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The Adventures of Priscilla, Queen of the Desert (1994)

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Two drag queens and a transsexual travel across the desert to perform their unique style of cabaret.

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Won 1 Oscar. Another 9 wins & 16 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
Tick / Mitzi
...
Adam / Felicia
...
...
Logowoman (as Rebel Russell)
John Casey ...
Bartender
June Marie Bennett ...
Shirley
Murray Davies ...
Miner
Frank Cornelius ...
Piano Player
Bob Boyce ...
Petrol Station Attendant
Leighton Picken ...
Young Adam
Maria Kmet ...
Ma
Joseph Kmet ...
Pa
Alan Dargin ...
Aboriginal Man
...
Julia Cortez ...
Cynthia Campos
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Storyline

Two drag-queens (Anthony/Mitzi and Adam/Felicia) and a transexual (Bernadette) contract to perform a drag show at a resort in Alice Springs, a resort town in the remote Australian desert. They head west from Sydney aboard their lavender bus, Priscilla. En route, it is discovered that the woman they've contracted with is Anthony's wife. Their bus breaks down, and is repaired by Bob, who travels on with them. Written by Randy Goldberg <goldberg@nymc.edu>

Plot Summary | Add Synopsis

Taglines:

It's the Australian film that blitzed overseas box offices. It caused a near riot at the Cannes Film Festival. It won an Academy Award®. It's fun, daring, over-the-top and unforgettable. It's a road movie with attitude and the occasional frock. See more »

Genres:

Comedy | Music

Motion Picture Rating (MPAA)

Rated R for sex-related situations and language | See all certifications »

Parents Guide:

 »
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Details

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Language:

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Release Date:

10 August 1994 (USA)  »

Also Known As:

Las aventuras de Priscilla, reina del desierto  »

Box Office

Gross:

$11,059,700 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

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Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Bill Hunter was filming Muriel's Wedding (1994) and Priscilla at the same time, each requiring him to have different length hair, beard and to be in different parts of the country. See more »

Goofs

When Mitzi and Felicia wake up the morning after they left Bernadette and Bob to get drunk, if you look at the shot out of the bus window of Bob and Bernadette, Bernadette's face is next to the cake. Once Mitzi and Felicia are out of the bus, Bernadette's face is on top of the cake. See more »

Quotes

Felicia: [to Tick] This is getting too weird. You, and a *woman*? What did she used do for kicks? Put a bucket on your head and swing off the handle?
See more »

Crazy Credits

Filmed in Dragarama See more »

Connections

Referenced in Lock, Stock and Two Smoking Barrels (1998) See more »

Soundtracks

I Will Survive
Written by Dino Fekaris and Freddie Perren
Performed by Gloria Gaynor
Published by PolyGram International Publishing Inc. and Perren-Vibes Music Inc.
Courtesy Polydor International
See more »

Frequently Asked Questions

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User Reviews

 
A bitchy, gaudy, outrageous, kitsch comedy classic (8/10)
14 February 2001 | by (Edinburgh, Scotland) – See all my reviews

1994 proved to be rather a good year for Australian movies, with both this and MURIEL'S WEDDING delighting international audiences with their cheeky over-the-top humour, panache, pathos, winning performances, and fun soundtracks. Both, of course, heavily featured the music of ABBA (Australia has long had a particular love-affair with the Scandinavian quartet - it was probably no coincidence that it was decided to shoot the group's own feature, ABBA: THE MOVIE, during the Australian leg of their 1977 world concert tour). In MURIEL'S WEDDING the band's music is perhaps treated with more reverence and respect - Muriel Heslop is, after all, a huge fan, and the film itself is of a far more serious, distinctly black nature. PRISCILLA, on the other hand, constantly revels in its own bitchiness and catty humour, and has countless memorable, and in many cases unprintable, lines of dialogue, including stabs at the supergroup - "I've said it once and I'll say it again - no more f***ing ABBA"; "What are you telling me - this is an ABBA turd?" Of course ABBA is merely one of MANY verbal targets for the film's three main protagonists, but far from this alienating us from any of them, we cannot help but be swept along by the sheer garish joy of the entire venture.

The basic plot focuses on recently bereaved transsexual Bernadette (a magnificent, hardly recognizable Terence Stamp), who teams up with two younger drag artistes, sensitive Tick/Mitzi (Hugo Weaving) and screaming queen Adam/Felicia (Guy Pearce), so that they can travel half-way across Australia on board an all but dilapidated bus named "Priscilla", in order to perform a cabaret act at a remote casino run by an ex-partner of Tick's, soon revealed to be, horror of horrors, a WOMAN! Along the way they encounter all sorts of absurd situations and individuals almost as strange and unconventional as they themselves are, whilst Bernadette, against her better judgement, falls for gruff mechanic Bob (Bill Hunter, who also features in MURIEL'S WEDDING) that they pick up en route, and in so doing he loses his "mail-order" bride Cynthia (Julia Cortez), who in one especially memorable scene does things with ping-pong balls you just don't want to imagine!

The performances are really the thing here - Terence Stamp (who won numerous accolades for his cast-against-type labours) is amazing and totally credible as the quietly dignified transsexual, and it is hard to believe that Weaving and (especially) Pearce have not worked as flamboyant, lip-synching drag queens all their professional lives! The gaudy, outrageous costumes won a well-deserved Oscar, and the photography of the barren, surreal landscape is also masterful, as is Stephan Elliott's creative direction and hilarious, ultimately poignant script. The soundtrack may not be to everyone's taste, but it has enough camp classics to satisfy anyone yearning to relive the tacky heyday of the '70s - including ABBA's "Mamma Mia", the Village People's "Go West", and Gloria Gaynor's superb "I Will Survive", given a gloriously inventive rendition to a bunch of appreciative aboriginals, with one of their number joining in most enthusiastically.

A true kitsch classic, then - well worth re-visiting, again and again ... and again.


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