Muriel finds life in Porpoise Spit, Australia dull and spends her days alone in her room listening to Abba music and dreaming of her wedding day. Slight problem, Muriel has never had a date... See full summary »
In a suburb of London, young Jamie is escaping sport hours, to avoid being the victim of his comrades. Young Ste, his neighbor, is beaten by his father, and comes to sleep overnight. They discover new feelings, sleeping in the same bed.
The film covers the conflict between a father and his son both being musicians. The father is the leader of a band making rock-music from the 60s but his son becomes a star of techno-pop ... See full summary »
Two drag-queens (Anthony/Mitzi and Adam/Felicia) and a transexual (Bernadette) contract to perform a drag show at a resort in Alice Springs, a resort town in the remote Australian desert. They head west from Sydney aboard their lavender bus, Priscilla. En route, it is discovered that the woman they've contracted with is Anthony's wife. Their bus breaks down, and is repaired by Bob, who travels on with them. Written by
Randy Goldberg <email@example.com>
Bill Hunter was filming Muriel's Wedding (1994) and Priscilla at the same time, each requiring him to have different length hair, beard and to be in different parts of the country. See more »
When Mitzi and Felicia wake up the morning after they left Bernadette and Bob to get drunk, if you look at the shot out of the bus window of Bob and Bernadette, Bernadette's face is next to the cake. Once Mitzi and Felicia are out of the bus, Bernadette's face is on top of the cake. See more »
Congratulations, Missy, my darling, you did it. One lap of the Broken Hill main drag, in drag. That'll teach you to take on the Fairmont Boys School snap champion!
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A scene after the credits finish shows an Asian garden where a blow up doll (released earlier in the movie in Australia) lands on a man, who looks quite puzzled. See more »
What unlikely trio to fall in love with, just as unlikely as the landscape. When a movie fits so well without a tag that links it to anything else in its historic film context, it can only be described as a happy accident. Premeditated for sure, but accident nonetheless. Terence Stamp, is an actor with a spectacular career. Varied and surprising. It defies description, but let me try. Peter Ustinov's "Billy Budd" William Wyler's "The Collector" Federico Fellini's "Spirit of the Dead" John Schlesinger's "Far From The Madding Crowd" Pier Paolo Pasolini's "Teorema" Joseph Losey's "Modesty Blaise" Oliver Stone's "Wall Street" Stephen Frear's "The Hit" Richard Donner's "Superman" "Steven Sodebergh's "The Limey" Am I making my point? He is an actor for all seasons, beautiful beyond belief to boot. In "The Adventures of Pricilla Queen of The Desert" he unveils another unexpected side to his considerable talents. A Woman. And what a woman, a Meryl Streep with a past and, thanks to director Stephan Elliot, with a future. Dressed by geniuses. More human than ever. He is flanked by two spectacular Aussies. Hugo Weaving (The Matrix) giving a performance of such tenderness that even my brother in law, a homophobic macho man of the first order,loved him. And Guy Pearce (L A Confidential) He is such a beautiful,sexy, funny girl that made me long for a her/he all to myself. Some other monstrously cloned movies were rushed into production trying to capitalize on the success of Pricilla. They all failed miserably and rightly so. Frank Capra, accepting his AFI Lifetime Achievement Award sent a profound and heartfelt advise to young filmmakers. "Don't follow trends, start new ones" Well done Mr Elliot. Well done.
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