Tim Chappel | ... | Drag-Queen in Barber's Chair (uncredited) | |
| Al Clark | ... | Priest (uncredited) | |
| Stephan Elliott | ... | Doorman (uncredited) | |
| Lizzy Gardiner | ... | Naughty Maid at Hotel (uncredited) | |
| Margaret Pomeranz | ... | Adam's Mum (uncredited) | |
| Christian Stead | ... | Featured Extra (uncredited) | |
| Nikki Webster | ... | Featured Extra (uncredited) | |
Directed by | |||
| Stephan Elliott | |||
Writing credits | ||
| Stephan Elliott | (written by) | |
Produced by | |||
| Al Clark | .... | producer | |
| Michael Hamlyn | .... | producer | |
| Grant Lee | .... | tyro producer | |
| Rebel Penfold-Russell | .... | executive producer | |
| Sue Seeary | .... | associate producer | |
Original Music by | |||
| Guy Gross | |||
Cinematography by | |||
| Brian J. Breheny | (director of photography) (as Brian J Breheny) | ||
Film Editing by | |||
| Sue Blainey | |||
Production Design by | |||
| Owen Paterson | |||
Art Direction by | |||
| Colin Gibson | |||
Costume Design by | |||
| Tim Chappel | |||
| Lizzy Gardiner | |||
Makeup Department | |||
| Angela Conte | .... | hair stylist | |
| Angela Conte | .... | makeup artist | |
| Cassie Hanlon | .... | hair artist | |
| Cassie Hanlon | .... | key makeup artist | |
| Strykermeyer | .... | hair stylist | |
| Strykermeyer | .... | makeup artist | |
Production Management | |||
| Rick Kornaat | .... | unit manager | |
| Sue Seeary | .... | post-production supervisor | |
| Sue Seeary | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Stuart Freeman | .... | first assistant director | |
| Colin Gibson | .... | additional directing | |
| Maria Phillips | .... | second assistant director | |
| Jamie Platt | .... | third assistant director | |
| Emma Schofield | .... | second assistant director | |
Art Department | |||
| Graham Beatty | .... | art department electrician | |
| Lyall Beckmann | .... | welder | |
| Kerrie Brown | .... | props buyer | |
| Jonathan Desprez | .... | carpenter | |
| Roz Hinde | .... | soft furnishings | |
| John Murch | .... | prop maker | |
| Philipa Playford | .... | prop maker (as Philippa Playford) | |
| Dougal Thompson | .... | carpenter | |
| Yann Vignes | .... | art department runner | |
Sound Department | |||
| Steve Burgess | .... | foley editor | |
| Tim Colvin | .... | assistant sound effects editor (as Tim 'Lobes' Colvin) | |
| Steve Erskine | .... | sound coordinator (as Stephen 'The Gherkin' Erskine) | |
| Steve Erskine | .... | sound effects editor (as Stephen 'The Gherkin' Erskine) | |
| Simon Hewitt | .... | adr recordist (as Simon 'Dionne' Hewitt) | |
| Phil Judd | .... | sound mixer | |
| Phil Judd | .... | sound supervisor | |
| Gerry Long | .... | foley editor | |
| Fiona McBain | .... | boom swinger | |
| Angus Robertson | .... | dialogue editor (as Angus 'Goose' Robertson) | |
| Grant Shepherd | .... | sound: additional recording | |
| Guntis Sics | .... | additional sound designer | |
| Guntis Sics | .... | sound recordist | |
| Danielle Wiessner | .... | additional adr editor | |
Stunts | |||
| Robert Simper | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Paul Booth | .... | gaffer | |
| Richard Bradshaw | .... | assistant: second unit | |
| Michael Gaffney | .... | grip assistant | |
| Peter Holland | .... | third electric | |
| Matt Inglis | .... | best boy (as Best Naughty Boy) | |
| Elise Lockwood | .... | still photographer | |
| Ian McAlpine | .... | grip | |
| Pat Nash | .... | key grip | |
| Bill Ross | .... | camera liaison | |
| Adrien Seffrin | .... | focus puller | |
| Anna Townsend | .... | clapper loader | |
| Martin Turner | .... | camera: second unit | |
Casting Department | |||
| Bobbie Pick-up | .... | casting: Broken Hill (as Bobbie Pickup) | |
Costume and Wardrobe Department | |||
| Brett Cooper | .... | wardrobe coordinator | |
| Glenn Lewis | .... | gowns: Mr Breheny (as Miss 3D) | |
| Emily Seresin | .... | wardrobe supervisor | |
Editorial Department | |||
| Tony Lynch | .... | post-production liaison | |
| Karen Psaltis | .... | negative matcher | |
| Michael Robertson | .... | telecine operator | |
| Ian Russell | .... | laboratory liaison: Atlab Australia | |
| Andrew Yuncken | .... | assistant editor (as Andy 'Foofy' Yuncken) | |
Music Department | |||
| Robyne Dunn | .... | singer: soprano solo (as Robyn Dunn) | |
| Coralie Hartl | .... | orchestra contractor | |
| Phillip Hartl | .... | concert master | |
| Simon Leadley | .... | music engineer | |
| Sydney Philharmonia Choir | .... | music performers | |
| Sydney Symphony Orchestra | .... | orchestra | |
| Antony Walker | .... | choir director | |
| Diana Williams | .... | music clearances: songs | |
| Derek Williams | .... | orchestrator (uncredited) | |
Transportation Department | |||
| Peter Cogar | .... | set mechanic | |
| Mark McKinley | .... | driver | |
| Tim Parry | .... | vehicle coordinator | |
Other crew | |||
| Antonia Barnard | .... | completion guarantor: Film Finances Inc. | |
| Libby Blainey | .... | title designer | |
| Dave Burge | .... | liaison: Coober Pedy | |
| Lorraine Calway | .... | insurance broker: Jardine Tolley | |
| Martin Cooper | .... | legal representation: Martin Cooper + Co | |
| Kate Dennis | .... | continuity | |
| Mark Devereux | .... | legal representation: Simon Olswang + Co | |
| Tim Duggan | .... | unit assistant | |
| Russell Fewtrell | .... | unit assistant | |
| Colin Gibson | .... | catering: Sunday | |
| Deb Gwilliam | .... | catering assistant | |
| Julia Gwilliam | .... | unit nurse | |
| Rick Kornaat | .... | location manager | |
| Michael Kuhn | .... | big cheese | |
| Catherine Lavelle | .... | unit publicist | |
| Grant Lee | .... | coordinator: second unit (as Grant D. Lee) | |
| Robyn Lee | .... | trainer: tranny | |
| Terry Lee | .... | aerial pilot | |
| Paul Malane | .... | unit assistant | |
| Frank Mangano | .... | unit assistant | |
| John May | .... | production accountant | |
| Mark Nancarrow | .... | catering assistant | |
| Jo O'Keefe | .... | liaison: London office | |
| Jenny Lee Robinson | .... | tutor (as Jenny-Lee Robinson) | |
| Esther Rodewald | .... | production coordinator | |
| Stephen Rutter | .... | travel manager | |
| Robert Simper | .... | safety supervisor | |
| Kim Steblina | .... | liaison: base office | |
| Strykermeyer | .... | executive consultant: drag | |
| Mark White | .... | choreographer | |
| Clare Wise | .... | assistant to producers | |
Thanks | |||
| Martin Armiger | .... | quite special thanks: hold the sweetener | |
| Maureen Barron | .... | quite special thanks: hold the sweetener | |
| Graham Bradstreet | .... | special thanks: no cream - cherries optional | |
| Caroline Burton | .... | quite special thanks: hold the sweetener | |
| David Cipriano | .... | quite special thanks: hold the sweetener | |
| Sue Cohen | .... | quite special thanks: hold the sweetener | |
| Kim Dalton | .... | quite special thanks: hold the sweetener | |
| Ann Darrouzet | .... | quite special thanks: hold the sweetener | |
| Andrena Finlay | .... | extra special thanks: with cream on top | |
| Kim Green | .... | special thanks: no cream - cherries optional | |
| Billy Hinshelwood | .... | quite special thanks: hold the sweetener | |
| Merlyne Jamieson | .... | quite special thanks: hold the sweetener | |
| Tom Knapp | .... | quite special thanks: hold the sweetener | |
| Keith Lupton | .... | quite special thanks: hold the sweetener | |
| Xavier Marchand | .... | quite special thanks: hold the sweetener | |
| Graeme Mason | .... | quite special thanks: hold the sweetener | |
| Jane Moore | .... | quite special thanks: hold the sweetener | |
| Tracey Mulligan | .... | quite special thanks: hold the sweetener | |
| Owen Paterson | .... | acknowledgment: Gloria's Puncture Kit provided by | |
| Aline Perry | .... | quite special thanks: hold the sweetener | |
| Sarah Radclyffe | .... | quite special thanks: hold the sweetener | |
| Brian Ross | .... | quite special thanks: hold the sweetener | |
| Peter Skillman | .... | extra special thanks: with cream on top | |
| Kathryn Smith | .... | quite special thanks: hold the sweetener | |
| Stewart Till | .... | quite special thanks: hold the sweetener | |
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| The Thank You Girls | To Wong Foo Thanks for Everything, Julie Newmar | Stonewall | Eleven Men Out | Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb Australia section |
...and that's a GOOD thing. Basically, before I truly became aware of "Priscilla", I had only thought of its three central actors as just regular, boring guys who were fine enough at acting, but really weren't anything special. Wrong. I had heard about this mysterious movie once or twice, but had no idea who was in it, nor what it was about (beyond the rather vague concept of drag queens/transvestites), and when I decided to read more about it, and find out who was in the cast - SURPRISE! Guy Pearce (of whom I had had a bad first impression when I discovered him in that travesty "The Time Machine"), Hugo Weaving (Agent Smith himself!!!), and Terence Stamp (whom I don't think I ever saw in any films, but whom I still knew a fair bit about)! How genius is that? I had to see this to believe it, and when I did, I was not let down! Beautiful scenes, costumes, dialogue and music made this probably one of the most interesting and memorable movie experiences of my life! I wasn't the least bit uptight about it (as some people were turned off by the flamboyant behaviour and distasteful jokes, which I found refreshingly great!), and delighted in the campy antics of this fantastic trio! It's a beautiful, feel-good comedy that I recommend to anyone with a catty sense of humour (and a VERY open mind).