After a deadly plague kills most of the world's population, the remaining survivors split into two groups - one led by a benevolent elder and the other by a maleficent being - to face each other in a final battle between good and evil.
When a deadly virus escapes from a government research facility, few prove to be immune to its effects. With symptoms similar to the flu, those who come into contact with it quickly die. One survivor...
The plague has taken its toll and only those immune to the virus are alive. The forces of good and evil are slowly taking shape. Those that have been dreaming about Mother Abigail are slowly making ...
Hundreds are now in Boulder, Colorado with Mother Abigail but Randall Flagg has sent Nadine Cross to infiltrate the group. Unable to seduce Larry, she then sets her sights on Harold. But just as the ...
When a government-run lab accidentally lets loose a deadly virus, most of the population of the world is wiped out. Survivors begin having dreams about two figures: a mystical old woman, or a foreboding, scary man. As the story tracks various people, we begin to realize that the two figures exemplify basic forces of good and evil, and the stage is set for a final confrontation between the representatives of each. Written by
Rick Munoz <email@example.com>
Miguel Ferrer originally wanted to play the role of Randall Flagg, but Stephen King wanted someone that the audience wasn't overly familiar with. After Ferrer heard that his friend Jamey Sheridan had been offered the part, but wasn't sure it was something he wanted to do, Ferrer convinced him to take it. See more »
Larry tells his mother that his album isn't on the Hot 100 yet. The Billboard Hot 100 is a song chart; the album chart is the Top 200. See more »
I can't believe a piece of Southern Fried Chicken like you is going to survive this.
See more »
Performed by The Sylvers
Written by Freddie Perren (as Frederick J. Perren) and Kenneth St. Lewis
Polygram International, Inc. / Perren-Vibes Music, Inc.
Songs of Polygram International, Inc. / Bull Pen Music
Produced by Freddie Perren (as Frederick J. Perren)
Courtesy of Capitol Records
Under License from Cema Special Markets See more »
The Stand is my favorite of all Stephen King's books. I read it and reread it, and knew that a mini-series would be the only way to do the book justice - the book is too long, and there's far too many characters to do otherwise. So when I heard that it was coming to TV and it was going to be a mini-series, I was elated.
Then I watched it.
Nope. Not how I had envisioned it, not at ALL. Now granted, just because something doesn't turn out the way I had envisioned it in my mind doesn't mean that it's wrong, per se - it's just not the way I had thought it would be. Having said that, the way it was cast (with a couple of exceptions) and filmed was in no way with what I would consider quality.
The exterior shots of the soldiers and looting were filmed in such a way to make it look like much more than it was. In reality, there were a couple of streets with a few smashed up cars and fake corpses on them. It reminded me of the dance scenes shot in Staying Alive, where the dancers barely jump, yet the camera angle (shot from the ground looking up) is made to make it seem like their little jumps are in fact giant leaps. The trouble with that is it was obvious that's what was being done, that it didn't work, and that by not working, it made the movie look all the more comical. It's the same thing with this. The outdoor shots look small and staged and artificial (kind of like the fake corn in Hemingford Home).
Then the casting. The roles that seemed to be cast the best were those of Nick Andros, Tom Cullen and Stu Redman. But Molly Ringwald as Fran Goldsmith was a joke (it seemed as though it was an excuse for her to get paid to wear yet another cute vintage ensemble from her closet), as was Matt Frewer as Trashcan Man. What happened to pimply, fat Harold Lauder? Instead we get a thin, comical, over-the-top self-righteous prig that did nothing to inspire any sense of impending danger or doom. Plus I got real, real tired of Ruby Dee's Mother Abigail having to intone (no less than four times) "Help us to STAND" (like, okay, author's message, I GET IT).
Yeah, I was so disappointed - there could have been so much more to this. There's some wonderful mini-series' out there that more than do the book justice (Lonesome Dove, is a prime example). The Stand ended up looking rushed and glamorized in ways it shouldn't have been. I do have my own version cast in my head, however, so in the future I'll return to that.
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