With the help of DS John Bacchus, Inspector George Gently spends his days bringing to justice members of the criminal underworld who are unfortunate enough to have the intrepid investigator assigned to their cases.
Set in the 1960s, the show follows Endeavour Morse in his early years as a police constable. Working alongside his senior partner DI Fred Thursday, Morse engages in a number of investigations around Oxford.
As WW2 rages around the world, DCS Foyle fights his own war on the home-front as he investigates crimes on the south coast of England. Later series sees the retired detective working as an MI5 agent operating in the aftermath of the war.
DI Frost is an old-school no-nonsense copper who believes in traditional policing methods. Assisted by several officers including the ever-able DS Toolan, Frost uses what he knows about the street to find solutions to complex crimes as a member of the Denton CID. His home life is complex as he cares for his wife until her death and then leads a quiet bachelor's life, with only the occasional attempt at a relationship with another woman. His daily nemesis however is the Station's commander, Supt. Mullett, who is constantly worrying about budgets, staffing levels and crime statistics. He doesn't appreciate DI Frost's rough and ready manner, which doesn't stop him from trotting him out - with his George Cross, Britain's highest civilian honour for gallantry - when it suits him. Written by
There was a courtroom spin-off considered called "The Usher" but within three months of the end of the show, Yorkshire Television changed hands and amalgamated with ITV, so "The Usher" never went ahead. See more »
Assuming that Frost had joined the police as a young man, he would have been too short. David Jason is 5'6" and the minimum height for a male police officer in England was at least 5'8" (5'10" in some forces) until 1990. See more »
Why don't you get a television like everyone else?
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I agree with other reviewers the Touch of Frost series are outstanding. In particular, the interplay between Jack Frost (David Jason) and his boss "Horn-rimmed Harry" are brilliantly observed and often very funny. There is usually an interesting relationship with his sidekick, who changes with each episode. One of the best things about the programme is the way it doesn't patronise the viewer: the characters, especially Frost, are shown as very imperfect. It's also not afraid to end on a melancholy note; Frost, after all, is something of a tragic figure.
I've seen 2nd and 3rd repeats of these, and they're still enjoyable, which is saying something for TV films. Jason is a superb actor, best known for a comedy in the UK (Only Fools and Horses) rather than serious drama, and his comedy touch is superb.
For anybody who delights in engrossing stories and exquisite human characterisation rather than standard police show cliches, Touch of Frost is exceptional. I can't recommend it highly enough.
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